Holdet 1jkl me (2025/26) - Undervisningsbeskrivelse - Lectio - X

Holdet 1jkl me (2025/26) - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser

Termin(er)	2025/26
Institution	X - Ikast-Brande Gymnasium
Fag og niveau	Mediefag C
Lærer(e)	Morten Backenhaus
Hold	2025 1jkl me (1jkl me)

Oversigt over gennemførte undervisningsforløb

Titel 1	Film language
Titel 2	Christopher Nolan
Titel 3	True Crime, Pre-Ib

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)

Titel 1	Film language You are in the first part of media studies introduced to filmic terminology. Along with gaining knowledge about mise-en-scene, cinematography, editing and use of sound, you'll do small analytical exercises that help you apply your learned vocabulary. After having learned the relevant terminology, you'll complete the pre-production phase of your first film (brainstorming, synopsis, production plan, storyboarding) and get filming and editing equipment.
Indhold	Kernestof: Lovefield Room 8 Do better.mov Break the Cycle.mov What is 'mise en scene' Banshee Boardwalk empire MISE-EN-SCENE Afsnit CINEMATOGRAPHY Camera Framing_ Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2].mp4 Camera Assignment, pre-IB, 2025.docx description Se7en.mp4 description Se7en, screenshots.docx description Remember to send your films to me via Teams before class. Minority Report Inglorious EDITING Match cuts, Breaking Bad.mp4 description miseenscene-analysis.pdf description Frame from Corpse Bride.png description Editing_Exercise_Handout.pdf description Editing exercise.docx description Send your films to me at the beginning of class by airdropping them to me 'Mac-max-Ba' or send them to me via Teams prior to class. For the birds The magic of making sound The art of foley Gears of war FILM SOUND AND MUSIC Send your examples of foley sounds to me via airdrop or teams in the beginning of class if you haven't already sent them.
Omfang	Estimeret: 11,00 moduler Dækker over: 11 moduler
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Væsentligste arbejdsformer

Titel 2	Christopher Nolan Auteur course on Christopher Nolan with particular emphasis on the work with structurally complex films, as well as Nolan’s other auteur characteristics. Memento: The primary focus here is “parallel worlds” and the ways in which the form supports the plot and the premise. The Prestige: The work focuses specifically on orchestration and the roles of the characters in relation to premise and theme. Inception: Presentations will be given in which the groups work with the following analytical methods: auteur analysis, thematic analysis, genre analysis, intertextual analysis, comparative analysis, Inception as a postmodern film. Films watched in class: Memento, 2000 The Prestige, 2006 Inception, 2010 Interstellar, 2014
Indhold	Kernestof: Three act structure, student productions.docx Groups.JPG description Film terminology (2).docx description Storyboard, version 2-3.pdf description Storyboarding.pdf description Storyboarding, Get Out.mp4 description Storyboard, version 2-4.pdf description Camera - panasonic, October 2023-2.docx description Spend 5-10 minutes researching who Christopher Nolan is. Make sure to make a file and place it on your desktop prior to class. Do this by pressing 'cmd' and 'e' and choosing desktop as placement for the exported file. Remember to not use the editing program whilst exporting since this ruins the file. Airdr All films must contain 'title' + 'credits' Inception, ending.mp4 description Inception, Pre-IB.pptx description Close read a minimum of 5 consecutive shots from the clip you worked on in class last time if you didn't analyze that many when working on the clip. Remember to look at all filmic aspects such as 'mise-en-scene', 'cinematography', 'editing' and 'soun The prestige, Pre-IB.pptx description Afsnit The Prestige - Ending scene [HD] IMG_9016.JPG description Requirements:
Omfang	Estimeret: 25,00 moduler Dækker over: 21 moduler
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Væsentligste arbejdsformer

Titel 3	True Crime, Pre-Ib We'll start by defining the true crime documentary as a genre. Thereafter, we'll use three of Bill Nichols' modes of representation to theoretically work with small clips (the observational, expository and participatory modes). We'll particularly work with form, codes of fiction and non-fiction as well as the use of filmic devices and their effects. After analysing clips, two episodes from a documentary series as well as a documentary in regard to 1) Mode of documentary, 2) Use of codes of fiction and non-fiction and 3) Use of filmic devices you are to make a presentation in groups of a documentary of your own choosing. Clips used: Jepsen, Christian Sønderby: The Will, 2011 Rowe,Raphael: Inside the world's toughest prisons, 2016-18 Ward, Susannah : The secrets of Scotland Yard, 2013 Episodes and documentaries used: Howitt, Dylan: Out of Thin Air, 2017 Jarecki, Andrew: The Jinx: The Life and Deaths of Robert Durst, s.1.ep.1 'A body in the Bay' og s.1 ep. 6 'What the Hell did I do?' 2015-
Indhold	Kernestof: Film terminology.docx description The Social Dilemma Out of thin air Teaching evaluation 2026, 1JKL, Christopher Nolan – Udfyld formular The documentary genre.pdf description Fiction and non-fiction codes, 2024.docx description What Jennifer did.mp4 Types of documentary.pptx description Inside the World's toughest prisons.mp4 The Will The secrets of Scotland Yard, ep.1 The Tinder Swindler Study questions, The Tinder Swindler, new.docx description Three act structure, student exam productions.docx description 7 parameters, Raskin.docx description Groups, exam productions.JPG description Synopsis and production plan.docx description Camera - panasonic, introduction.docx description Where Do You Put the Camera? Storyboard, version 2.pdf description
Omfang	Estimeret: 20,00 moduler Dækker over: 24 moduler
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Væsentligste arbejdsformer

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