Holdet 2022 EN/t - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2022/23 - 2024/25
Institution Egaa Gymnasium
Fag og niveau Engelsk A
Lærer(e) Line Herold Netuka, Mikkel Østerby Andreasen
Hold 2022 EN/t (1t EN, 2t EN, 3t EN)
Oversigt over gennemførte undervisningsforløb
Titel 1 Forløb#1 Innocence and Experience
Titel 2 The American Promise (EXAM 1/2)
Titel 3 Grammatik
Titel 4 Serious Business
Titel 5 Evil (EXAM)
Titel 6 SRO (EXAM 2/2)
Titel 7 Utopian Dreams & Dystopian Nightmares (EXAM)
Titel 8 From "Rule Britannia" to Brexit (EXAM)
Titel 9 Modernism (EXAM)
Titel 10 Projektforløb 5
Titel 11 Postmodernism (EXAM)
Titel 12 Shakespeare's Macbeth (EXAM)
Titel 13 Eksamensrepetition

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 Forløb#1 Innocence and Experience

The course "Innocence and Experience" is an introduction to literary genres and analytical tools within a thematic framework.

The theme deals with inner and outer conflicts associated with childhood, adolescence and adulthood. In particular, the theme addresses the interaction between the innocence of the child and the experience of the grown-up. Through readings of different short stories and analysis of film we will explore the boundaries between childhood, adolescence and adulthood.

How are the minor and greater conflicts in life experienced from the perspective of the child or the adult? And how can these experiences be linked to our modern lives?

Different types of texts will give us the opportunity to experience this from altering perspectives, and at the time they will provide an introduction to the different literary approaches which authors can make use of. How do these choices of style of writing affect the reader and what does the author want to explore? Thus, this course will not only make us more aware of the nature of man, we will also gain knowledge about the nature of fiction.

Throughout the course we will have a focus on improving verbal and written skills not least adding on to our vocabulary and consciousness of grammar.

The final part of the course has a focus on creative writing as part of the national competition "A Changing World". The students will write their own short story using their knowledge of the genre as well as artistic inspiration from a visit to ARos.

https://www.engelskforeningen.dk/nyheder/a-changing-world-


Analytical terms:

Close reading
Characterisation
Setting
Narrators and point of view
Imagery
Theme
Iceberg theory
Structure
The Hollywood Model
Minimalism

Figures of speech
Symbols
Sound features

Written and oratory skills:

Essay: summary and analyrtical essay (fiction)
Creative writing: your own story


Grammatik:

Subjekt og verballed
Ordklasser
Kongruens
Verbets tider

Academic Goals in Focus:

(1) analysere og fortolke forskellige nyere og ældre teksttyper samt mediestof med anvendelse af faglig terminologi

(2) demonstrere indsigt i fagets identitet og metoder


Course materials:

Short stories
Hemingway, Ernest. "Indian Camp" (1921). From “Contexts”: Gyldendal, 2005.

Carver, Raymond. "Popular Mechanics" (1988). From “What We Talk About When We Talk About Love”.

Carver, Raymond. "One More Thing" (1981)

Munro, Alice. "Gravel" (2011)

Richards, Michael. "Just Like That" (1994). From “Contexts”: Gyldendal, 2005.

Film:
Baumbach, Noah. The Squid and the Whale (2005)

Other materials:
Fields of Vision 1: Longman, 2006.
“Figures of speech” p. 5
“Imagery” p. 8
“Symbols” p. 10-11
“Sound features and rhyme” p. 13-14
“Setting” p. 35-36
“Character” p. 42
“Plot” p. 50
“Narrators and point of view” p. 55-56
“Theme” p. 62


“Open Wide”: Lindhardt og Ringhoff, 2015.
“Close reading” p. 67
“Rules of characterization” p. 73
“Hollywood model” p. 81
Indhold
Kernestof:
Omfang Estimeret: 26,00 moduler
Dækker over: 26 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 2 The American Promise (EXAM 1/2)

The American Promise
– Core American values and the legacy of slavery

Course description:

The course explores the ideas of the American Promise from the first settlers arriving to the New World and to contemporary reflections over the ideal and the reality of the United States. In other words, the course aims at exploring American history and values and what has been termed: “the constant struggle to fulfil the ideals of the American mind”.

We strive to get a key understanding of American society, culture, and values through readings of fiction and non-fiction including historical documents, articles, speeches, film, campaign ads, rock lyrics and poems.

One important aim is to give a chronological idea of American history through key points in history including early settlers, the American Revolution, immigration, and slavery. Besides an overall idea of history, we discuss how certain values have been told and re-told over time and have been used in different contexts.

Having knowledge about key events in American history and American values, will serve as a focal point for understanding and comparing African American voices. In addition, we will explore the question of identity and racial equality in a contemporary perspective trying to find answers to the question to what extent race is still an issue in the U.S. and whether Martin Luther King Jr’s Dream has been reached sixty years later. Black Lives Matter and the most recent developments will be touched upon as well.

The final part of the course will be a reading of Sapphire's novel "Push" (1996) and a project in which groups will focus on a particular aspect of the novel and present their findings in class.  All groups will cover the following points in addition to their choice of focus.

In the reading of Push you are going to focus on several analytical aspects:
1) Analysis and interpretation: physical and social setting; characters; conflict; style of writing: point of view, language, flashback; theme.  

2) Language: vocabulary = choice of words; sociolect; stream of consciousness (the flow of inner thoughts of a character); syntax (sentence structure) orthography (spelling and punctuation).

3) Perspectives: the author and American society.
Key terms:

- Individualism
- Equal opportunity
- Progress
- Freedom
- Material comfort
- The American dream
- Social mobility
- Race
- New world and old World


Fokus
Der lægges i dette forløb særligt vægt på følgende sproglige områder:
- Sprogvariation (herunder sociolekter)

Tekstanalytisk lægges der særlig fokus på følgende områder:
- Argumentationsanalyse (særlig i forbindelse med taler)
- Formel og indholdsmæssig digtanalyse
- Tekstanalyse af noveller

Faglige mål:
– anvende en grundviden om historiske, kulturelle og samfundsmæssige forhold i Storbritannien og USA til analyse og perspektivering af aktuelle forhold
– perspektivere det givne materiale kulturelt, samfundsmæssigt og historisk
– forstå mundtligt og skriftligt engelsk om almene og faglige emner
– beherske et varieret ordforråd, som gør det muligt at deltage i en samtale og diskussion på engelsk
– analysere og fortolke litterære tekster, ikke-litterære tekster og mediestof, herunder film, med anvendelse af faglig terminologi


Course materials:

Secondary texts:

From Black Voices – The African-American Experience from Slavery to Current Racial Issues. Gyldendal, 2017.
Introduction – “Slavery” p. 8-14
Introduction – “Separate but Equal” p. 60-63
Introduction – “I am a Man” p. 96-98
Introduction “Post-Racist America” p. 140-144


From USA NOW. Forlaget Columbus, 2014.
”1.2 A Nation of immigrants” p. 20-23
“1.4 Nation, unity and identity” p. 27-30
“1.4.1 Immigrant, religious and moral, and frontier beliefs in American society” p. 30-33
“1.4.2 The political, social and human beliefs” p. 33-35

Primary texts: fiction and non-fiction

Hughes, Langston. Merry-Go-Round (1942)
King Jr., Martin Luther. I Have a Dream (1963)
Lazarus, Emma. The New Colossus (1883)
Malcolm X. The Ballot or the Bullet (1964)
“The Declaration of Independence” (Excerpt, 1776)
“The Best is Yet to Come” for Donald J. Trump (2020)
“Go From There” for Joe Biden (2020)



Douglass, Frederick. Narrative of the Life of Frederick Douglass, an American Slave (Chapter 1) (1854)

Daniels, Lee. Precious (2009) (The entire film)

Emmerich, Roland. The Patriot (2000)

Meeropol, Abel and Billie Holiday. Strange Fruit (1939)

Morris, Monique W. Why Black girls are targeted for punishment at school - and how to change that. TED Talk. (2018)

Sapphire. Push (1996) (Chapter 1)

Travers, Peter. Precious. Rolling Stone Magazine (2009) (Film Review)
Indhold
Kernestof:
Omfang Estimeret: 17,00 moduler
Dækker over: 17 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 3 Grammatik

Adjektiv
Adverbier
Genitiv
Kongruens
Ordstilling
Pronominer
Udvidet tid
Indhold
Kernestof:
Omfang Estimeret: 9,00 moduler
Dækker over: 9 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 4 Serious Business

31 sider
This course aims at creating a collaborative, trusting and – at times – fun atmosphere in the classroom by focusing on the genre of comedy and by emphasizing student-driven projects. Students are introduced to three main theories and a catalogue of stylistic devices before briefly studying the American comedic protagonist and themes to be compared with the British comedic protagonist and themes in selected texts.

KERNESTOF
• Sophie Scott. “Why we laugh” (TEDtalk), marts 2015. URL: https://www.ted.com/talks/sophie_scott_why_we_laugh?language=da [5 sider]
• Bo Høpfner Clausen og Jesper Kaalund. “The Philosophy of humour” og “Humorous devices.” Serious Business: Satire, Wit and Humour from Shakespeare to Post-modernism. Gyldendal, 2011: 10-25. [7 sider]
• Bo Burnham: ”Country song (pandering)” (sang). Make Happy, 2016. [1 side]
• The Simpsons. “Deep Space Homer.” Fox, sæson 5, episode 15 (1994) [3 sider]



SUPPLERENDE STOF [samlet 10 sider]
• Elevernes eget katalog i padlet af jokes, memes, videoklip, sketches mm., som de finder sjovest
• Ricky Gervais. “Ricky Gervais on England vs. America” fra Big Think, 23. april 2013
• Ricky Gervais: “The Difference Between American and British Humour”, 9. november 2011. URL: http://time.com/3720218/difference-between-american-british-humour/
• BBC News: forkortet version af ”Huge survey reveals seven social classes in UK” 3. april 2013. URL: http://www.bbc.com/news/uk-22007058
• Monty Python. “Upper-Class Twit of the Year” i Anne Mette Finderup og Agnete Fog. Worlds of English. Systime, 2010: 50-51.  [2 sider]
• Monty Python. “Upper-Class Twit of the Year” (video sketch) [1 side]
• Mr Bean: “Ecce homo qui est faba” (titelsekvens), ITV 1990-95. [1 side]
• Par-/gruppeprojekter


SÆRLIGE FOKUSPUNKTER
• Diskussion af hvad komedie er, hvorfor vi griner, hvorvidt man kan (og bør) lave sjov ud af alting
• Diskussion af funktionen af komedie i samfundet og kulturen især Storbritannien og USA.
• Kendskab til basale forskelle mellem britisk og amerikansk humor fx i forhold til protagonisten, produktionen og typiske emner samt stereotyper, der knytter sig til kulturelle, socioøkonomiske og regionale emner: country, upperclass og ekklektrisme
• At give eleverne grundlæggende redskaber til at analysere humor i forskellige medier herunder billeder, memes, jokes, sketches (audiovisuelt), vines og sange.
• Kendskab til teori for forskellige typer humor: superiority, relief og incongruity
• At træne sproglig opmærksomhed herunder især humoristisk sprogbrug fx ordspil
• Mundtlig fremlæggelse efter gruppeprojekt som evaluering på forløbet
Indhold
Omfang Estimeret: 10,00 moduler
Dækker over: 12 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 5 Evil (EXAM)

“The battleline between good and evil runs through the heart of every man” – Aleksandr Solzhenitsyn

In this course we examine evil from multiple angles aiming to widen our understanding of the concept, and to challenge the simple dichotomy of good and evil.
In non-fiction materials, we gain insight into the psychology of evil which will help us explain, categorize and possibly also understand evil. We ask what role nature and nurture can play when an individual is evil and seek tentative answers in the research by Dr. Zimbardo and his Stanford Prison Experiment as well as the Norwegian philosopher Svendsen whose subtypes of moral evil will propose that real-life evil is far more nuanced and varied than the 1% of us who are thought to be capable of sadistic evil, the subtype most commonly portrayed in literature and film.
In fictional texts, we examine that prototypical sadistic serial killer but we also see examples of other evil main characters. We ask what literary and audiovisual devices are most effective in portraying evil, and practice close reading of literature as well as of the intro sequence to a TV show.

Central terms
• Natural vs. moral evil and the four subtypes of moral evil: sadistic, instrumental, idealistic, thoughtless
• The Nature vs. Nurture debate
• The universal capacity for evil and the Lucifer Effect
• Dichotomies
• Foreshadowing


KERNESTOF
• Claudia Dreifus. “Finding Hope in the Universal Capacity for Evil.” The New York Times, 3. April 2007 [4 sider]
• Philip Zimbardo. “The Psychology of Evil” Ted Talk, 2008. [5 sider]
• Jeff Lindsay. ”Chapter 1” i Darkly Dreaming Dexter. London: Orion Publishing Co, 2004. [6 sider]
• Michael Cuesta. ”Pilot” s01e01af Dexter. Showtime, 1. oktober 2006. [8 sider]
• Digital Kitchen: title sequence to Dexter (Showtime 2006)
• We Need to Talk about Kevin. Dir. Lynne Ramsay, 2011. [15 sider]
• Bret Easton Ellis: "Killing Child at Zoo" from American Psycho (1991) i Jonna Engberg-Pedersen, Mette Grønvold og Hanne Ohland-Andersen. Wider Contexts. Gyldendal: 178-82. [5 sider]


Supplerende materiale [2 sider]
• ”Det onde som frihed” i Psykologiens Veje
• M.C. Escher. Angels and Devils, 1960.
Indhold
Omfang Estimeret: 14,00 moduler
Dækker over: 14 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Personlige
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
Væsentligste arbejdsformer
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
Titel 6 SRO (EXAM 2/2)

This short course is connected to the studieretningsopgave w/social sciences and is an extension of the 1.g course titled “The American Promise” in which students examined American values. We ask whether the United States can best be described as united or divided in 2024 and draw into perspective the American Civil War (1860-65) in a historian-led discussion of whether the US is currently experiencing a cold civil war. As part of their SRO, students gain insights into the specific methods of English, and they individually examine the state of political polarization in the US as an evaluation.


KERNESTOF
• Ian Bremmer: “The U.S. Capitol Riot Was Years in the Making. Here's Why America Is So Divided” in TIME Magazine on January 16th, 2021. URL: https://time.com/5929978/the-u-s-capitol-riot-was-years-in-the-making-heres-why-america-is-so-divided/
• Sabrina Tavernise; “One Country, Two Tribes” in The New York Times on January 28th, 2017. URL: https://www.nytimes.com/2017/01/28/opinion/one-country-two-tribes.html
• Yascha Mounk: “The Doom Spiral of Pernicious Polarization” in The Atlantic on May 21st, 2022. URL: https://www.theatlantic.com/ideas/archive/2022/05/us-democrat-republican-partisan-polarization/629925/


SUPPLEMENTARY MATERIALS
• Sarah Feldman: ”Is News Polarization an American Problem?” from Statista on June 14th, 2019. URL: https://www.statista.com/chart/18382/trust-in-news-polarization/
• PEW Research: “Political Polarization in the American Public” from June 12th, 2014. URL: https://www.pewresearch.org/politics/2014/06/12/political-polarization-in-the-american-public/
• Kristian Skrede Gleditsch: “civil war” in Encyclopedia Britannica. URL: https://www.britannica.com/topic/civil-war
• Barbara F. Walter: “Is the US headed towards another Civil War?” given at TED April 2023. URL: https://www.ted.com/talks/barbara_f_walter_is_the_us_headed_towards_another_civil_war
• Kampen om Historien: “Borgerkrig i USA – dengang og nu” with Niels Bjerre-Poulsen and Jørn Brøndal a podcast by DR Lyd from November 15th, 2022. URL: https://www.dr.dk/lyd/p1/kampen-om-historien/kampen-om-historien-2022/kampen-om-historien-borgerkrig-i-usa-dengang-og-i-dag-11032215462
Indhold
Omfang Estimeret: 6,00 moduler
Dækker over: 7 moduler
Særlige fokuspunkter
  • Faglige
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Initiativ
  • Ansvarlighed
  • IT
  • Tekstbehandling
Væsentligste arbejdsformer
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 7 Utopian Dreams & Dystopian Nightmares (EXAM)

Dystopian novels have topped the bestseller lists and audiovisual adaptations have featured heavily in cinema and TV for decades. Why is this literary genre so popular at the moment? We begin our study by briefly examining utopian literature and Twin Oaks, an attempted real-life community in the USA, before turning to its fictional counterparts for an in-depth study of dystopian fiction. Literary theory for understanding dystopias is supplied by Gregory Claeys and various other sources, and an overview of the popularity of the genre is given by Shiau before the course splits up into our common studies and differentiated novels. Examples of different dystopian visions are provided by Shirley Jackson, Black Mirror, Margaret Atwood and Kurt Vonnegut, while the remainder of class is organized as literary circles where students study different novels in groups. The course ends with oral group presentations of the novels.


Central terms include
- utopia vs. dystopia
- the three main variations (Claeys): static vs. dynamic, ascetic vs. want-satisfying, hierarchical vs. egalitarian
- forms of control: corporate, bureaucratic, technological, philosophical/religious



KERNESTOF
• Gregory Claeys: “Three main variations of the utopian ideal” fra Searching for Utopia, Thames & Hudson Ltd (2011)
• M.H. Abrams: “Utopias and Dystopias” fra A Glossary of Literary Terms: 327-28.
• Read-write-think. “Dystopias: definition and characteristics” (2006)
• Yvonne Shiau: “The Rise of Dystopian Fiction: From Soviet Dissidents to 70’s Paranoia to Murakami,” 26. juli 2017 via electicliterature.com. URL: https://electricliterature.com/the-rise-of-dystopian-fiction-from-soviet-dissidents-to-70s-paranoia-to-murakami-a73b945c5d37
• Shirley Jackson: “The Lottery” (1948) from Wider Contexts, eds. Jonna Engberg-Pedersen, Mette Grønvold og Hanne Ohland-Andersen, Gyldendal, 2012: 25-32.
• Dir. Reed Morano: “Offred,” sæson 1, episode 1 af The Handmaid’s Tale, HBO (2017).
• Dir. Euros Lyn: ”Fifteen Million Merits,” sæson 2, episode 1 af Black Mirror, Netflix (2011)
• Kurt Vonnegut: “Harrison Bergeron” (1961) fra BRAVE NEW WORLDS eds. John Joseph Adams. San Francisco: Night Shade Books, 2011: 369-374.



KERNESTOF DIFFERENTIERET
I litterære cirkler (projektorienteret gruppearbejde) har eleverne arbejdet med forskellige romaner, som de har læst som værk og har udarbejdet en fremlæggelse omkring:
• Anna, Christopher, Laura, Line: The Handmaid’s Tale af Margaret Atwood (1985)
• Christoffer, Jeppe Hartz, Maja, Nelia, Sophia: The Maze Runner af James Dashner (2009)
• Amalie, Astrid, Julie, Noah, Theodor: 1984 af George Orwell (1949)
• Jeppe Dam, Oliver, Valdemar, Viktor: The Hunger Games af Suzanne Collins (2008)
• Amani, Anfaal, Ingeborg, Mia, Minna, Saida, Selma, Taziz: Divergent af Veronica Roth (2011)



SUPPLERENDE MATERIALE
• “Welcome to Twin Oaks Community” via twinoaks.org. URL: https://www.twinoaks.org/about-twinoaks-community/welcome
• Transition Bus: “Twin Oaks: an Egalitarian Community” (2014). URL: https://vimeo.com/89076764
• Trine Østergaard: “2.2.1 Young Adult Fiction” from The English Handbook. Systime, 2020. URL: https://theenglishhandbook.systime.dk/?id=210
• Moira Young: “Why is dystopia so appealing to young adults?” in The Guardian October 23rd, 2011. URL: https://www.theguardian.com/books/2011/oct/23/dystopian-fiction
• Damien Walter: “Young adult fiction is loved because it speaks to us all – unlike adult stories” in The Guardian September 19th, 2014. URL: https://www.theguardian.com/books/booksblog/2014/sep/19/young-adult-fiction-speaks-to-all
• Words Rated: “Young Adult Book Sales Statistics” from January 30th, 2023. URL: https://wordsrated.com/young-adult-book-sales/
• Georgiana Howlett: “Why are so many adults reading YA and teen fiction?” in The Guardian February 24th, 2015. URL: https://www.theguardian.com/childrens-books-site/2015/feb/24/why-are-so-many-adults-reading-ya-teen-fiction
• Gabrielle Grady: “How the Era of Dystopian YA Movies Came and Went” in The Collider November 19th, 2023. URL: https://collider.com/dystopian-ya-movies-divergent-hunger-games/
• Isabella Brownlee: “The Rise and Fall of Young Adult Dystopian Adaptation Franchises” in Hollywood Insider October 10th, 2021. URL: https://www.hollywoodinsider.com/young-adult-dystopian-franchises/
• Eun Kyung Kim: “Sales of Orwell’s ‘1984’ up over 6,000 percent after NSA news” on Today.com June 11th, 2013. URL: https://www.today.com/news/sales-orwells-1984-over-6-000-percent-after-nsa-news-6c10282307
• Dyfed Loesche: “George Orwell’s 1984 is Back on the Agenda” statistic from Statista from February 5th to 12th, 2017 provided by Publishers Weekly and Nielsen. URL: https://www.statista.com/chart/8113/george-orwell-dystopian-classic-1984-donald-trump/
• Sadie Trombletta: “Amazon’s Most-Read Book Of 2017 Is Still Super Relevant, 22 Years After Its Release” on Bustle.com December 12th, 2017. URL: https://www.bustle.com/p/the-handmaids-tale-is-the-most-read-book-of-2017-according-to-amazon-data-7546891
• Petra Mayer: “Margaret Atwood’s ‘The Handmaid’s Tale’ Soars To Top Of Amazon Bestseller List” via npr.com February 7th, 2017. URL: https://www.npr.org/2017/02/07/513957906/margaret-atwoods-the-handmaids-tale-soars-to-top-of-amazon-bestseller-list
• Photographs from Women’s Rights Marches and various protests featuring references to The Handmaid’s Tale.


FOKUSPUNTER
• Definition af utopi og dystopi som litterære genrer
• Definition af dystopiens kontroltyper, samfundets karakteristika, protagonistens rolle og typiske karakteristika
• Kendskab til tre overordnede u- og dystopiske varianter: statisk vs. dynamisk, asketisk vs. behovstilfredsstillende, hierarkisk vs. egalitær
• Diskutere tematikker, der hyppigt optræder i dystopiske værker som samfundets struktur og statens rolle heri; økonomi og fattigdom; køn og race; teknologi og menneskelig manipulation af natur; religion; menneskerettigheder; seksualitet, kærlighed og venskab; identitet og hukommelse; kommunikation
• Diskutere et nutidigt realiseret utopisk samfund i Twin Oaks Community
• Kendskab til den dystopiske genres popularitet og udvikling fra dens oprindelse til 1920-30erne, post-2. Verdenskrig, 1970-90’erne og efter årtusindeskiftet
• Diskutere den dystopiske genres popularitet i nutiden og dens overlap med Young Adult Fiction
Indhold
Omfang Estimeret: 15,00 moduler
Dækker over: 19 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Initiativ
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • IT
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 8 From "Rule Britannia" to Brexit (EXAM)

This course examines whether the national consciousness about British Empire can be used as a primary explanation for Brexit, an argument proposed by Gary Younge in the article “British Imperial fantasies have given us Brexit” from the Guardian (2018) which students write a non-fiction essay about.
Initially, students are given basic information about the internal development of the British Isles and the politics of the UK. How, when and why did the United Kingdom emerge? How is the UK governed, and what are some examples of national, regional and single-issue political parties?
Next, we turn to the EU Referendum of 2016. After accounting for Brexit, students work with the specialized language surrounding the event including relevant portmanteau words like Brexit, bregret, brexiety etc. In group projects students focus on a variety of explanations behind Brexit emphasizing economy and the NHS, economy and immigration, UKIP and populism, social class, Euro-scepticism, as well as sovereignty and exceptionalism. These projects include a variety of quantitative and qualitative materials and connect to the other studieretningsfag which is Social Sciences. A final explanation is examined individually by students as a written assignment which is Gary Younge’s opinion piece.
Students then gain an overview of the British Empire and the external development of the British Isles before being introduced to postcolonial criticism. Going back to “Rule Britannia” (1740) we see an example of the continued popularity of patriotic poems from the colonial period, and compare the motivations for colonialism and imperialistic views in “The White Man’s Burden” (1899). George Orwell’s Burmese Days (1934) provides a bridge between colonial and postcolonial literature, which continues with Salman Rushdie’s essay and John Agard’s poem.



KERNESTOF
• Gary Younge: “Britain’s imperial fantasies have given us Brexit” in The Guardian, February 3rd 2018. URL: https://www.theguardian.com/commentisfree/2018/feb/03/imperial-fantasies-brexit-theresa-may
• James Johnson: “Rule Britannia” with music by Thomas Augustin Arne (1740)
• Rudyard Kipling: “The White Man’s Burden” (1899) from Wider Contexts (eds. Jonna Engberg-Pedersen, Mette Grønvold and Hanne Ohland-Andersen, Gyldendal 2013: 261-63)
• George Orwell: Excerpt from Burmese Days (1934) from Wider Contexts (eds. Jonna Engberg-Pedersen, Mette Grønvold and Hanne Ohland-Andersen, Gyldendal 2013: 272-74)
• John Agard: “Therapeutic Exercise with the Union Jack” (2006) from Worlds of English (eds. Agnete Fog, Anne Mette Finderup, Systime 2010: 71)
• Salman Rushdie: “The New Empire within Britain” (1982) from Timeless Themes (eds. Claus Skovbjerg and Lis Ramberg Beyer, LRU 2013: 31-32)




SUPPLERENDE MATERIALE
• Skött, Jakob Sinding & Casper Sylvest: “Table 1.1. Facts about the United Kingdom” (9); “3.3 The External Perspective” (32 34); “Decline and New Questions of Identity” (38 41); “5.2 The Westminster Model” (55 56); “The Landscape of Political Parties” (65 69)69); “Text box 10.4: “Old” and “New” Commonwealth” ( 126); “Newspapers” (160, 162 63) in UK NOW: An Introduction to Modern Britain . Columbus, 2023
• Thaysen Anne Hess & Lise Debel Christensen: “Vocabulary: hidden words” (10); “Campaign slogans” (11); “Language” (25, 27); “Breixon vocabulary” ( in Divided Kingdom: Brexit and Beyond. Columbus, 2023
• “Anger over ‘Begret’ as Leave voters say they thought UK would stay in EU” by Lizzie Dearden, The Independent, June 25th 2016. URL: https://www.independent.co.uk/news/uk/politics/brexit-anger-bregret-leave-voters-protest-vote-thought-uk-stay-in-eu-remain-win-a7102516.html
• Jenkins, Jennifer: “The First Dispersal: English Is Transported to the ‘New World’” (38-39) and “The Second Dispersal: English is Transported to Asia and Africa” (76-77) in Leif Frederiksen’s English: Global Language – Global Anguish. Malling Beck, 2007
• The British Empire Quiz from The UK – From Island to Empire and Back (eds. Anne Mette Finderup and Agnete Fog, Systime, 2010: 30-31)
• Conductor David Robertson: “Rule Britannia” from Last Night at the Proms (2009), BBC Synphony Orchestra, Singers and Choir with soloist Sarah Connolly. URL: https://www.youtube.com/watch?v=rB5Nbp_gmgQ
• “The British Empire & the Commonwealth” by Marion Horner (2010)
• “Cruel Britannia” by Steve Bell, unknown publication
• BullionByPost: “Who is Britannia?.” URL: https://www.bullionbypost.co.uk/index/gold and silver/who is britannia/
• Statistics from “Where UKIP gets its support” by Peter Kellner, YouGov.com, February 24th 2014. URL: https://yougov.co.uk/topics/politics/articles-reports/2014/02/24/where-ukip-gets-its-support
• Alex von Tunzelmann: “The Imperial Myths Driving Brexit” in The Atlantic Aug 12th, 2019. URL: https://www.theatlantic.com/international/archive/2019/08/imperial-myths-behind-brexit/595813/


Group work with explanations for Brexit
• ”Why Vote Leave’s £350 million weekly EU cost claim is wrong” from The Guardian (2016)
• Ole Helmersen: “Figur 3.1 Godt/dårligt ved Storbritannien – ifølge briterne selv” from Broken Britain?. Columbus, 2013.
• ”Issues facing Britain: February” by Ipsos MORI
• “What are British people most proud of?” by Ipsos MORI
• “The health services makes more people proud to be British than our history, our culture, our system of democracy or the royal family” by The Health Foundation
• “Figure 7.2. Attitudes Among Leave and Remain Voters” from Lord Ashcroft: “How the United Kingdom voted on Thursday… and why” (June 24th 2016)
• VICE News: ”Why did England’s North vote to leave the European Union?” (link) c
• “Table 7.1 Voting Patterns in the 2016 EU Referendum” by YouGov
• “United Kingdom Independence Party” from Encyclopedia Britannica
• “UKIP Support: Groups most/least likely to vote UKIP” from YouGov
• “Breaking Point” ad by UKIP
• “Tekstboks 2.5: Donald Trump – nationalist og populist? Emotions of politics” from USA's udfordringer by Peter Brøndum and Annegrethe Felter Rasmussen, Columbus.
• “Brexit vote explained: poverty, low skills and lack of opportunities” by Matthew Goodwin and Oliver Heath, August 31st 2016 (link)
http://www.bbc.com/news/uk-22007058
• “Britisk euroskepsis” From Ole Helmersen’s Brexit Britain: Great Britain eller Little England? pp. 38-41.
• “Lack of trust in the EU” from Eurobarometer
• “Trust but verify” from Economist.com
• “Half of Conservative and Leave voters are proud of the British Empire and think their countries are better off for having been colonized” from YouGov
• “Public pride in imperialism and colonialism” by YouGov
• “How Britain voted in the EU Referendum” by Gregor Aisch, Adam Pearce and Karl Russell. URL: https://www.nytimes.com/interactive/2016/06/24/world/europe/how-britain-voted-brexit-referendum.html
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 25 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 9 Modernism (EXAM)

"Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom" - Arthur Erickson



This course introduces students to the British and American literary movement of Modernism. After studying the historical contexts, literary theory and gaining information about new technological advances, theories on human psychology, gender theories and world politics, we take point of departure in two poems related to World War 1 as a way to distinguish what happened to the forms of expression and meanings as a result of the Great War with Rupert Brooke’s “The Soldier” (1915) as an early example and Wilfred Own’s “Dulce et Decorum Est” (1920) as a later example. Next, we see examples of new techniques invented to shape new meanings in Virginia Woolf’s interior monologue from To the Lighthouse (1927) and James Joyce’s stream-of-consciousness from Ulysses (1922). At this point, we turned to the American minimalism of Hemingway in a study if short stories “Indian Camp” (1924), “Hills Like White Elephants” (1927) and “Cat in the Rain” (1925) using the Iceberg method for interpretation as well as biographical readings. The course ends with the ending in William Butler Yeats’ poem “The Second Coming” (1919). Students write a portfolio as a way to evaluate on the course.




KERNESTOF
•“The Soldier” (1915) by Rupert Brooke
• “Dulce et Decorum Est” (1920) by Wilfred Owen
• “Yes” an excerpt from Ulysses (1922) by James Joyce from Fields of Vision volume 2: G48-51
• Excerpt from chapter 17 of To the Lighthouse (1927) by Virginia Woolf
• “Indian Camp” (1924) by Ernest Hemingway
• “Hills Like White Elephants” (1927) by Ernest Hemingway
• “Cat in the Rain” (1925) by Ernest Hemingway
• “The Second Coming” (1919) by William Butler Yeats



SUPPLERENDE MATERIALE
• “The Literary Background” from Fields of Vision volume 2: G177-182
• “Writer’s workshop: Stream of consciousness and interior monologue” in Fields of Vision volume 2: G51
•“Modernism” in Hans Elgaard Mogensen and Karsten Kristensen Back’s Along Literary Lines. Gyldendal, 2009: 81-82.
• “British Modernism” and “[American] Modernism” from Eastern Connecticut State University’s Teacher’s Toolbox section. URLs: https://www.easternct.edu/speichera/understanding-literary-history-all/british-modernism.html and https://www.easternct.edu/speichera/understanding-literary-history-all/from-the-turn-of-the-century-to-world-war-ii.html
• “2.2.9 Minimalistic Fiction” and “The Modern Writing Style” in Trine Østergaard’s The English Handbook (Systime 2020). URLs: https://theenglishhandbook.systime.dk/?id=218 and https://theenglishhandbook.systime.dk/?id=201#c1020
• John McCrae’s ”In Flanders Fields” (1915)
• “A short history of the poppy”. URL: https://www.youtube.com/watch?v=AGCHk5_2skY
• Grunge: ”Ernest Hemingway’s Unbelievable Real-Life Story”. URL: https://www.youtube.com/watch?v=d-4COmFp064&source_ve_path=OTY3MTQ ; https://www.ernesthemingwaycollection.com/about-hemingway/ernest-hemingway-in-italy; and https://www.nytimes.com/2015/09/25/books/review-hemingway-man-of-few-words-and-many-mementos-at-the-morgan.html
• “My fantasy Folio goes to Ulysses and To the Lighthouse” by Michael Cunningham in The Guardian on July 16th, 2013. URL: https://www.theguardian.com/books/booksblog/2013/jul/16/michael-cunningham-folio-joyce-woolf • Salvador Dali: The Persistence of Memory (1931)
• David Boettcher: “The “Invention” of the Wristwatch.” URL: http://www.vintagewatchstraps.com/wristwatchinvention.php
• Pablo Picasso’s ”The Bull” (1945)



FOKUSPUNKTER
• Kendskab til den litterære strømning modernisme med udgangspunkt i perioden inden (romantikken) og perioden efter (postmodernisme).
• Forståelse af 1. verdenskrig som katalysator for den litterære strømning
• Diskussion af modernistiske tematikker som parforholdet, teknologisk optimisme og angst, formalisme, kreativitet; samt tilbagevendende symboler i farver mm.
• Definere og kunne identificere litterære teknikker som stream-of-consciousness, interior monologue og minimalisme (Iceberg Theory) i digte, noveller og romanuddrag
• Nærlæsning, at læse mellem linjerne og at forstå formalistiske tekster
Indhold


Supplerende stof:
Omfang Estimeret: 13,00 moduler
Dækker over: 15 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Sociale
  • Samarbejdsevne
  • IT
  • Tekstbehandling
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 10 Projektforløb 5

Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 3 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer
Titel 11 Postmodernism (EXAM)

A course that introduces students primarily to the American literary movement of Postmodernism with only one example of British literature, including reading one novel: Fight Club by Chuck Palahniuk (1999).
After gaining knowledge about the historical contexts for the period of Postmidernism and studying key aspects of literary movement, students have their first postmodern literary experience with Lynne Tillman’s “Little Tales of New York” which they rework in a creative writing exercise adding a 15th story to the author’s original 14 smaller stories. Next, the course offers the opportunity to return to American Psycho, which students first encountered in 2.g as part of the course “Evil,” this time also including Mary Harron’s audiovisual adaptation. Select scenes are studied providing new contexts for understanding the evil in the story, and the movie’s end scene is studied in-depth in a discussion about the movie’s ending and meaning postmodernism generally.
At this point, students read the novel Fight Club by Chuck Palahniuk with focus on the narrator and his relationships to minor characters, Tyler and Marla; the role of support groups; postmodern genre traits; and style of language. We conclude by watching David Fincher’s adaptation of which students could choose between focusing on a frontier-identity interpretation (based on Richard Slotkin’s Regeneration through Violence thesis), gender interpretation, or psychological interpretation.
Finally, we have seen one example of the British movement of Postmodernism in Charles Higson’s “The Red Line” before students evaluated the course by electing to write a fiction or non-fiction essay on Fight Club.


KERNESTOF
• “Postmodernism” from Along Literary Lines: A Key to Text Analysis by Hans Elgaard Mogensen & Karsten Kristensen Back. Gyldendal, 2009: 107-111.
• “10 common themes and techniques in postmodern texts” is a largely teacher-edited text compiled of Wikipedia articles (“Meta-fiction” and “Fragmentation”) and other online sources.
• “1.2.7 Postmodernism (1945-)” from The English Handbook by Trine Østergaard. Systime, 2020. URL: https://theenglishhandbook.systime.dk/?id=209
• “Postmodernism: Historical Background” and “Postmodernism: Literary Background” from Through Literary Landscapes – from the Romantic Age to Postmodernism by Pia Rørkær Sigh and Niels Randbo Back. Systime 2020, 257-65 and 266-75.
• Lynne Tillman: “Little Tales of New York” fra Looking for America af Bjørn Christensen. Systime, 2002: 77-83.
• Bret Easton Ellis: “April’s Fools” fra American Psycho (1991).
• American Psycho (2000) dir. Mary Harron.
• Fight Club by Chuck Palahniuk (1996).
• Fight Club (1999) dir. David Fincher.
• Charles Higson: “The Red Line” fra Now&Zen: Post-Modern Stories from London af René Bühlmann. Systime, 1995: 62-75.

SUPPLERENDE MATERIALE
• Girl Talk: “This is the Remix” fra albummet All Day (2010)
• “No more barriers” scene from American Psycho via Movieclips. URL: https://www.youtube.com/watch?v=nRTjNEP6v2U
• The Take: ”American Psycho Ending Explained: What Really Happened?”. URL: https://www.youtube.com/watch?app=desktop&v=ByLEIKTjgtk&t=167s
• Diverse bogcovers til Fight Club
• “The Men Who Still Love “Fight Club”” by Peter C. Baker in The New Yorker, November 4, 2019



FOKUSPUNKTER
• Kendskab til den litterære strømning herunder begreberne loss of grand narratives, death of the author, intertextuality, meta-fiction, fragmentation, dehumanization, consumerism, non-place.
• Analyse og fortolkning af postmodernistiske tekster
Indhold
Omfang Estimeret: 23,00 moduler
Dækker over: 26 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 12 Shakespeare's Macbeth (EXAM)

”Something wicked this way comes”


Students carry out an in-depth study of Shakespeare’s play Macbeth (c. 1606) including the literary genre of the tragedy, historical context in the Elizabethan Age, the linguistic context of Early Modern English, as well as classic Shakespearean themes.
First, emphasizing genre, students gain knowledge of literary theorist Christopher Booker’s thesis The Seven Basic Plots and we study the genre of tragedy including Booker’s five stages, and the idea of the hero’s tragic flaw.
Students are introduced to brief excerpts from the Shakespearean tragedies Hamlet and Romeo & Juliet as a way to study Shakespeare’s unusual use of both “thou” and “you” as second person personal pronoun in Early Modern English. After seeing a brief overview of the history and development of the English language, we read about EME including Shakespeare’s role in this version of the English language. Additionally, as a perspective to understanding the character of Lady Macbeth, we study four tropes in Shakespeare’s women and see examples from a total of eight different plays including Cymbeline, King Lear, Hamlet, Romeo & Juliet, As You Like It, Twelfth Night, The Tempest and A Midsummer Night’s Dream.
The Elizabethan Age and the concept of the Chain of Being is a central part of our interpretation of the play which we base on the classic Shakespearean dichotomies such as chaos vs. order, fate vs. free will, and light vs. darkness.
Intertextual references in William Faulkner’s The Sound and the Fury, Gabrielle Zevin’s Tomorrow and Tomorrow and Tomorrow, Harry Potter and the Prisoner of Azkaban (dir. Alfonso Cuaron) and House of Cards () are drawn into perspective as a way to exemplify how the play has been adapted, re-worked and utilized in contemporary popular culture. We add to this adaptation theory by Peter Schepelern and study a variety of adaptations of act 1, scene 1 before ending the course on watching Kurzel’s 2015 adaptation of the play in full.



KERNESTOF
• Christopher Booker: “Tragedy (1): The Five Stages” from The Seven Basic Plots: Why We Tell Stories. London: Continuum, 2004: 156-57, 333-34
Fra William Shakespeare. Macbeth. Cambridge School Edition, 2. udgave, 2005:
• Act 1, scenes 1-3, 5, 7
• Act 2, scenes 1-2
• Act 3, scene 4
• Act 4, scene 1
• Act 5, scenes 5, 7-8



SUPPLERENDE STOF
• Dialoguddrag fra Hamlet act 2, scene 5; act 3, scenes 2, 4.
• Dialoguddrag fra Romeo and Julie act 3, scene 5.
• Performances af act 1, scene 5 (Shakespeare at Play: https://www.shakespeareatplay.ca/macbeth-act-1-scene-5); act 3, scene 4 (RSC production: https://www.youtube.com/watch?v=gCFjpr3Ehm4); Ian McKellen’s actor’s workshop on the “Tomorrow” soliloquy (https://www.youtube.com/watch?v=4LDdyafsR7g)


• Ole Juul Lund. “The Dramatic Tradition,” “Tragedy” og “Shakespeare and his time” fra Shakespeare: Lives and Works, Gyldendal, 2012: 46-55, 94-127, 182-83.
• Mya Gosling: “MACBETH: dramatis personae” via www.goodticklebrain.com (2015)
• Anne Mette Finderup og Agnete Fog. “Early Modern English” fra Worlds of English, Systime, 2010: 15-17.
• “Witches and Witchcraft” from Cambridge School Edition
• Literary terms. Scans from Hans Elgaard Mogensen & Karsten Kristensen Back: Along Literary Lines: A Key to Text Analysis. Gyldendal,2009: 55, 64-65, 79-80, 83-84, 132-33, 152, 153.
• Unknown author: “The Elizabethan World Picture.” Unknown publishing: 25-28.
• Kevin Brookhouser: “Understanding Iambic Pentameter”. URL: https://www.youtube.com/watch?v=v0aAWuUX5jU
• Uddrag af episoden ”Chapter 1” (S01E01) fra House of Cards, dir. David Fincher, Netflix (2013): 13:30-17:59
• ”Double Double” by John Williams from Harry Potter and the Prisoner of Azkaban OST (2004)
• “Adaptation: from novel to film” and excerpt from Peter Schepelern’s Fra bog til film: typiske træk i danske filmatiseringer
• Adaptation af act 1, scene 1 fra BBC (2005), Wright (2006), Goold (2010) og Kurzel (2015)
• “Women in Shakespeare” by Saint Ignatius’ College; English Faculty uploaded on May 22nd 2014 via https://www.youtube.com/watch?v=u1NtSnCul4   
• “Macbeth: Themes Gender” by AQA English Literature GCSE via PMT Education https://pmt.physicsandmathstutor.com/download/EnglishLiterature/GCSE/Notes/AQA/Macbeth/Themes/Gender.pdf
Indhold
Omfang Estimeret: 14,00 moduler
Dækker over: 17 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde
Titel 13 Eksamensrepetition

Følgende hjælpemidler er tilladt til eksamen

www.ordbogen.com
www.thesaurus.com
www.oxfordlearnersdictionaries.com
www.merriam-webster.com
www.minlaering.dk
Engelsk Grammatik med Synonymer (bog)
Along Literary Lines (bog)
Toolbox (lærerudarbejdet kompendium)
Handouts, arbejdsark og slides udarbejdet til grammatikundervisningen

Sådan dokumenterer du brugen af EGMS eller MinLæring i assignments 1-3
Lav en fodnote eller skriv det nederst i din besvarelse

Engelsk grammatik med synonymer
• STANDARDTEKST: "Overskrift på paragraf." Aase Herskind & Uffe Gravers Pedersen, Engelsk grammatik med synonymer. 2002: s. ?
• EKSEMPEL: "126b – must." Aase Herskind & Uffe Gravers Pedersen, Engelsk grammatik med synonymer. 2002: s. 68.

MinLæring
• STANDARDTEKST: "Titel på afsnit" (forkortelse med tal, der viser hvilken sektion, du har brugt). ENGRAM, MinLæring. URL: hjememside.
• EKSEMPEL: "Omvendt (V S O) ordstilling på dansk – ligefrem (S V O) på engelsk" (O.1.1). ENGRAM, MinLæring. URL: https://app.minlaering.dk/bog/1/kapitel/27537/sektion/27541

Gyldendals Røde Ordbøger
• STANDARDTEKST: ”Overskrift på opslaget.” Gyldendals Røde Ordbøger. Link
• EKSEMPEL ”Violence.” Gyldendals Røde Ordbøger. https://ordbog.gyldendal.dk/#/pages/result/daen/violence/expert?cache=1543311934537


Indhold
Omfang Estimeret: 9,00 moduler
Dækker over: 10 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde