Holdet 2i EngSL (2025/26) - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2024/25
Institution Ikast-Brande Gymnasium
Fag og niveau Engelsk -
Lærer(e) Sandra Beck Nielsen
Hold 2024 EngSL (1i EngSL)

Oversigt over gennemførte undervisningsforløb
Titel 1 The Reader (SL/HL #1) (transl.)
Titel 2 Grace Nichols poetry (SL/HL #2)
Titel 3 Apple and Knife (SL/HL #3) (transl.)
Titel 4 Macbeth (SL/HL #4)

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 The Reader (SL/HL #1) (transl.)

Work:
The Reader by Bernhard Schlink (1995) (work in translation) (prose fiction)

Description:
Discussions of this work mainly center around the main character, his character development, his romantic relation to Hanna and the nuances thereof, and his position as part of the first generation after WWII in Germany.

Thematic keywords include guilt and shame, memory and history, and morality and responsibility.

Genre aspects include the parable, holocaust literature, the bildungsroman/coming-of-age narrative, and intertextuality (esp. with Homer's The Odyssey).

Aims of the topic:
Class work focuses on establishing fundamental analysis skills in prose fiction, with the use of an analysis toolbox and through some independent research and reflections, but especially group work and class discussions.

Area of exploration in focus:
Readers, writers, and texts

The topic has focused on these AOE questions:
Why and how do we study language and literature?
How are we affected by texts in various ways?
In what ways is meaning constructed, negotiated, expressed and interpreted?
How does the structure or style of a text affect meaning?
How do texts offer insights and challenges?

TOK corner:
The topic has focused on these questions:

How do you deal with what happened in WWII as a country and a people? As the next generation?
What do we learn about through literature? What role does literature fulfill? What is its purpose?
How much of the knowledge we construct through reading a literary text is determined by the writer’s intention, the reader’s cultural assumption and by the purpose valued for the text in a community of readers?
Are some interpretations of a literary text better than others? How are multiple interpretations best negotiated?

ATL skills in focus:
Thinking, research and self-management skills in the research and analysis sessions.
Communication and social skills in group work and class discussions.

Literature "Concepts" in focus:
Identity
Culture
Perspective

Learner Profile traits in focus:
Inquirers
Knowledgeable
Thinkers
Communicators
Open-minded
Reflective

Assessment:
Assignment 2: Analytical essay on The Reader
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 18 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 2 Grace Nichols poetry (SL/HL #2)

Work:
Selected poetry by Grace Nichols (poetry):

Hurricane Hits England (from: I Have Crossed An Ocean poetry collection (publ. 2009); poem originally publ. 1996.)
Beauty (from: The Fat Black Woman’s Poems (publ. 1984).)
The Fat Black Woman Goes Shopping (from: The Fat Black Woman’s Poems (publ. 1984))
Thoughts drifting through the fat black woman's head while having a full bubble bath (from: The Fat Black Woman’s Poems (1984))
The Fat Black Woman's Motto on her Bedroom Door (from: The Fat Black Woman’s Poems (publ. 1984))
Tropical Death (from: The Fat Black Woman’s Poems (publ. 1984))
Island Man (from: The Fat Black Woman’s Poems – In Spite of Ourselves (pub. 1984))
The untitled prologue from: I Is a Long-Memoried Woman – The Beginning (publ. 1983)
Taint (from: I Is a Long-Memoried Woman – The Beginning (publ. 1983))
Eulogy (from: I Is a Long-Memoried Woman – The Beginning (publ. 1983))
Sunshine (from: I Is a Long-Memoried Woman – The Beginning (publ. 1983))
Sacred Flame (from: I Is a Long-Memoried Woman – The Beginning (publ. 1983))
These Islands (from: I Is a Long-Memoried Woman – The Vicissitudes (1983))
Love Act (from: I Is a Long-Memoried Woman – The Sorcery (publ. 1983))
Epilogue (from: I Is a Long-Memoried Woman – The Return (publ. 1983))

Description:
Discussions of this work mainly center around analysis and interpretation of first individual poems, and then comparative work in order to establish an understanding of Grace Nichols' style as a poet.

Key terminology includes the use of a persona, punctuation/line breaks, rhythm and rhyme, and various poetic techniques.

Thematic keywords include hybrid identity (Carribbean), body, gender, fatness, nature imagery, history, life/death, non-standard English.

Aims of the topic:
Work on this topic has focused on establishing fundamental analysis skills for poetry by using a "six step" analysis method. A scaffolded approach has been used, in which the initial poems are analyzed as a class, and work then moves to group work, and finally culminates with in-class group presentations of independently analyzed poems and discussions thereof.

Area of exploration in focus:
Reader, Writers, and Texts

The topic has focused on these AOE questions:

Why and how do we study literature?
How are we affected by literary texts in various ways?
In what ways is meaning constructed, negotiated, expressed and interpreted?
How does language use vary among literary forms?
How does the structure or style of a literary text affect meaning?
How do literary texts offer insights and challenges?

TOK corner:
The topic has focused on these questions:

How does having extra contextual knowledge generally differ from reading a text without this knowledge?
How does the knowledge you have after learning about Grace Nichols influence your understanding of the poems?
What do you think Nichols’ purpose is in writing her poetry?
Can we even know what she intended?
Does this knowledge inspire you to see other themes that might be interesting to talk about?

ATL skills in focus:
Thinking, research and self-management skills in the group presentations work.
Communication and social skills in group work, presentations, and class discussions.

Literature “Concepts” in focus:
Identity
Culture
Creativity
Communication
Perspective
Representation

Learner Profile traits in focus:
Inquirers
Knowledgable
Communicators
Principled
Open-minded
Caring
Risk-takers
Reflective

Assessment:
In-class presentations on selected poems
In-class work on Paper 1 and essay-writing skills
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 15 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 3 Apple and Knife (SL/HL #3) (transl.)

Work:
Selected short stories from the collection "Apple and Knife" by Intan Paramaditha (2018) (work in translation) (prose fiction):
The Blind Woman Without a Toe
Vampire
Apple and Knife
The Obsessive Twist
Beauty and the Seventh Dwarf

Description:
The work on this topic begins with a discussion that includes reviews of the short story collection and establishing themes for comparison at the end of the topic, as well as research into relevant genres.

Final discussions place a particular emphasis on comparative analysis and understanding of techniques, themes, and interpretations, as well as a discussion of what characterizes Paramaditha's style as a writer, before concluding with a discussion of feminist aspects of the work.

Thematic keywords include feminism.

Genre aspects include the use of classic myths (Cinderella, Snow White etc.), Indonesian folklore and horror elements.

Aims of the topic:
The analytical work focuses on furthering methodological understandings by using an analysis toolbox (focused on setting, narration and point of view, characters, structure/composition, language, style and tone, as well as title and themes), as well as a particular focus on the method of close reading.

Area of exploration in focus:
The topic has focused on these AOE questions:

Intertextuality
How do texts adhere to and deviate from conventions associated with literary forms or text types?
In what ways can diverse texts share points of similarity?
How can texts offer multiple perspectives of a single issue, topic or theme?
In what ways can comparison and interpretation be transformative?

Time and Space:
How important is cultural or historical context to the production and reception of a literary text?
How do we approach literary texts from different [...] cultures to our own?
To what extent do literary texts offer insight into another culture?
How do literary texts reflect, represent or form a part of cultural practices?
How does language represent social distinctions and identities?

TOK corner:
The topic has focused on these questions:

How far can a reader understand a literary text that was written in a context different from his or her own?
What is lost in translation from one language to another?
What kind of knowledge about a literary text and about literature do we gain when we compare and contrast literary texts?
Does knowledge of conventions of form and literary techniques allow for a better and deeper understanding of a literary text?

ATL skills in focus:
Thinking and self-management skills in the analysis sessions.
Communication and social skills in group work and class discussions.

Literature “Concepts” in focus:
Culture
Creativity
Perspective
Transformation
Representation

Learner Profile traits in focus:
Inquirers
Knowledgable
Open-minded
Reflective

Assessment:
No particular assignment is connected to this topic; knowledge is instead tested as part of preparing students for the Individual Oral exams, and in the end-of-year test.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 15 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 4 Macbeth (SL/HL #4)

Work:
Macbeth by William Shakespeare (wr. c. 1606) (drama)

Description:
Discussions of this work mainly center around Macbeth as the protagonist of the play, the role of Lady Macbeth and her relationship to Macbeth, as well as the role of relevant themes throughout the play.

Thematic keywords include gender, power, and ambition.

Background knowledge includes:
1) A brief introduction to language history with a focus on relevant characteristics of Early Modern (i.e. Shakespearean) English, as well as "original pronunciation" (i.e. David and Ben Crystal's recreation of Shakespearean English).
") A brief introduction to Elizabethan perceptions of the world (exploration, cultural renaissance, and the "Great Chain of Being"/chaos and cosmos).

Several analytical terms have been introduced or re-introduced in this topic:
Genre aspects: tragedy characteristics
Plot models by Aristotle, Freytag, and Todorov; the concepts of hamartia/tragic flaw, tragic/dramatic irony, hubris/nemesis, and comic relief.
Characteristics of form and terms relating to drama
Acts, lines, scenes; stage directions; monologue, soliloquy, dialogue; prose, blank verse, rhymed verse.
Sonnet characteristics and terms
Stanza, rhyme, rhythm, meter, feet; couplets and quatrains; volta; iambic pentameter.
Poetical terms
Enjambment, anaphora, allusion, alliteration, assonance, consonance, symbol, metaphor, simile, personification.

Aims of the topic:
This topic is a part of a classroom project on student engagement, which has been presented to the students through a TOK reflection session. Core aspects of this project include an awareness of methodology, with emphasis on the role of repetition and the hermeneutic circle especially in literary analysis, the role of active listening especially in discussions, the learning pit, as well as the role of deep attention/"fordybelse" and flow in learning in general.

Work has centered around several distinct stages, emphasizing the cyclical nature of analysis:
1) Introduction to the topic: relevant background is introduced and worked with.
2) First meeting with the text: class screening of The Royal Shakespeare Company's 2018 adaptation (feat. Christopher Eccleston).
3) Second meeting with the text: class table read of the entire play, including drama exercises.
4) Third meeting with the text: group/independent analysis of key scenes (1.5, 1.7, 2.1, 2.2, 3.4, 5.1, and 5.5), each worksheet featuring two-three rounds of analysis with an emphasis on returning to the text multiple times.
5) Broader perspectives: synthesis and discussion of analysis and the play as a whole, in the form of a half-class discussion.


Area of exploration in focus:
Readers, writers, and texts

The topic has focused on these AOE questions:
Why and how do we study language and literature?
How are we affected by texts in various ways?
In what ways is meaning constructed, negotiated, expressed and interpreted?
How does language use vary amongst text types and amongst literary forms?
How does the structure or style of a text affect meaning?
How do texts offer insights and challenges?

TOK corner:
The topic has focused on these questions:
What do we learn about through literature? What role does literature fulfill? What is its purpose?
How much of the knowledge we construct through reading a literary text is determined by the writer’s intention, the reader’s cultural assumption and by the purpose valued for the text in a community of readers?
Are some interpretations of a literary text better than others? How are multiple interpretations best negotiated?
What constitutes good evidence in explaining a response to literature?

This topic is furthermore a part of a classroom project on student engagement. See more under the aims of this topic.


ATL skills in focus:
Thinking and self-management skills in analysis sessions.
Communication and social skills in group work and class discussions.

Literature "Concepts" in focus:
Identity
Culture
Creativity
Communication
Perspective

Learner Profile traits in focus:
Inquirers
Knowledgeable
Thinkers
Communicators
Open-minded
Risk-takers
Reflective

Assessment:
Paper 1 practice
Preparation for end-of-year exam (paper 1)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 24 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer