Holdet 2022 EN/em - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2022/23 - 2024/25
Institution Faaborg Gymnasium
Fag og niveau Engelsk A
Lærer(e) Mille Nygaard Drejer
Hold 2022 EN/em (1em EN, 2em EN, 3em EN)
Oversigt over gennemførte undervisningsforløb
Titel 1 American minimalism
Titel 2 Comic books and graphic novels
Titel 3 Apologies and apologias, part 1
Titel 4 Apologies and apologias, part 2
Titel 5 Great American speeches
Titel 6 Poetry slam in South Africa
Titel 7 Lingua Franca + grammar
Titel 8 Thatcher's England
Titel 9 Shakespeare
Titel 10 American Election
Titel 11 Childhood and memories
Titel 12 Monsters (a recap topic)

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 American minimalism

This course is an introductory course in which we'll practise moving from observation to analysis to interpretation. The purpose of the course is to narrow in on a specific form of writing - to investigate the characteristics and purposes of a particular type of literary style. In doing so, this course is primarily inductive. We will focus on close reading and typical analytical focus points (such as narrators, compositions, characterizations, word choices, etc.).
Throughout this course, we will read the following texts:

* "Popular Mechanics" (short story by Raymond Carver)
* "Cat in the Rain" (short story by Ernest Hemingway)
* "Greyhound Tragedy" (short story by Richard Brautigan)
* "Galveston" (short story by Frederick Barthelme)
* "Say Yes" (short story by Tobias Wolff)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 15 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 2 Comic books and graphic novels

The purpose of this course has been to zoom in on a specific, rather well-defined genre while keeping on practising the analytical methods from our previous course - moving from observation to analysis to interpretation. As such, the focus of our analyses has been on combining "classic" analytical points and devices with the genre-specific tools and devices of the graphic genre.
During this course, we've read the following texts:

* "Time of their lives" (graphic short story by Troy Hicks)
* Excerpt from "La Perdida" (graphic novel by Jessica Abel)
* Excerpts from "Jimmy Corrigan - the smartest kid on Earth" (graphic novel by Chris Ware)
* Excerpts from "Sin Sity" (book 1, graphic novel series by Frank Miller)
* Sin City (2005 film)
* Excerpts from "Understanding Comics" (graphic theory by Scott McCloud)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 17 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 3 Apologies and apologias, part 1

This description covers both this and the "part 2"-topic :)

In this topic, we have used the textbook "Narrating Truth" (specifically the chapter "Truly Sorry") in order to analyse and understand apologies and apologias. We have focussed primarily on Benoit's 5 strategies (and their sub-categories) as well as Bitzer's description of the rhetorical situation (using terms such as exigence, audience, and constraints). In doing so, we have worked with questions such as:

What is the context of the apology (the people, the event, the timing, the aftermath, the genre, the media, the intended as well as the actual audience...)
What is the purpose of the utterance?  
What opportunities and limitations does the speaker have and why?
What is at play? What does the speaker have to win or lose here?
Kairos: is the utterance well-timed? Why/how - or why not?
Is the utterance a fitting response; does the apology "work" (why/why not)?

We approached the text in various ways, for example by looking at:
* narrative structures, metaphors, style of writing, retorical devices
* the rheotrical situation and image repair strategies
* text structures, framing, elements of film analysis
* facework

In this topic, we have read/seen the following texts:
* Will Smith - for slapping Chris Rock at the Oscars
* Laura Lee - for racist tweets as well as for giving a bad apology the first time around
* Kevin Spacey - for accusations of improper behaviour towards a minor
* Colleen Ballinger - for accusations of improper behaviour towards minors/grooming
* Bill Clinton - to the survivors of the Tuskegee syphilis experiment
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 7 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 5 Great American speeches

The purpose of this course was to provide a concrete analytical approach with a clear method and proper terms. The course has focussed on Toulmin’s argumentation model and the terms herein.
We have focussed on determining the content and structure of arguments, the types of arguments and fallacies, and on evaluating the soundness and validity of arguments.
Furthermore, we have focussed on appeal forms and rhetorical devices, and on often seen argument types and fallacies. In addition, we have focused on rhetorical devices and the overall structure and elements of famous American speeches.

During this course, we have read the following texts:
* Excerpt of "The Declaration of Independence" (1776)
* Abraham Lincoln: “The Gettysburg Address” (1863)
* John F Kennedy: "Inaugural Address" (1961)
* Martin Luther King, Jr.: “I have a dream” (1963)
* George W Bush: “State of the union” (2002)

In addition:
* Jacquelyn Smith: "How to give a great speech" - from https://www.forbes.com/sites/jacquelynsmith/2012/08/16/how-to-give-a-great-speech-2/?sh=275f1ec653a2
* Charlie Burton: "How to give a speech like Obama" - from https://www.gq-magazine.co.uk/article/barack-obama-speech-interview
* Anne Mørk: “Retorikkens Amerikanske Mestre”
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 16 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 6 Poetry slam in South Africa

The purpose of this topic has been to focus on a non-UK/US English-speaking part of the world - and to look at a very current type of expression. We have done so by looking into both the written words and the spoken performances of some of the most prominent, contemporary South African spoken word artists. By keeping this focus, we have been able to comment on English as a lingua franca in this topic, too.
Our analytical focus has been a primarily literary one - we have looked at how the artists use rhetorical device, rhythm, and rhyme in their texts and on how this affects the final products. In order to qualify our analysis, we have also looked into the country’s most important historical events, people, and conflicts - as well as at important current discussions.

During this topic, we have read the following texts:
* Xabiso Vili: “Forget how to die” (world poetry slam champion 2022)
* Koleka Putuma: “Water”
* Puno Selesho: “I am an African”
* Sipho Ndebele "Power Rangers"
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 11 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 7 Lingua Franca + grammar

This topic functions as a wrap-up of the previous "Poetry slam in South Africa"-topic by introducing the students to the concept of English as a Lingua Franca. The main part of this mini-topic, however, is as a grammar course leading up to the written årsprøve
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 7 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 8 Thatcher's England

This topic functions as a lead-up to the SRO. Because of this, the focus has been on both political speeches (to clear the way for 2e’s SRO-topic on Thatcher’s political speeches) as well as on music (to clear the way for 2m’s SRO-topic on punk music as protests). Much of the topic has also been on the historical background as well as on an understanding of the English political system.

During the topic, we have read, listened to, and seen the following texts:
* Moodboard: https://www.youtube.com/watch?v=q-AV2gOqYfo
* Political system: https://greatbritishmag.co.uk/uk-culture/how-the-british-political-system-works/ and here: https://www.youtube.com/watch?v=RAMbIz3Y2JA
* Political landscape + events in the 1980s: https://www.kidderminstershuttle.co.uk/news/10370405.political-changes-in-the-1980s-1990s/ and https://brilliantio.com/1980s-england/
* Excerpts from “UK Now” (textbook)
* Margaret Thatcher: excerpts from “Speech to Conservative Party Conference” 1987, Oct. 9 (speech)
* The the: “Heartland” (song)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 14 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 9 Shakespeare

For this topic, we have kept two overall focus points:
1 - the historical context of Shakespeare - the worldviews, the contemporary societal structures, the societal and literary norms, etc
2 - depictions of love
In order to make our analyses, we have focussed on combining observations from the two focus points. That is, we have focussed on close readings, examining concrete word choices, rhythms, and metaphors while combining these points with the underlying, contemporary world views and values.

During this topic, we have read the following texts by Shakespeare:
* Sonnet 1
* Sonnet 18
* Sonnet 55
* Sonnet 151
* Romeo and Juliet:
Prologue
Act 1, scene 1, 2, 3, 4
Act 2, scene 2
Act 5, scene 1, 2, 3
* Movie: Romeo + Juliet

In addition, we have read excerpts and scans from various literary history books describing the period

NB: in the play, we have read the prologue + act 1, scene 1 and 3 + act 2, scene 2 + act 5, scene 1, 2, and 3 intensively. In the rest of the read scenes, we have focussed primarily on plot and on key developments - these scenes have been read in order to move to story along
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 22 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 10 American Election

This topic leads up to the American election of 2024. The primary focus in this topic has been to understand the structures of the American political system and on the democratic process here and to gain a vocabulary to describe this.
In addition, this topic reaches back into the topic “Great American Speeches” for the argumentation analysis and rhetorical analysis (method) and “Graphic novels and short stories” for the analysis of “March”.
In a large part of the topic, the students have studied individual texts and videos in order to teach each other in various ways.

In the topic, we have read (and seen) the following texts;
* American political system: https://www.youtube.com/watch?v=Zlk16F9ICTk&list=PLAY2ktwRoDG-jHm18hzrGivxNFu2nDH5U&index=2 and https://www.youtube.com/watch?v=OUS9mM8Xbbw
* "History of the Democratic and Republican Parties" on the US embassy’s website: https://dk.usembassy.gov/usa-i-skolen/presidential-elections-and-the-american-political-system/
* Episodes from John Oliver’s “Last Week Tonight”
          Together: Gerrymandering: https://www.youtube.com/watch?v=A-4dIImaodQ
          Group: Election Security: https://youtu.be/svEuG_ekNT0?si=GOiJLoypAbuz-h4m
          Group: Trump’s second term: https://youtu.be/gYwqpx6lp_s?si=kC5ceiLLBKqWhYxA
          Group: Election results 2020: https://youtu.be/LyC855KdBKo?si=QTas_HhCFUgazijh
          Group: Election subversion: https://youtu.be/CkK3W0lOKcc?si=x1RtZ8LpUjY579Mw
* Excerpts from “March” by John Lewis (graphic novel)
* Kamala Harris: Concession speech (2024)
* Donald Trump: Victory speech (2024)
Indhold
Kernestof:

Supplerende stof:
Omfang Estimeret: Ikke angivet
Dækker over: 15 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 11 Childhood and memories

How are points of view, experiences, memories shaped by the passing of time? What impact does a young and unspoiled mind have on the story that’s being told? This topic tries to answer some of these questions by looking at how literature presents these types of stories and narrators.
The main text from this topic has been Neil Gaiman’s novel “The ocean at the end of the lane”, which mixes the realms of the realistic and the fantastic as it describes the differences between the memories of the adult narrator and the lived experiences of the narrator as a child.  We have focused on close reading, especially considering the use of narrator and point of view. We have looked at the use of symbolism and myths in storytellings and on how meaning is created. Our discussions have focused on the reliability and openness of the main characters as well as on how "the scary/unknown" is represented and why.
Our methodical focus has been primarily literary, but in having this focus, we have looked at the argumentation and other linguistic features of the different characters as well.

During this topic, we have read the following texts:
* Neil Gaiman: The ocean at the end of the lane
* Huma Qureshi: “The jam maker”

Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 14 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 12 Monsters (a recap topic)

This recap-topic functions both as that - recapping earlier topics and methods - and as a topic in itself. In the "new" part of the topic, we will study Jeffrey Cohen's monster theory and read excerpts from "Frankenstein" as well as the modern short story "The monster". In the recap-part, we have revisited the topics "Graphic novels and short stories", "American minimalism", "Argumentation analysis", "Apologies and apologias", and "Shakespeare" by reading previously unread texts that fall within the scope of both their original topics AND the monster-topic.

In this topic, we have read the following texts:
* Jeffrey Cohen: "Monster theory - 7 monster theses" (theory)
* Mary Shelley: excerpts from "Frankenstein" (novel)
* Ali Simpson: "The monster" (short story)
-
* Derf Backderf: the prologue from "My friend Dahmer" (graphic novel)
* Raymond Carver: "Tell the women we're going" (short story)
* The Guardian: "Jill Meagher husband: forget the lone monster myth, society has a role in rape" (article)
* Apolgies from Dow Chemicals (regarding the production of napalm), from Gerhard Schröder (on the 60th anniversary of the liberation of Auschwitz), and from Dylan Klebold and Eric Harris (just before their killing spree at Columbine Highschool)
* William Shakespeare: "Sonnet 60"
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 14 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer