Holdet 3u EN (2025/26) - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2023/24 - 2025/26
Institution Egaa Gymnasium
Fag og niveau Engelsk A
Lærer(e) Line Herold Netuka
Hold 2023 EN/u (1u EN, 2u EN, 3u EN)

Oversigt over gennemførte undervisningsforløb
Titel 1 Fantasy
Titel 2 Serious Business
Titel 3 Evil [EXAM]
Titel 4 Utopian Dreams & Dystopian Nightmares [EXAM]
Titel 5 SRO: United or Divided States of America? [EXAM]
Titel 6 Scotland: study trip to Edinburgh
Titel 7 From "Rule Britannia" to Brexit [EXAM]
Titel 8 Skr. og mdt. årsprøve
Titel 9 Modernism [EXAM]
Titel 10 Projektforløb 5
Titel 11 Postmodernism [EXAM]
Titel 12 Shakespeare's Macbeth [EXAM]
Titel 13 Eksamensrepetition og tilladte hjælpemidler

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 Fantasy

38 sider

"Is this real life? Or is just fantasy?"
This course introduces students to reading a literary genre and using literary theory as a way of highlighting the differences between reading for entertainment or information and reading analytically using fiction analytical methods. We begin by establishing the genre features of fantasy literature including plot structure, setting types, character gallery, subgenres, classic themes and magical inventory. The texts studied are British children’s fantasy literature which enables discussions of what adults can take away from reading children’s fiction, and why the Brits seem to have an affinity for and fondness of the fantasy genre in particular. C. S. Lewis’ Narnia: The Lion, the Witch and the Wardrobe (1950) introduces multiple interpretation layers to the class as we consider historical contexts of World War 2 and political as well as religious allegory. Finally, students learn how to make characterizations with emphasis on character types, round/flat, static/dynamic and inner/outer characteristics using literary theory provided by Fields of Vision.


KERNESTOF
• Anne Mette Finderup og Agnete Fog. “What is fantasy?” og “The elements of Fantasy.” Worlds of Fantasy. Systime, 2013: 8-12 [5 sider]
• C.S. Lewis.  Uddrag af “Lucy Looks into a Wardrobe” fra The Narnia Chronicles: The Lion, the Witch and the Wardrobe (1950) i Anne Mette Finderup og Agnete Fog. Worlds of Fantasy. Systime, 2013: 24-31 [10 sider]
• Andrew Adamson: Narnia: The Lion, the Witch and The Wardrobe (2005)
• J.K. Rowling. “Diagon Alley” og “The Sorting Hat” fra Harry Potter and the Philosopher’s Stone (1997) [10 sider]


SUPPLERENDE STOF
• Joe Fassler: ”Confronting Reality by Reading Fantasy: Author Lev Grossman says C.S. Lewis taught him that in fiction, stepping into magical realms means encountering earthly concerns in transfigured form” in The Atlantic on August 5th, 2014. URL: https://www.theatlantic.com/entertainment/archive/2014/08/going-home-with-cs-lewis/375560/
• Lone Theils. ”Briterne drømmer om en anden og bedre verden – og får den i fantasylitteraturen.” Politiken, 3. maj 2015. [1 side]
• Colleen Gillard. “Why the British Tell Better Children’s Stories” The Atlantic, 6. januar 2016. [1 side]
• Stills fra filmatiseringen Narnia: the Lion, the Witch and the Wardrobe (2005), dir. Andrew Adamson [2 sider]
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 12 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Skrive
  • Diskutere
  • Formidling
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • IT
  • Tekstbehandling
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde

Titel 2 Serious Business

31 sider
This course aims at creating a collaborative, trusting and – at times – fun atmosphere in the classroom by focusing on the genre of comedy and by emphasizing student-driven projects. Students are introduced to three main philosophical theories behind why we laugh to which we add a neuro-scientist’s explanation. We compare British and American humor by studying a prototypical British comedy protagonist in Mr. Bean and the American counterpart in Homer Simpson. Students present group projects on topics of their own choice as an evaluation of the course.


KERNESTOF
• Sophie Scott. “Why we laugh” (TEDtalk), marts 2015. URL: https://www.ted.com/talks/sophie_scott_why_we_laugh?language=da [5 sider]
• Bo Høpfner Clausen og Jesper Kaalund. “The Philosophy of humour” og “Humorous devices.” Serious Business: Satire, Wit and Humour from Shakespeare to Post-modernism. Gyldendal, 2011: 10-25. [7 sider]
• Mr Bean: “Ecce homo qui est faba” (titelsekvens), ITV 1990-95. [1 side]
• The Simpsons. “Deep Space Homer.” Fox, sæson 5, episode 15 (1994) [3 sider]



SUPPLERENDE STOF [samlet 10 sider]
• Elevernes eget katalog i padlet af jokes, memes, videoklip, sketches mm., som de finder sjovest
• Ricky Gervais. “Ricky Gervais on England vs. America” fra Big Think, 23. april 2013
• Ricky Gervais: “The Difference Between American and British Humour”, 9. november 2011. URL: http://time.com/3720218/difference-between-american-british-humour/
• Par-/gruppeprojekter


SÆRLIGE FOKUSPUNKTER
• Diskussion af hvad komedie er, hvorfor vi griner, hvorvidt man kan (og bør) lave sjov ud af alting
• Diskussion af funktionen af komedie i samfundet og kulturen især Storbritannien og USA.
• Kendskab til basale forskelle mellem britisk og amerikansk humor fx i forhold til protagonisten, produktionen og typiske emner
• At give eleverne grundlæggende redskaber til at analysere humor i forskellige medier herunder billeder, memes, jokes, sketches (audiovisuelt), TikToks og sange.
• Kendskab til teori for forskellige typer humor: superiority, relief og incongruity
• At træne sproglig opmærksomhed herunder især humoristisk sprogbrug fx ordspil
• Mundtlig fremlæggelse efter gruppeprojekt som evaluering på forløbet
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 12 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 3 Evil [EXAM]


“The battleline between good and evil runs through the heart of every man” – Aleksandr Solzhenitsyn

In this course, we examine evil from multiple angles aiming to widen our understanding of the concept and to challenge the simple dichotomy of good and evil.
In non-fiction materials, we gain insight into the psychology of evil which will help us explain, categorize, and possibly also understand evil. We ask what role nature and nurture can play when an individual is evil and seek tentative answers in the research by Dr. Zimbardo and his Stanford Prison Experiment as well as the Norwegian philosopher Svendsen whose subtypes of moral evil propose that real-life evil is far more nuanced and varied than the 1% of us who are thought to be capable of sadistic evil, the subtype most commonly portrayed in literature and film.
In fictional texts, we examine that prototypical sadistic serial killer but we also see examples of other evil main characters. We ask what literary and audiovisual devices are most effective in portraying evil, and practice close reading of literature as well as of the intro sequence to a TV show.
Students are introduced to the non-fiction analytical essay as they write an assignment on “The Roots of Evil” as the evaluation of the course.



Central terms
• Natural vs. moral evil and the four subtypes of moral evil: sadistic, instrumental, idealistic, thoughtless
• The nature vs. nurture debate
• The universal capacity for evil and the Lucifer Effect
• Dichotomies
• Foreshadowing
• The anti-hero



KERNESTOF
• Philip Zimbardo. “The Psychology of Evil” Ted Talk, 2008. [5 sider]
• TIME Magazine: “Behavior: The Man with Ten Personalities” published in TIME (October 23rd, 1978). URL: https://content.time.com/time/subscriber/arti-cle/0,33009,946128-1,00.html
• Sharon Begley: “The Roots of Evil” (introduced to students under the alternative title “To Understand All Should not be to Forgive All”) from May 20th, 2001 in Newsweek. URL: https://www.newsweek.com/roots-evil-152587
• Jeff Lindsay. ”Chapter 1” i Darkly Dreaming Dexter. London: Orion Publishing Co, 2004. [6 sider]
• Michael Cuesta. ”Pilot” s01e01af Dexter. Showtime, 1. oktober 2006. [8 sider]
• Digital Kitchen: title sequence to Dexter (Showtime 2006)
• Bret Easton Ellis: "Killing Child at Zoo" from American Psycho (1991) i Jonna Engberg-Pedersen, Mette Grønvold og Hanne Ohland-Andersen. Wider Contexts. Gyldendal: 178-82. [5 sider]



Supplerende materiale
• The myth of the Fall of Man from the Book of Genesis via https://thebrickbible.com/legacy/genesis/the_garden_of_eden/01_gn02_04-05.html
• NPR: ”On the Scale of Evil, Where do Murderers Rate?” from August 21st, 2010. URL: https://www.npr.org/2010/08/21/129175964/on-the-scale-of-evil-where-do-murderers-rate
• Svendsen, Lars: paraphrased in “Det onde som frihed” from the e-textbook Psykologiens Veje, Systime.
• Eldridge, Stephen: “Milgram experiment” in The Encyclopedia Britannica URL: https://www.britannica.com/science/Milgram-experiment
• N.a.: “Stanford Prison Experiment” in The Encyclopedia Britannica. URL: https://www.britannica.com/event/Stanford-Prison-Experiment
• M.C. Escher. Angels and Devils, 1960.
• Claudia Dreifus. “Finding Hope in the Universal Capacity for Evil.” The New York Times, 3. April 2007 [4 sider]
• AnthonyPadilla: “I spent a day with MULTIPLE PERSONALITIES (Dissociative Identity Disorder)” on YouTube March 4th, 2020. URL: https://www.youtube.com/watch?v=ek7JK6pattE
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 17 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Tekstbehandling
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde

Titel 4 Utopian Dreams & Dystopian Nightmares [EXAM]

As dystopian novels have topped the bestseller lists and audiovisual adaptations have featured heavily in cinema and TV for the last 15 years we ask: why is this literary genre is so popular at the moment? We begin our study by briefly examining utopian literature and Twin Oaks, an attempted real-life community in the USA, before turning to its fictional counterparts for an in-depth study of dystopian fiction. Literary theory for understanding dystopias is supplied by Gregory Claeys and various other sources, and an overview of the popularity of the genre is given by Shiau before the course splits up into our common studies and differentiated novels. Examples of different dystopian visions are provided by Shirley Jackson, Black Mirror, Margaret Atwood and Kurt Vonnegut, while the remainder of class is organized as literary circles where students study different novels in groups. The course ends with oral group presentations of the novels.


Central terms include
- utopia vs. dystopia
- the three main variations (Claeys): static vs. dynamic, ascetic vs. want-satisfying, hierarchical vs. egalitarian
- forms of control: corporate, bureaucratic, technological, philosophical/religious



KERNESTOF
• Gregory Claeys: “Three main variations of the utopian ideal” fra Searching for Utopia, Thames & Hudson Ltd (2011)
• Read-write-think. “Dystopias: definition and characteristics” (2006)
• Shirley Jackson: “The Lottery” (1948) from Wider Contexts, eds. Jonna Engberg-Pedersen, Mette Grønvold og Hanne Ohland-Andersen, Gyldendal, 2012: 25-32.
• Dir. Reed Morano: “Offred,” sæson 1, episode 1 af The Handmaid’s Tale, HBO (2017).
• Dir. Euros Lyn: ”Fifteen Million Merits,” sæson 2, episode 1 af Black Mirror, Netflix (2011)
• Kurt Vonnegut: “Harrison Bergeron” (1961) fra BRAVE NEW WORLDS eds. John Joseph Adams. San Francisco: Night Shade Books, 2011: 369-374.




KERNESTOF DIFFERENTIERET
I litterære cirkler (projektorienteret gruppearbejde) har eleverne arbejdet med forskellige romaner, som de har læst som værk og har udarbejdet en fremlæggelse omkring:
• Emma, Nikoline, Cherly, Alma: The Handmaid’s Tale af Margaret Atwood (1985)
• Alfred, Annika, Otto, Vigga: The Maze Runner af James Dashner (2009)
• Marius, Lærke, Juliane, Arya, Mathilde: The Hunger Games af Suzanne Collins (2008)
• Cilja, Kristian, Olivia, Isak: Fahrenheit 451 af Ray Bradbury (1953)
• Andrea, Alberte ML, Sofie, Anna, Alberte H: Divergent af Veronica Roth (2011)
• Oskar, Maria, Victoria, Mikkel, Ida: The Road af Cormac McCarthy (2006)




SUPPLERENDE MATERIALE
• M.H. Abrams: “Utopias and Dystopias” fra A Glossary of Literary Terms: 327-28.
• Yvonne Shiau: “The Rise of Dystopian Fiction: From Soviet Dissidents to 70’s Paranoia to Murakami,” 26. juli 2017 via electicliterature.com. URL: https://electricliterature.com/the-rise-of-dystopian-fiction-from-soviet-dissidents-to-70s-paranoia-to-murakami-a73b945c5d37
• “Welcome to Twin Oaks Community” via twinoaks.org. URL: https://www.twinoaks.org/about-twinoaks-community/welcome
• Transition Bus: “Twin Oaks: an Egalitarian Community” (2014). URL: https://vimeo.com/89076764
• Trine Østergaard: “2.2.1 Young Adult Fiction” from The English Handbook. Systime, 2020. URL: https://theenglishhandbook.systime.dk/?id=210



Genre history and development: classic novels and young adult
• Moira Young: “Why is dystopia so appealing to young adults?” in The Guardian October 23rd, 2011. URL: https://www.theguardian.com/books/2011/oct/23/dystopian-fiction
• Damien Walter: “Young adult fiction is loved because it speaks to us all – unlike adult stories” in The Guardian September 19th, 2014. URL: https://www.theguardian.com/books/booksblog/2014/sep/19/young-adult-fiction-speaks-to-all
• Words Rated: “Young Adult Book Sales Statistics” from January 30th, 2023. URL: https://wordsrated.com/young-adult-book-sales/
• Georgiana Howlett: “Why are so many adults reading YA and teen fiction?” in The Guardian February 24th, 2015. URL: https://www.theguardian.com/childrens-books-site/2015/feb/24/why-are-so-many-adults-reading-ya-teen-fiction
• Gabrielle Grady: “How the Era of Dystopian YA Movies Came and Went” in The Collider November 19th, 2023. URL: https://collider.com/dystopian-ya-movies-divergent-hunger-games/
• Isabella Brownlee: “The Rise and Fall of Young Adult Dystopian Adaptation Franchises” in Hollywood Insider October 10th, 2021. URL: https://www.hollywoodinsider.com/young-adult-dystopian-franchises/
• Eun Kyung Kim: “Sales of Orwell’s ‘1984’ up over 6,000 percent after NSA news” on Today.com June 11th, 2013. URL: https://www.today.com/news/sales-orwells-1984-over-6-000-percent-after-nsa-news-6c10282307
• Dyfed Loesche: “George Orwell’s 1984 is Back on the Agenda” statistic from Statista from February 5th to 12th, 2017 provided by Publishers Weekly and Nielsen. URL: https://www.statista.com/chart/8113/george-orwell-dystopian-classic-1984-donald-trump/
• Sadie Trombletta: “Amazon’s Most-Read Book Of 2017 Is Still Super Relevant, 22 Years After Its Release” on Bustle.com December 12th, 2017. URL: https://www.bustle.com/p/the-handmaids-tale-is-the-most-read-book-of-2017-according-to-amazon-data-7546891
• Petra Mayer: “Margaret Atwood’s ‘The Handmaid’s Tale’ Soars To Top Of Amazon Bestseller List” via npr.com February 7th, 2017. URL: https://www.npr.org/2017/02/07/513957906/margaret-atwoods-the-handmaids-tale-soars-to-top-of-amazon-bestseller-list
• Photographs from Women’s Rights Marches and various protests featuring references to The Handmaid’s Tale.


FOKUSPUNTER
• Definition af utopi og dystopi som litterære genrer
• Definition af dystopiens kontroltyper, samfundets karakteristika, protagonistens rolle og typiske karakteristika
• Kendskab til tre overordnede u- og dystopiske varianter: statisk vs. dynamisk, asketisk vs. behovstilfredsstillende, hierarkisk vs. egalitær
• Diskutere tematikker, der hyppigt optræder i dystopiske værker som samfundets struktur og statens rolle heri; økonomi og fattigdom; køn og race; teknologi og menneskelig manipulation af natur; religion; menneskerettigheder; seksualitet, kærlighed og venskab; identitet og hukommelse; kommunikation
• Diskutere et nutidigt realiseret utopisk samfund i Twin Oaks Community
• Kendskab til den dystopiske genres popularitet og udvikling fra dens oprindelse til 1920-30erne, post-2. Verdenskrig, 1970-90’erne og efter årtusindeskiftet
• Diskutere den dystopiske genres popularitet i nutiden og dens overlap med Young Adult Fiction
Indhold
Omfang Estimeret: 20,00 moduler
Dækker over: 22 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Initiativ
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 5 SRO: United or Divided States of America? [EXAM]

“America is not just a country, it’s an idea” – Edward de Bono
“Det her er ikke noget almindeligt amerikansk valg. Det er det vigtigste i amerikansk historie.” – Niels Bjerre-Poulsen i sit oplæg på Egaa Gymnasium d. 10. september 2024


Connected to the studieretningsopgave w/Social Sciences (SRO), this course was taught in the fall/winter of 2024/25 during the US presidential campaign and election of the 47th President of the United States. Overall, we ask whether the United States currently can best be described as united or divided, and seek answers through the lenses of political polarization, populism, federalism, and lobbyism. Our study of the Trump v. Harris campaign is set against a backdrop of a more historical examination of American identity with emphasis on immigration, the frontier, and the American dream.


KERNESTOF: PRÆSIDENTVALGET 2024
• “Presidential Election,” “American Government” and “American identity” from Being American by Mette Holm. Systime i-bog, 2020.
• The US Constitution (1789): preamble, article II section 1, Amendments XX and XXII
• Harris’ concession speech (November 7th, 2024). URL: https://www.theguardian.com/us-news/2024/nov/06/harris-concession-speech-transcript
• Donald Trump’s early victory remarks (November 6th, 2024): https://www.youtube.com/watch?v=WI9fbbQ-aTo
KERNESTOF: POLARISERING
• Ian Bremmer: “The U.S. Capitol Riot Was Years in the Making. Here's Why America Is So Divided” in TIME Magazine on January 16th, 2021. URL: https://time.com/5929978/the-u-s-capitol-riot-was-years-in-the-making-heres-why-america-is-so-divided/
• Donald Trump: “America First” or the Presidential Announcement Speech on June 16th, 2015 given at Trump Tower, NYC
• Excerpts from Donald Trump’s Second inaugural address (January 2025)
KERNESTOF: AMERIKANSK IDENTITET OG VÆRDIER
• Obama: “Remarks by the President in Address to the Nation on Immigration” (Nov 20th, 2014)
• The Declaration of Independence (1776)
• Emma Lazarus: “The New Colossus” (1883)
• Robin Williams: Key Values of US Culture (1970)
• Martin Luther King, Jr.: “I have a Dream” (1963) via https://kr.usembassy.gov/martin-luther-king-jr-dream-speech-1963/
• Malcolm X: “The Ballot or the Bullet” (1964).


SUPPLEMENTARY MATERIALS
Præsidentvalget 2024
• “We the people” by Center for Civic Education. URL: https://www.youtube.com/watch?v=haVniSWSGJA
• Campaign slogans from previous presidential campaigns and ideas from the book Words to Win by: The slogans, logos, and designs of America’s presidential elections by Apollo Publishers (2020)
• Student presentations on Vice President Kamala Harris, Governor Tim Walz, former President Donald Trump, and Senator J.D. Vance.
www.270towin.com; data from PEW Research on voter turnout in US presidential elections: https://www.pewresearch.org/short-reads/2022/11/01/turnout-in-u-s-has-soared-in-recent-elections-but-by-some-measures-still-trails-that-of-many-other-countries/; NPR article on voter registration issues: https://www.npr.org/2018/09/10/645223716/on-the-sidelines-of-democracy-exploring-why-so-many-americans-dont-vote
• Podcastepisoden “Slutspurten” fra Kongressen 2024 (13:15-) om ”The Ground Game” med Anders Agner og Camilla Sebelius
Polarisering
• PEW Research: “Political Polarization in the American Public” from June 12th, 2014. URL: https://www.pewresearch.org/politics/2014/06/12/political-polarization-in-the-american-public/
• Kampen om Historien: “Borgerkrig i USA – dengang og nu” with Niels Bjerre-Poulsen and Jørn Brøndal a podcast by DR Lyd from November 15th, 2022. URL: https://www.dr.dk/lyd/p1/kampen-om-historien/kampen-om-historien-2022/kampen-om-historien-borgerkrig-i-usa-dengang-og-i-dag-11032215462
• Sabrina Tavernise; “One Country, Two Tribes” in The New York Times on January 28th, 2017. URL: https://www.nytimes.com/2017/01/28/opinion/one-country-two-tribes.html
https://www.pewresearch.org/politics/2023/06/28/gun-violence-widely-viewed-as-a-major-and-growing-national-problem/
https://www.pewresearch.org/religion/fact-sheet/public-opinion-on-abortion/
https://www.pewresearch.org/short-reads/2024/03/15/5-facts-about-religion-and-americans-views-of-donald-trump/  
• Klip (00-13:00) fra dokumentaren Gunned Down: the Power of the NRA (PBS): https://www.pbs.org/wgbh/frontline/documentary/gunned-down/
• Yascha Mounk: “The Doom Spiral of Pernicious Polarization” in The Atlantic on May 21st, 2022. URL: https://www.theatlantic.com/ideas/archive/2022/05/us-democrat-republican-partisan-polarization/629925/
• Kapitel 2: ”Teoretisk overblik over højrepopulismen” i Populisme og identitetspolitik. Marie Berg-Calsen. Columbus i-bog.
Amerikansk identitet og værdier
• A catalogue of common intertextual references to American identity and values
• Donald Trumps poster “ILLEGAL IMMIGRATION INTO THE U.S.” fra kampagnen 2024. URL: https://apnews.com/article/immigration-trump-chart-butler-border-67866bd05a894a6bea0d670de2adc4f7
• Gallup: “Republican and Democratic Voters’ Top Five Voting Issues” (2024). URL: https://news.gallup.com/poll/651719/economy-important-issue-2024-presidential-vote.aspx
• Statista: “The most important issues for voters reflected in the debate” (2024). URL: https://www.statista.com/chart/33028/prevalence-of-specific-words-phrases-connected-to-key-issues-in-the-second-us-presidential-debate/
• BBC artikel “US universities warn foreign students on Trump immigration crackdown” (Nov. 26, 2024). URL: https://www.bbc.com/news/articles/czxvz4re5y1o
• PEW Research: Major Executive Actions on Immigration. URL: https://www.pewresearch.org/short-reads/2014/11/21/executive-actions-on-immigration-have-long-history/
• Remarks by Trump on immigrants from Dec. 16, 2023, New Hampshire rally; March 4, 2024, interview with Right Side Broadcasting Network; April 2, 2024, Grand Rapids, Michigan, campaign event.
Indhold
Omfang Estimeret: 20,00 moduler
Dækker over: 20 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
  • Internet
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 6 Scotland: study trip to Edinburgh

This course is connected to 2.u EN’s study trip to Edinburgh and the Scottish Highlands in the spring of 2025 and continued upon return as a more generalized study of the history, society and culture of the United Kingdom with emphasis on Brexit (studieretningstoning: Social Sciences A-level). With point of departure in the fact that all 32/32 council areas in Scotland voted “Remain” against an overall UK “Leave” majority vote in the EU Referendum of 2016, we ask what whether Scotland’s history, culture, nature, literature, and/or politics makes Scottish national identity significantly different to that of the rest of the UK.


Leading up to the departure for Edinburgh, the students examine Scottish history and literature in two parts. First, the story of William Wallace and the Battle of Bannockburn in Robert Burns’ poem “Scots Wha Hae” and perspectives in the adaptation Braveheart (1995). Additionally, students watch a BBC documentary on “Auld Lang Syne” as preparation for visiting Burns’ Monument in Edinburgh and discussing the art installation “Song of the Union” (2021) by Emeka Ogboh from Edinburgh Art Festival in 2021, as well as viewing Burn’s portrait by Alexander Nasmyth in the National Portrait Gallery. Secondly, we read a chapter from Outlander and watch the adaptation to television as a point of examining the Scottish Highlands, clans, and the external (American) fascination with Scottish history. In Edinburgh, students examine the authorship of Sir Walter Scott, including visiting his monument and listening to a BCC podcast detailing why his novels are not widely read today despite his extreme popularity in his own time. Upon return, the students read an excerpt from Christopher Wallace’s novel The Resurrection Club, connecting the literature to the places and people they had encountered on their trip.


KERNESTOF
• Robert Burns: “Scots wha hae” (1794) and “Auld Lang Syne” (1788). Project Gutenberg
• Diana Gabaldon: Excerpt from chapter 11 “Conversations with a Lawyer” from Outlander. Random House, 1991.
• Outlander season 1, episode 5 “Rent” and minutes 1-9 of episode 6 “The Garrison Commander” (2014 dir. Brian Kelly”)
• Christopher Wallace: Excerpt from The Resurrection Club. HarperCollins, 1999.



SUPPLERENDE MATERIALE
• Anne Mette Finderup & Agnete Fog: “1. History, Language and Literature” i Worlds of Scotland. Systime, 2024.
• “William Wallace” in the Encyclopedia Britannica. URL: https://www.britannica.com/biography/William-Wallace
• Excerpt of chapter 32 of Harry Potter and the Goblet of Fire (2000) by J.K. Rowling
• Quotes by Sir Walter Scott: https://www.goodreads.com/author/quotes/4345.Walter_Scott
• The BBC podcast series Great Lives from 2012: https://www.bbc.co.uk/programmes/b01lt2f3
• “MEPs sing Auld Lang Syne after approving Withdrawal Agreement” (https://www.youtube.com/watch?v=uA8TaMpC-R4)
https://soundcloud.com/user-36979301/emeka-ogboh-song-of-the-union
Indhold
Omfang Estimeret: 14,00 moduler
Dækker over: 17 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 7 From "Rule Britannia" to Brexit [EXAM]

Before 2.u's study trip to Scotland, students are given basic information about the internal development of the British Isles and the politics of the UK. How, when, and why did the United Kingdom emerge? How is the UK governed, and what are some examples of national, regional and single-issue political parties? After the trip, the overall examination has asked whether the national consciousness about the British Empire can be used as a primary explanation for Brexit, an argument proposed by Gary Younge in the article “British Imperial fantasies have given us Brexit” from the Guardian (2018), which students read. We study Brexit and the specialized language surrounding the event including relevant portmanteau words like bregret, brexiety and brexhaustion. In group projects students focus on a total of five explanations for Brexit emphasizing economy and the NHS, immigration, UKIP and populism, Euroscepticism, as well as historical colonial exceptionalism. These projects include a variety of quantitative and qualitative materials and connect to 2.u EN’s other studieretningsfag which is Social Sciences A-level.


At this point, students gain an overview of the British Empire and the external development of the British Isles before being introduced to postcolonial criticism. Going back to “Rule Britannia” (1740) we see an example of the continued popularity of patriotic poems from the colonial period, and compare the motivations for colonialism and imperialistic views in “The White Man’s Burden” (1899). We read Salman Rushdie’s essay “The New Empire Within Britain” as a bridge to the postcolonial relations of the British Isles today.




KERNESTOF
• Gary Younge: “Britain’s imperial fantasies have given us Brexit” in The Guardian, February 3rd 2018. URL: https://www.theguardian.com/commentisfree/2018/feb/03/imperial-fantasies-brexit-theresa-may
• James Johnson: “Rule Britannia” with music by Thomas Augustin Arne (1740)
• Rudyard Kipling: “The White Man’s Burden” (1899) from Wider Contexts (eds. Jonna Engberg-Pedersen, Mette Grønvold and Hanne Ohland-Andersen, Gyldendal 2013: 261-63)
• Boris Johnson’s Speech on the EU Referendum (May 9th, 2016)



SUPPLERENDE MATERIALE
• Skött, Jakob Sinding & Casper Sylvest: “Table 1.1. Facts about the United Kingdom” (9); “3.3 The External Perspective” (32 34); “Decline and New Questions of Identity” (38 41); “5.2 The Westminster Model” (55 56); “The Landscape of Political Parties” (65 69)69); “Text box 10.4: “Old” and “New” Commonwealth” ( 126); “Newspapers” (160, 162 63) in UK NOW: An Introduction to Modern Britain . Columbus, 2023
https://soundcloud.com/user-36979301/emeka-ogboh-song-of-the-union
• Thaysen Anne Hess & Lise Debel Christensen: “Vocabulary: hidden words” (10); “Campaign slogans” (11); “Language” (25, 27); “Breixon vocabulary” (in Divided Kingdom: Brexit and Beyond. Columbus, 2023
• “Anger over ‘Begret’ as Leave voters say they thought UK would stay in EU” by Lizzie Dearden, The Independent, June 25th 2016. URL: https://www.independent.co.uk/news/uk/politics/brexit-anger-bregret-leave-voters-protest-vote-thought-uk-stay-in-eu-remain-win-a7102516.html
• Jenkins, Jennifer: “The First Dispersal: English Is Transported to the ‘New World’” (38-39) and “The Second Dispersal: English is Transported to Asia and Africa” (76-77) in Leif Frederiksen’s English: Global Language – Global Anguish. Malling Beck, 2007
• The British Empire Quiz from The UK – From Island to Empire and Back (eds. Anne Mette Finderup and Agnete Fog, Systime, 2010: 30-31)
• Conductor David Robertson: “Rule Britannia” from Last Night at the Proms (2009), BBC Synphony Orchestra, Singers and Choir with soloist Sarah Connolly. URL: https://www.youtube.com/watch?v=rB5Nbp_gmgQ
• “The British Empire & the Commonwealth” by Marion Horner (2010)
• “Cruel Britannia” by Steve Bell, unknown publication
• BullionByPost: “Who is Britannia?.” URL: https://www.bullionbypost.co.uk/index/gold and silver/who is britannia/
• Alex von Tunzelmann: “The Imperial Myths Driving Brexit” in The Atlantic Aug 12th, 2019. URL: https://www.theatlantic.com/international/archive/2019/08/imperial-myths-behind-brexit/595813/


Group work with explanations for Brexit
• ”Why Vote Leave’s £350 million weekly EU cost claim is wrong” from The Guardian (2016)
• Ole Helmersen: “Figur 3.1 Godt/dårligt ved Storbritannien – ifølge briterne selv” from Broken Britain?. Columbus, 2013.
• ”Issues facing Britain: February” by Ipsos MORI
• “What are British people most proud of?” by Ipsos MORI
• “The health services makes more people proud to be British than our history, our culture, our system of democracy or the royal family” by The Health Foundation
• “Figure 7.2. Attitudes Among Leave and Remain Voters” from Lord Ashcroft: “How the United Kingdom voted on Thursday… and why” (June 24th 2016)
• VICE News: ”Why did England’s North vote to leave the European Union?” (link) c
• “Table 7.1 Voting Patterns in the 2016 EU Referendum” by YouGov
• “United Kingdom Independence Party” from Encyclopedia Britannica
• “UKIP Support: Groups most/least likely to vote UKIP” from YouGov
• “Breaking Point” ad by UKIP
• “Tekstboks 2.5: Donald Trump – nationalist og populist? Emotions of politics” from USA's udfordringer by Peter Brøndum and Annegrethe Felter Rasmussen, Columbus.
• “Britisk euroskepsis” From Ole Helmersen’s Brexit Britain: Great Britain eller Little England? pp. 38-41.
• “Lack of trust in the EU” from Eurobarometer
• “Trust but verify” from Economist.com
• “Half of Conservative and Leave voters are proud of the British Empire and think their countries are better off for having been colonized” from YouGov
• “Public pride in imperialism and colonialism” by YouGov
• “How Britain voted in the EU Referendum” by Gregor Aisch, Adam Pearce and Karl Russell. URL: https://www.nytimes.com/interactive/2016/06/24/world/europe/how-britain-voted-brexit-referendum.html
Indhold
Omfang Estimeret: 14,00 moduler
Dækker over: 15 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Søge information
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Selvrefleksion
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Initiativ
  • Ansvarlighed
  • Kreativitet
  • Sociale
  • Samarbejdsevne
  • Åbenhed og omgængelighed
  • IT
  • Tekstbehandling
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 8 Skr. og mdt. årsprøve

Forberedelse til skriftlig og mundtlig årsprøve
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 2 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 9 Modernism [EXAM]

"Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom" - Arthur Erickson
This course introduces students to the British and American literary movement of Modernism. After studying the historical contexts, literary theory and gaining information about new technological advances, theories on human psychology, gender theories and world politics, we take point of departure in two poems related to World War 1 as a way to distinguish what happened to the forms of expression and meanings as a result of the Great War with Rupert Brooke’s “The Soldier” (1915) as an early example and Wilfred Own’s “Dulce et Decorum Est” (1920) as a later example. Next, we see examples of new techniques invented to shape new meanings in Virginia Woolf’s interior monologue from To the Lighthouse (1927) and James Joyce’s stream-of-consciousness from Ulysses (1922). At this point, we turned to the American minimalism of Hemingway in a study if short stories “Indian Camp” (1924), “Hills Like White Elephants” (1927) and “Cat in the Rain” (1925) using the Iceberg method for interpretation as well as biographical readings. The course ends with the ending in William Butler Yeats’ poem “The Second Coming” (1919). Students write a portfolio as a way to evaluate on the course.



KERNESTOF
• “In Flanders Fields” (1915) by John McCrae
•  “The Soldier” (1915) by Rupert Brooke
• “Dulce et Decorum Est” (1920) by Wilfred Owen
• “Yes” an excerpt from Ulysses (1922) by James Joyce from Fields of Vision volume 2: G48-51
• Excerpt from chapter 17 of To the Lighthouse (1927) by Virginia Woolf
• “Indian Camp” (1924) by Ernest Hemingway
• “Hills Like White Elephants” (1927) by Ernest Hemingway
• “Cat in the Rain” (1925) by Ernest Hemingway
• “The Second Coming” (1919) by William Butler Yeats

SUPPLERENDE MATERIALE
• “Modernism: Historical Background” and “Modernism: Literary Background” from Pia Rørkær Sigh and Niels Randbo Back’s Through Literary Landscapes. Systime, 2020.
•“Modernism” in Hans Elgaard Mogensen and Karsten Kristensen Back’s Along Literary Lines. Gyldendal, 2009: 81-82.
•“The Literary Background” from Fields of Vision volume 2: G177-182
• “2.2.9 Minimalistic Fiction” and “The Modern Writing Style” in Trine Østergaard’s The English Handbook (Systime 2020). URLs: https://theenglishhandbook.systime.dk/?id=218 and https://theenglishhandbook.systime.dk/?id=201#c1020
• “Writer’s workshop: Steam of consciousness and interior monologue” in Fields of Vision vol-ume 2: G51
• “A short history of the poppy”. URL: https://www.youtube.com/watch?v=AGCHk5_2skY
• Salvador Dali: The Persistence of Memory (1931)
• Pablo Picasso’s ”The Bull” (1945)
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 18 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 10 Projektforløb 5

Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 4 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 11 Postmodernism [EXAM]

A course that introduces students primarily to the American literary movement of Postmodernism, including reading the novel Fight Club by Chuck Palahniuk (1999).
After gaining knowledge about the historical contexts for the period of Postmodernism and studying key aspects of literary movement, students have their first postmodern literary experience with Lynne Tillman’s “Little Tales of New York” which they rework in a creative writing exercise adding a 15th story to the author’s original 14 smaller stories. Next, the course offers the opportunity to return to American Psycho, which students first encountered in 2.g as part of the course “Evil,” this time also including Mary Harron’s audiovisual adaptation. Select scenes are studied providing new contexts for understanding the evil in the story, and the movie’s end scene is studied in-depth in a discussion about the movie’s ending and meaning postmodernism generally.
At this point, students read the novel Fight Club by Chuck Palahniuk with focus on the narrator and his relationships to minor characters, Tyler and Marla; the role of support groups; postmodern genre traits; and style of language. We conclude by watching David Fincher’s adaptation.
Finally, we have seen one example of the British movement of Postmodernism in Charles Higson’s “The Red Line” before students evaluated the course by electing to write a fiction or non-fiction essay on Fight Club.


KERNESTOF
• “Postmodernism” from Along Literary Lines: A Key to Text Analysis by Hans Elgaard Mogensen & Karsten Kristensen Back. Gyldendal, 2009: 107-111.
• “10 common themes and techniques in postmodern texts”
• “1.2.7 Postmodernism (1945-)” from The English Handbook by Trine Østergaard. Systime, 2020. URL: https://theenglishhandbook.systime.dk/?id=209
• “Postmodernism: Historical Background” and “Postmodernism: Literary Background” from Through Literary Landscapes – from the Romantic Age to Postmodernism by Pia Rørkær Sigh and Niels Randbo Back. Systime 2020, 257-65 and 266-75.
• Lynne Tillman: “Little Tales of New York” fra Looking for America af Bjørn Christensen. Systime, 2002: 77-83.
• Bret Easton Ellis: “April’s Fools” fra American Psycho (1991).
• American Psycho (2000) dir. Mary Harron.
• Fight Club by Chuck Palahniuk (1996).
• Fight Club (1999) dir. David Fincher.
• Charles Higson: “The Red Line” fra Now&Zen: Post-Modern Stories from London af René Bühlmann. Systime, 1995: 62-75.

SUPPLERENDE MATERIALE
• “No more barriers” scene from American Psycho via Movieclips. URL: https://www.youtube.com/watch?v=nRTjNEP6v2U
• The Take: ”American Psycho Ending Explained: What Really Happened?”. URL: https://www.youtube.com/watch?app=desktop&v=ByLEIKTjgtk&t=167s
• Diverse bogcovers til Fight Club
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 24 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 12 Shakespeare's Macbeth [EXAM]

”Something wicked this way comes”

Students carry out an in-depth study of Shakespeare’s play Macbeth (c. 1606), including the literary genre of the tragedy, historical context in the Elizabethan Age, the linguistic context of Early Modern English, as well as classic Shakespearean themes.
First, by emphasizing genre, students learn about literary theorist Christopher Booker’s thesis, The Seven Basic Plots, and we study the genre of tragedy, including Booker’s five stages and the idea of the hero’s tragic flaw.
Students are introduced to brief excerpts from the Shakespearean tragedies Hamlet and Romeo & Juliet as a way to study Shakespeare’s unusual use of both “thou” and “you” as second-person personal pronouns in Early Modern English. After seeing a brief overview of the history and development of the English language, we read about EME, including Shakespeare’s role in this version of the English language. Additionally, as a perspective to understanding the character of Lady Macbeth, we study four tropes in Shakespeare’s women and see examples from a total of eight different plays, including Cymbeline, King Lear, Hamlet, Romeo & Juliet, As You Like It, Twelfth Night, The Tempest and A Midsummer Night’s Dream.
The Elizabethan Age and the concept of the Chain of Being are central parts of our interpretation of the play, which we base on classic Shakespearean dichotomies such as chaos vs. order, fate vs. free will, and light vs. darkness.
Intertextual references in William Faulkner’s The Sound and the Fury, Gabrielle Zevin’s Tomorrow and Tomorrow and Tomorrow, Harry Potter and the Prisoner of Azkaban (dir. Alfonso Cuaron), and House of Cards, are drawn into perspective as a way to exemplify how the play has been adapted, re-worked, and utilized in contemporary popular culture. We add to this adaptation theory by Peter Schepelern and study a variety of adaptations of act 1, scene 1 before ending the course with watching Kurzel’s 2015 adaptation of the play in full.



KERNESTOF
• Christopher Booker: “Tragedy (1): The Five Stages” from The Seven Basic Plots: Why We Tell Stories. London: Continuum, 2004: 156-57, 333-34
Fra William Shakespeare. Macbeth. Cambridge School Edition, 2. udgave, 2005:
• Act 1, scenes 1-3, 5, 7
• Act 2, scenes 1-2
• Act 3, scenes 1, 4
• Act 4, scene 1
• Act 5, scenes 5, 7-8



SUPPLERENDE STOF
• Dialoguddrag fra Hamlet act 2, scene 5; act 3, scenes 2, 4.
• Dialoguddrag fra Romeo and Julie act 3, scene 5.
• Performances af act 1, scene 5 (Shakespeare at Play: https://www.shakespeareatplay.ca/macbeth-act-1-scene-5); act 3, scene 4 (RSC production: https://www.youtube.com/watch?v=gCFjpr3Ehm4); Ian McKellen’s actor’s workshop on the “Tomorrow” soliloquy (https://www.youtube.com/watch?v=4LDdyafsR7g)


• Ole Juul Lund. “The Dramatic Tradition,” “Tragedy” og “Shakespeare and his time” fra Shakespeare: Lives and Works, Gyldendal, 2012: 46-55, 94-127, 182-83.
• Mya Gosling: “MACBETH: dramatis personae” via www.goodticklebrain.com (2015)
• Anne Mette Finderup og Agnete Fog. “Early Modern English” fra Worlds of English, Systime, 2010: 15-17.
• “Witches and Witchcraft” from Cambridge School Edition
• Literary terms. Scans from Hans Elgaard Mogensen & Karsten Kristensen Back: Along Literary Lines: A Key to Text Analysis. Gyldendal,2009: 55, 64-65, 79-80, 83-84, 132-33, 152, 153.
• Unknown author: “The Elizabethan World Picture.” Unknown publishing: 25-28.
• Kevin Brookhouser: “Understanding Iambic Pentameter”. URL: https://www.youtube.com/watch?v=v0aAWuUX5jU
• Uddrag af episoden ”Chapter 1” (S01E01) fra House of Cards, dir. David Fincher, Netflix (2013): 13:30-17:59
• ”Double Double” by John Williams from Harry Potter and the Prisoner of Azkaban OST (2004)
• “Adaptation: from novel to film” and excerpt from Peter Schepelern’s Fra bog til film: typiske træk i danske filmatiseringer
• Adaptation af act 1, scene 1 fra BBC (2005), Wright (2006), Goold (2010) og Kurzel (2015)
• “Women in Shakespeare” by Saint Ignatius’ College; English Faculty uploaded on May 22nd 2014 via https://www.youtube.com/watch?v=u1NtSnCul4   
• “Macbeth: Themes Gender” by AQA English Literature GCSE via PMT Education https://pmt.physicsandmathstutor.com/download/EnglishLiterature/GCSE/Notes/AQA/Macbeth/Themes/Gender.pdf
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 18 moduler
Særlige fokuspunkter
  • Faglige
  • Lytte
  • Læse
  • Skrive
  • Diskutere
  • Projektarbejde
  • Formidling
  • Almene (tværfaglige)
  • Analytiske evner
  • Kommunikative færdigheder
  • Overskue og strukturere
  • Personlige
  • Selvstændighed
  • Selvtillid
  • Sociale
  • Samarbejdsevne
  • IT
  • Præsentationsgrafik
Væsentligste arbejdsformer
  • Forelæsninger
  • Gruppearbejde
  • Individuelt arbejde
  • Lærerstyret undervisning
  • Pararbejde
  • Projektarbejde

Titel 13 Eksamensrepetition og tilladte hjælpemidler

Følgende hjælpemidler er tilladt til eksamen

Hovedtelefoner (medbring gerne 2 sæt)

Hjemmesider (klik direkte på linket (også kaldet et deep link) her i den downloadede studieplan)
www.ordbogen.com
www.thesaurus.com
www.oxfordlearnersdictionaries.com
www.merriam-webster.com
www.minlaering.dk

Download og/eller print på forhånd
"Engelsk Grammatik med Synonymer" (bog)
"Toolbox" (lærerudarbejdet kompendium)
Handouts, arbejdsark, kompendier og slides udarbejdet til undervisningen, hvis downloadet/printet på forhånd
Egne tidligere assignments, noter og afleveringer hvis downloadet/printet på forhånd


Sådan dokumenterer du brugen af EGMS eller MinLæring i assignments 1-3, hvis nødvendigt
Lav en fodnote eller skriv det nederst i din besvarelse

Engelsk grammatik med synonymer
• STANDARDTEKST: "Overskrift på paragraf." Aase Herskind & Uffe Gravers Pedersen, Engelsk grammatik med synonymer. 2002: s. ?
• EKSEMPEL: "126b – must." Aase Herskind & Uffe Gravers Pedersen, Engelsk grammatik med synonymer. 2002: s. 68.

MinLæring
• STANDARDTEKST: "Titel på afsnit" (forkortelse med tal, der viser hvilken sektion, du har brugt). ENGRAM, MinLæring. URL: hjememside.
• EKSEMPEL: "Omvendt (V S O) ordstilling på dansk – ligefrem (S V O) på engelsk" (O.1.1). ENGRAM, MinLæring. URL: https://app.minlaering.dk/bog/1/kapitel/27537/sektion/27541

Gyldendals Røde Ordbøger
• STANDARDTEKST: ”Overskrift på opslaget.” Gyldendals Røde Ordbøger. Link
• EKSEMPEL ”Violence.” Gyldendals Røde Ordbøger. https://ordbog.gyldendal.dk/#/pages/result/daen/violence/expert?cache=1543311934537
Indhold
Omfang Estimeret: Ikke angivet
Dækker over: 7 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer