Holdet 2023 En/q - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2023/24 - 2024/25
Institution X - Gentofte HF
Fag og niveau Engelsk B
Lærer(e)
Hold 2023 En/q (1q En, 2q En)

Oversigt over gennemførte undervisningsforløb
Titel 1 (True)Crime
Titel 2 Fantasy
Titel 3 Global Britain
Titel 4 Black Voices
Titel 5 ELF part 1
Titel 6 India
Titel 7 EFL part 2
Titel 8 Animal Farm

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 (True)Crime

True Crime is one of the most popular genres of non-fiction today. The number of books, films, and tv-series about real crimes and criminals, investigations, and punishment being published continues to rise! During this course, students will explore how the genre True Crime has developed since the 18th century. They learn about the formal requirements of the different subgenres, e.g. 'criminal centric' and 'victim centric' True Crime, as well as 'historical' and 'sociological' True Crime. They see that the focus of such stories has shifted over time, from a single-minded preoccupation with the crime and the criminal to a more nuanced prism: Many modern stories look at the causes that led to criminal activity in the first place, and at how crime(s) affected victims and society as a whole.

They also reflect on such questions as: What social purpose do true crime stories serve? What do they make people feel about their lives and the world they live in?

As they engage with a number of crime stories and cases they gain an understanding of some of the key tools and methods for the analysis of non-fiction. They also learn to place texts in the historical and cultural context in which they were produced.

*Genres: news article, news report (tv), podcast, interview, historical background (academic websites), tv-ads, tv-series, memoire.

*Curriculum:
- The Bloody History of True Crime (2016) Article by Pamela Burger
- What Is True Crime? (2022) Article by Jessica Dukes
- 6 Reasons Why People Enjoy True Crime Stories, YouTube video
- "Evil Beyond Measure" (2023), investigative report from 60 Minutes Australia
- Serial Killers podcast, "The Unabomber's Crimes and Manifesto" from 9th September 2023.
- LYNX - The Power of a Fragrance (2024)
- Southwest Airlines - Wanna Get Away? (2018)
- Toyota Prius - Let's Go Places (2018)
- Ted Bundy's Final Interview (1989)
- Netflix' Mindhunter Trailer, season 1
- Mind Hunter: Inside the FBI's Elite Serial Crime Unit (1995), true crime by John E. Douglas
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 22 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 2 Fantasy

The first works of classical fantasy were published in the wake of WWII, but the genre did not become popular with the masses or arise to critical acclaim until the 1980s. Until then, science fiction had long been one of the most favoured literary genres with the general public, but gradual disillusionment with the world created by technological and scientific 'progress' opened up a space for Fantasy: Whereas sci-fi is preoccupied with technological and science, fantasy is generally characterised by a fascination with and nostalgia for the pre-industrial past. Fantasy borrows heavily from the genres of folk- and fairytale, and works within the genre tend to rely on inspiration from the Middle-Ages.

During this course, students read works of classical and contemporary fantasy, exploring how the genre has developed since its early beginnings until today. They learn about the two sub-genres, high and low fantasy, and about their typical genre traits. The students can identify genre traits to do with setting, characters, plot, symbolism, theme and message. They can also distinguish dark fantasy from more traditional forms. Students have focused primarily on setting analysis and characterisation. Students have completed a creative writing task where they invented their own fantasy world.

CURRICULUM:
- Lewis, C.S.: "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" (1950), excerpts from the novel
- Tolkien, J.R.R: "The Lord of the Rings: The Fellowship of the Ring" (1939), excerpts from the novel
- Martin, George R.R.: "A Song of Ice and Fire: A Game of Thrones" (1996), excerpts from the novel
- Benioff, David; Weiss, D.B.: "A Game of Thrones" (2011-2019), pilot episode
- Thorne, Jack: "His Dark Materials" (2019-2022), pilot episode of the HBO series
- Reed, David: "What Is Dark Fantasy?" (2021), blog post
- Moulding Minds: "What Is Fantasy?" (2016), video
- Grossman, Lev: "Feeding on Fantasy" (2002), article
- Falcon, Hermes; Covington, Kendall: "Young Readers Struggling with ‘Reality Overload’ Drive Surging Sales of Sci-Fi and Fantasy Books" (2023), article
- Funke, Cornelia: "Through Fantasy Children Face Their Fears" (2016), article

KEY TERMS:
nostalgia, the past in the present, fairy tale, high fantasy, low fantasy, dark fantasy, secondary world, parallel world, co-existing world, the child-like hero(ine), the wise sage, the appearance as a mirror to the inner world of characters the antagonist, good vs. evil, symbols, the quest, prophesy, escapism, self-transformation.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 17 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 3 Global Britain

This theme focuses on the development of Britain into its status today as a superdiverse and, to some extent, convivial society. Firstly, the theme looks briefly - as a backdrop - at Britain as a colonial power. Then follows an introduction to the Windrush Generation including background reading, a letter representing the immigrants from former colonies arriving in Britain in the 50s, and a film dealing with the recent Windrush Scandal. The next part centers on the concept “White Privilege”. The concept is introduced through background reading, two short stories and a short film. Finally, the terms “superdiversity” and “conviviality” are dealt with using background reading and an analysis of both a poem and a song/music video.

Sources:
"Making Ourselves at Home" BBC (documentary).
Sten Pultz Moslund: Everyone Is Here. New Shapes of Diversity and Belonging in Britain, Systime 2021, p. 7-9, 68-69, 175-179 (background reading)
E. L. Norry: A Letter Home
TV movie BBC 1: Sitting in Limbo, 2020
"Just Below The Surface" (1993) by Kate Nivison (short story).
Riz Ahmed: The Long Goodbye, 2020 (short film)
Riz Ahmed: Englistan, https://genius.com/Riz-ahmed-englistan-lyrics (lyrics) and https://www.youtube.com/watch?v=P5W8x4Q7N9c (music video)
Khushwant Singh: "Karma" (1989)
John Agard: "Listen mr. Oxford Don" (1985).
Indhold
Kernestof:

Skriftligt arbejde:
Titel Afleveringsdato
Virtural class 08-02-2024
Global Britain: Letter 23-02-2024
virtuel 01-03-2024
Sitting in limbo 24-03-2024
"The Long Goodbye" 21-04-2024
Omfang Estimeret: Ikke angivet
Dækker over: 34 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 4 Black Voices

This course provides an overview of the history of black Americans’ understanding of themselves and of their place in society today. Comprising a wide variety of source materials such as poetry, short stories, speeches, a documentary and a film, the students have worked with examples from the time of slavery, the period of segregation, the civil rights movement as well as recent examples and the BLM-movement. The topical vocabulary includes the following terms and phrases: slave codes, emancipation, prohibition, Jim Crow laws, xenophobia, prejudice, lynching, to be hanged, human rights, civil rights, opportunities, crime rate, segregation, Constitution, inequality, equality, discrimination, injustice.

Background reading:
Slavery ( 1850)
Separate but Equal (1850-1950s)
”I am a Man” (1950s-1965)
Post-racist America? (1965)
#BLM (2013 )
Bianca Erlich-Møller og Mathilde Thomsen: Black Voices,Gyldendal 2017, p. 8-11, 14, 60-63, 96-98, 140-144
Black Live Matter Explained: The History of a Movement; https://www.youtube.com/watch?v=YG8GjlLbbvs

Sources:
Go Down Moses (1862), from: Black Voices p. 30-34
Alice Walker: The Flowers (1973)
Billie Holiday: Strange Fruit (1939), from: Black Voices p. 81-82; https://www.youtube.com/watch?v=1udSwyKsKTs
Langston Hughes: Merry-Go-Round (1942), from: Black Voices p. 76-77
Langston Hughes: I, Too (1925), from: Black Voices p. 99-100
Martin Luther King Jr: I Have a Dream (excerpt) (1963), from: Black Voices p. 119-124 + https://www.youtube.com/watch?v=smEqnnklfYs
Malcolm X: The Ballot or the Bullet (excerpt) (1964), from: Black Voices p. 125-129
Documentary: Ava DuVernay: 13th (2016) https://www.youtube.com/watch?v=krfcq5pF8u8
Film: The Hate U Give (2018), cfu; https://www.youtube.com/watch?v=H6ufAb82GJ0
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 63 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 5 ELF part 1

NOTICE: This theme has a part 1 and a part 2

This theme explores the way the English language is used by non-native speakers in order to communicate with native English speakers and, maybe more importantly, with each other. The historical reasons for English becoming the Lingua Franca were considered before venturing into a comparison between the use of ELF in Copenhagen and Prague. In both places, the students observed the use of English in city spaces, and in Prague, they interviewed Czech people about the use of English in their job functions. Afterwards, they presented their findings in class. Finally, the students were introduced to advantages and disadvantages related to the use of ELF in different contexts such as in India, in the EU-administration and within the UN.

Sources:
“Why did English become the international language?” by Langfocus, 2018 https://www.youtube.com/watch?v=iqDFPU9YeQM&t=215s
Student observations in Gentofte and Prague: use of English in the city spaces
Student interviews with Czech people about the use of the English language in their job functions.
English as lingua franca – case India (power point presentation)
“Global English” and “English as Lingua Franca”, i: Finderup, Anne Mette & Agnete Fog: Worlds of English, Systime 2010-2022, p. 25-30.
John Agard: Reporting from the Frontline of the Great Dictionary Disaster”, 2006, i: Finderup, Anne Mette & Agnete Fog: Worlds of English, Systime 2010-2022, p. 32-34.
“Can English remain EU’s lingua franca?”, i: Nehlsen, Gitte Jæger: Company, Culture, Communication, Systime 2018, p. 145-148.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 17 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 6 India

India

This theme explores India both historically and today. Through “Delhi on Chai”, we are first introduced to urban life in India today.  We work on India’s history both before and after independence and partition and develop an understanding of the way the British see themselves in relation to the colonies through George Orwell: “Burmese Days” and Rudyard Kipling: “The White Man’s Burden”.
Turning to India today, we are introduced to caste and gender issues, and we focus on the new urban middle class and its struggle for love and/or wealth. Finally, we see how the colonial past still plays a role in India when we look at the way language is used as a postcolonial identity marker.

Delhi on Chai https://www.youtube.com/watch?v=Am_hnXPb9SQ
Pakistan India Wagah Border Ceremony https://www.youtube.com/watch?v=a8px-S2RC60
Background text: Indian independence and partition, i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 16-19
Paintings about the partition by Satish Gujral
Nehru: Tryst with destiny i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 26-28 (1947)
Amir Khan: “Lagaan” (2001) (Bollywood movie)
George Orwell: Burmese Days (1934)
Postcolonial discourse, Shashi Tharoor: https://www.facebook.com/indelibleindia/videos/187292555146777/
Advertisment: Pears’ Soap, McClure’s Magazine, October 1899
Rudyard Kipling: The White Man’s Burden (1899)
Background text: Mimic men i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 109
Background text: Demarcations i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 228-229top
Tata nano advertisment: https://www.youtube.com/watch?v=Fj7kFvk-T7g
Dating/wedding site: www.shadi.com + https://www.matrimonialsindia.com/india-matrimony.htm
Indian Matchmaking (S1 E1) Netflix series
The StayUncle initiative: https://www.youtube.com/watch?v=37NvyfKyOu4
Moshin Hamid: How to get filthy rich in Rising Asia (2013)
Sujata Bhatt: Search for my tongue
Background text: postcolonial theory: the Empire writes back, baseret på: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 322-323
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 49 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer


Titel 8 Animal Farm

Animal Farm
This theme centres on the reading of George Orwell’s famous book, Animal Farm, from 1945. The film, Mr. Jones, has been used to understand the context of Orwell’s writing of the book, particularly the situation in The Soviet Union and Ukraine at the time. This has put the present war in Ukraine into perspective. The students have worked in groups with, respectively, formalist, biographical and historical approaches to the book. Finally, the impact of the book has been touched upon by working with Coldplay’s Trouble in Town. Futhermore, we have addressed the relevance of the book in today’s world.

Sources:
George Orwell: Animal Farm, 1945
Film: Mr. Jones, 2019
Coldplay: Trouble in Town (music video)
Téa Obreht: “We’re Still Living in the World That Inspired Animal Farm – 75 Years
Later”, i: Time, 17. August 2020 https://time.com/5880178/george-orwell-
animal-farm-still-relevant/

Background reading:
[Trine Østergaard] George Orwell: Animal Farm, Systime 2021, p. 4-8; 66; 123-124; 144-149 (Approaches to Literary Criticism; introduction to George Orwell and Modernism; Types of fake news; The Use of Animal Farm as Propaganda]
Relations between characters:
http://rmunozmfadt.files.wordpress.com/2012/03/animal-farm-02.jpg
“The Russian Revolution”, “An Allegory: The Russian Revolution and Animal Farm” og “Using Media”, fra: Animal Farm A Study Gudie – Student’s book
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 30 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer