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Titel
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Minimalism & Dirty Realism
I dette forløb kombineres litteraturhistorie og -analyse med litteraturskrivning. Det fælles tema vil være minimalismens undergenre Dirty Realism, i den amerikanske tradition eksemplificeret ved Raymond Carver. Efter et grundigt forarbejde forlader vi reproduktion og analyse af andres tekster og søger at skrive vor egen kortprosa inden for minimalismens rammer.
Aabenhus, Jørgen, Anita Nell Bech Albertsen & Per Krogh Hansen (red.), Hvor lidt skal der til. En bog om Helle Helles forfatterskab, Odense: Syddansk Universitetsforlag 2011 (i uddrag)
Ernest Hemingway, "Cat In The Rain", s. 117-125 i: Ernest Hemingway, In Our Time, New York: Boni & Liveright 1925
Ernest Hemingway, "Hills Like White Elephants", s.69-77 i: Hemingway, Men Without Women, New York: Charles Scribner's Sons 1927
Raymond Carver, "They're Not Your Husband", in: Carver, Will You Please Be Quiet, Please?, New York: McGraw-Hill 1976
Raymond Carver, "Why Don't You Dance", in: Carver, What We Talk About When We Talk About Love, New York: Knopf 1981
Raymond Carver, “So Much Water So Close To Home” (two versions):
* short version in: Carver, What We Talk About When We Talk About Love, New York: Knopf 1981
* longer manuscript version in: Carver, Beginners, London: Jonathan Cape 2009
Raymond Carver, “On Writing”, Mississippi Review, vol. 14, Winter 1985, pp. 46-51
Uddrag fra Sarah Churchwell, ”The Final Cut”, The Guardian, October 24, 2009
( http://www.guardian.co.uk/books/2009/oct/24/ernest-hemingway-raymond-carver)
Robert Rebein, Hicks, Tribes, and Dirty Realists: American Fiction After Postmodernism, Lexington: The University Press of Kentucky, 2001, pp. 36-37, 41-42
Cyntia Whitney Hallett, Minimalism and the Short Story – Raymond Carver, Amy Hempel, and Mary Robinson, Lewinston: The Edwin Mellen Press, 2003, pp. 25, 38-40
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