Holdet 2023 En/a - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2023/24 - 2024/25
Institution Tørring Gymnasium
Fag og niveau Engelsk B
Lærer(e) Mikkel Østerby Andreasen
Hold 2023 En/a (1a En, 2a En)
Oversigt over gennemførte undervisningsforløb
Titel 1 Forløb#1 Innocence and Experience (eksamen)
Titel 2 Forløb#2 The American Promise I (eksamen)
Titel 3 Forløb#3 Women writers and activists (eksamen)
Titel 4 Forløb#4 Horror of the real and... (eksamen)
Titel 5 Tilladte links til skriftlig og mundtlig eksamen
Titel 6 Forløb#5 Multicultural Britain? (eksamen)
Titel 7 Forløb#6  The American Promise II (eksamen)

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 Forløb#1 Innocence and Experience (eksamen)

The course "Innocence and Experience" is an introduction to literary genres and analytical tools within a thematic framework.

The theme deals with inner and outer conflicts associated with childhood, adolescence and adulthood. In particular, we address the interaction between the innocence of the child and the experience of the grown-up.

Through readings of different short stories and film, we will explore the boundaries between childhood, adolescence and adulthood. How are the minor and greater conflicts in life experienced from the perspective of the child or the adult? And how can these experiences be linked to our modern lives?

Different types of texts will give us the opportunity to experience this from altering perspectives and at the time they will provide an introduction to the different literary approaches which authors can make use of. How do these choices of style of writing affect the reader and what does the author want to explore?

Thus, this course will not only make us more aware of the nature of man, we will also gain knowledge about the nature of fiction.

Throughout the course, we will have a focus on improving verbal and written skills not least adding on to our vocabulary and consciousness of grammar.


Analytical terms:

• Close reading
• Character analysis
• Setting
• Narrator and point of view
• Imagery
• Narrative structure and plot
• Theme
• Minimalism
• Iceberg theory

• Figures of speech
• Symbols
• Sound features


Grammatik:

• Subjekt og verballed
• Ordklasser
• Verbets tide rog kongruens
• Ordstilling

Academic Goals in Focus:

(1) analysere og fortolke tekster med anvendelse af faglig terminologi og metode

(2) udtrykke sig sammenhængende og forholdsvis flydende, herunder formulere egne synspunkter, i præsentation, samtale og diskussion på engelsk om almene og faglige emner med en relativ høj grad af grammatisk korrekthed


Course materials:

Short stories

Carver, Raymond. Popular Mechanics (1988). From “What We Talk About When We Talk About Love”.

Carver, Raymond. One More Thing (1981). From “When Less is More – American Minimalist Fiction”: Gyldendal, 2015.

Hemingway, Ernest. Indian Camp (1921). From “Contexts”: Gyldendal, 2005.

Munro, Alice. Gravel (2011). From “Open Wide”: Lindhardt og Ringhof,2 udgave, 2017.

Richards, Michael. Just Like That (1994). From “Contexts”: Gyldendal, 2005.

Film:

Baumbach, Noah. The Squid and the Whale (2005)


Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 23 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 2 Forløb#2 The American Promise I (eksamen)

Course: The American Promise – and the African-American Experience

The course explores the ideas of the American Promise from the first settlers arriving to the New World and to contemporary reflections over the ideal and the reality of the United States. Not least seen from the perspective of African Americans.

In 1897 the African American sociologist and civil rights leader W.E.B Du Bois wrote about the identity of Black Americans:

“An American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

This distinct feeling of being black in America is still relevant today even after the first African American President took office in 2008. Because what does it mean to be African American and what is the public face of black America today?

This course explores African American identity throughout the history of the U.S. with a particular emphasis on how selected African Americans have given voice to inequalities of Black America.

Dealing with historical sources, from slave narratives to different speeches of the Civil Rights Movement, as well as different literary and cultural representations of racial struggles in the US, we strive to get a general image of this issue in America.

We will focus on the issue of race and African American identity in the slave narratives of Frederick Douglass from 1854, in the growing African American awareness during the Harlem Renaissance in the 1930s represented by Langston Hughes, in the fight for equality and desegregation in the Civil Rights Movement in the 1960s by Martin Luther King Jr. and Malcolm X, and in contemporary voices of African Americans.

The course seeks to find similarities and differences in the ways African Americans have told their stories and how they perceive themselves in American society. Not least, we will use the American Dream as a focal point for understanding and comparing African American voices.

The final part of the course explores the question of identity and racial equality in a contemporary perspective trying to find answers to the question to what extent race is still an issue in the U.S. and whether Martin Luther King Jr’s dream has been reached more than sixty years later? Here students will work on a group based project focusing on contemporary African American voices.

- Individualism
- Equal opportunity
- Progress
- Freedom
- Material comfort
- The American dream
- Social mobility
- Race
- New world and old World


Fokus
Der lægges i dette forløb særligt vægt på følgende sproglige områder:
- Sprogvariation (herunder sociolekter)

Tekstanalytisk lægges der særlig fokus på følgende områder:
- Argumentationsanalyse (særlig i forbindelse med taler)
- Formel og indholdsmæssig digtanalyse
- Tekstanalyse af noveller

Faglige mål:
– anvende en grundviden om historiske, kulturelle og samfundsmæssige forhold i Storbritannien og USA til analyse og perspektivering af aktuelle forhold
– perspektivere det givne materiale kulturelt, samfundsmæssigt og historisk
– forstå mundtligt og skriftligt engelsk om almene og faglige emner
– beherske et varieret ordforråd, som gør det muligt at deltage i en samtale og diskussion på engelsk
– analysere og fortolke litterære tekster, ikke-litterære tekster og mediestof, herunder film, med anvendelse af faglig terminologi


Course materials:

Secondary texts:

From Black Voices – The African-American Experience from Slavery to Current Racial Issues. Gyldendal, 2017.
Introduction – “Slavery” p. 8-14
Introduction – “Separate but Equal” p. 60-63
Introduction – “I am a Man” p. 96-98
Introduction “Post-Racist America” p. 140-144

From Sociology - Williams, Robin - "Core American Values"

From USA NOW. Forlaget Columbus, 2014.
“1.4.1 Immigrant, religious and moral, and frontier beliefs in American society” p. 30-33
“1.4.2 The political, social and human beliefs” p. 33-35

Primary texts: fiction and non-fiction

Douglass, Frederick. Narrative of the Life of Frederick Douglass, an American Slave (Chapter 1) (1854)

Hughes, Langston. Merry-Go-Round (1942)

Hughes, Langston. I, Too (1926)

Jackson, Shirley. After You My Dear Alphonse (1949)

King Jr., Martin Luther. I Have a Dream (1963) = 11 students

Lazarus, Emma. The New Colossus (1883)

Malcolm X. The Ballot or the Bullet (1964) = 11 students

Meeropol, Abel and Billie Holiday. Strange Fruit (1939)

Whitman, Walt. I Hear America Singing (1860)

“The Declaration of Independence” (Excerpt, 1776)

“The Best is Yet to Come” for Donald J. Trump (2020)

“Go From There” for Joe Biden (2020)


Other Material:

America in Color (2017) S1E4 (The 1950s) and S1E5 (The 1960s). Excerpt from two episodes of the documentary film "America in Color".
Indhold
Kernestof:

Skriftligt arbejde:
Titel Afleveringsdato
WA3 After You My Dear Alphonse 28-04-2024
WA4 non-fiction analysis 23-05-2024
Omfang Estimeret: Ikke angivet
Dækker over: 20 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 3 Forløb#3 Women writers and activists (eksamen)

"Women writers and activists - Voices in Transition"

In the last century, women writers have challenged the existing forms in literature and have shed light on the inequalities and injustices of women.

This course explores women writers and activists from the late 19th century and to present-day voices. We will read short stories and novels from Charlotte Perkins Gilman to Susanna Kaysen.

In addition, we will read contemporary Instagram poetry from Rupi Kaur. These writers have all addressed and challenged existing gender roles as well as existing forms of literature offering new perspectives of what is means to be a woman and a human being.

The course will cover different literary periods. This will offer an opportunity to analyse and discuss to what extent these writers have challenged existing conventions of literature. Both when it comes to topics dealt with and when it comes to the style of writing.

We will use Gilbert and Gubar’s theory of "The Madwoman in the Attic" as a way of discussing and comparing the different works of fiction. Furthermore, our readings we will draw upon knowledge about the historical and literary context as well as biographical knowledge.

In addition to voices of fiction, the course will use the voices of prominent women who have all sought to challenge conventions and gender roles in different ways. Here we will analyse and discuss speeches from Emmeline Pankhurst in her fight for women’s suffrage in Britain to Chimamanda Adichie’s universal appeal to gender equality.

Part of the course will be a reading and analysis of Susanne Kaysen’s novel "Girl, Interrupted". Here students will present readings of different chapters of the novel using their knowledge about earlier female voices - both when it comes to giving voice to new female perspectives and experimentation when it comes to style of writing.

In other words, the course seeks out to explore the significance of gender and identity for women and more specifically the voices of women in fiction and in real life.


Novels and short stories:

Ellis, Kate Smalley. Are We Nearly There? (2015)

Gilman, Charlotte Perkins. The Yellow Wallpaper (1892)

Kaysen, Susanna. Girl, Interrupted (1993)


Poetry:

Kaur, Rupi. The Sun and her flowers (2017)  (Selected poems)


Non-fiction

Adichie, Chimamanda Ngozi. We Should All Be Feminists. TED Talk (2012)

Pankhurst, Emmeline. Freedom or Death (1913). (Excerpt)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 23 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 4 Forløb#4 Horror of the real and... (eksamen)

The horror of the real and the unreal:
From Edgar Allan Poe to Stephen King

Horror fiction is a very popular, a very old, and a very strange genre. Why are so many of
us attracted to horrible stories about creepy monsters, murderous maniacs and flesheating
zombies? Much horror fiction is pure entertainment, but at the same, horror stories
say something about the cultural context in which they're made, and they say something
about the human minds that produce and consume them.

We will distinguish between three approaches:
• Horror — a mirror of the human psyche
• Horror — a mirror of society
• Horror — a mirror of human nature

The course explores the horror genre in fiction from Edgar Allan Poe to Stephen King. We
will focus on American gothic horror from the 19th century in the writing of Edgar Allan
Poe and compare Poe's style of writing and themes explored to more contemporary works
of Stephen King. In order to qualify the analysis and discussion of horror fiction, we will
apply knowledge about different forms of horror, agents of horror, Robin Wood's
Freudian theory and the theory of Todorov regarding the fantastic.

Finally, we will return to the question of the function of horror both in a cultural context
but also within a biological approach that draws on cognitive and evolutionary
psychology—in our attempt to understand the structure, function and historical
development of horror fiction.

Course description:

Films and tv-series:

Duffer, Matt and Ross Duffer. Stranger Things S1E1 (2016)

Muchietti, Andy. IT, 2017 (film)

Course materials:

Short stories and films

King, Stephen. The Boogeyman. 1973. From Mette Weisberg Stephen King's American
Nightmare — an Introduction, Forlaget Lee, pp. 34-44

King, Stephen. The Man Who Loved Flowers. From the collection "The Night Shift", 1978.

Poe, Edgar Allan. The Tell-Tale Heart 1843. From Nete Schmidts "A Taste of Horror!"
Systime, 1993.


Other materials:

Hansen, Johanne Riktrup and Rasmus Drisdal Hansen. "Horror — a book about texts that
scare you". 2017. (excerpt)

Houland, Martin and Jan Oxholm. "Film skal ses i Engelsk". Gyldendal 2016 (uddrag)
Interview: King on King. pp. 20-24 From Mette Weisberg Stephen King's American Nightmare— an Introdicction, Forlaget Lee. (interview)

Horror theories. Teacher handout
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 18 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 6 Forløb#5 Multicultural Britain? (eksamen)

Multicultural Britain? Migration and the UK

Course description:

The course explores the legacy' of the British Empire and how it has shaped identity not
only in the UK but also in the former colonies. More specifically, we focus on the voices of
the Other in the sense of immigrants living in the UK and different models of integration.

We explore the experience of living between two cultures and the impact of a Western
country on the lives of people from other cultures. In turn, we compare how immigrants
have also shaped the ideas of being British today not least in the idea of multiculturalism.

The course will include voices of dissent from the working class in Britain as well as new
political discourses of what it means to be British — not least in the wake of Brexit.

Finally, we discuss to what extent the British experiences of immigration, and the concept of multiculturalism, can be applied to a Danish context and whether the UK still considers
itself a multicultural Britain.

Course materials:

Poetry:

Agard, John. Listen Mr. Oxford don (1967) poem and live performance
https://vimeo.com/28503868

Agard, John. Remember the Ship (1998)

Thomson, James. Rule, Britannia (1740) and "Rule Britannia - Last Night of the Proms
2009" https://youtu.be/Sgd9nYgVz2s?feature=shared

Speeches:

Cook, Robin. Chicken Tikka Masala Speech (2001)

Braverman, Suella. Keynote Address at the American Enterprise Institute (September 26, 2023)

Podcasts:

Cassin, Elizabeth and Rudi Zygadlo. Trafficked, The Guardian, 2023.
https://www.theguard ian.com/news/audio/2023/mar/24/trafficked-the-closed-door-part-twopodcast


Other material:

"A diverse and divided Britain: The people of Oldham's views". Sky News. December 5,
2016 https://www.youtube.com/watch?v=uQCn-6N9hng

"Integration and Honneth's recognition theory" and "Cultural differences and identity"
from Open Up Society! by Peter Brondum and Thor Banke Hansen, 2021.

"UK NOW — An Introduction to Modern Britain. "The Empire Comes Home" (chapter 10) and "Brexit,
Immigration and Integration" (chapter 11). Forlaget Columbus 2023.

Relevant links:

http://sundaytimes.lk/110213/FunDay/fut 06.html

http://Ieamenglish.britishcouncil.org/en/word-street/multicultural-britain

Tools for analysis:

"Pidgins and Creoles" in English — Global Language Global Anguish p. 78

Toolbox (handout)

"Non-fiction analysis: some general points" — PP slides (handout MA)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 13 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 7 Forløb#6 The American Promise II (eksamen)

American Promise II - Contemporary Black Voices

The project focuses on three prominent voices in the U.S. today. At the same time, the three voices are significant, if we are to understand contemporary representations of what it means to be black in the U.S.

How do they perceive the past and the present as well as the struggles and opportunities for African Americans today? We will put these contemporary voices into perspective to our knowledge of black voices in the history of the nation.

Each study group must analyse aspects of a particular work from one of these contemporary voices:  

Poetry/ lyics:

- Glover, Donald (Childish Gambino) This is America (2018)
- Knowles, Beyonce. Black Parade (2019)
- Smith, Danez. dear white america (2017) from the poetry collection "Don't Call us Dead"

Non-fiction (speech):
- Obama, Barack. “A More Perfect Union” (March 18, 2008).

Secondary material:

Møller & Thomsen. Black Voices: The African-American Experience from Slavery to Current Racial Issues."Post-racist America?" pp. 57-63
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 7 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer