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Holdet IB2 EN A HL (2025/26) - Undervisningsbeskrivelse
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Undervisningsbeskrivelse
Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er)
2024/25 - 2025/26
Institution
Viborg Katedralskole
Fag og niveau
Engelsk -
Lærer(e)
Lea Heiberg Madsen
Hold
2024IB EN A HL (
IB1 EN A HL
,
IB2 EN A HL
)
Oversigt over gennemførte undervisningsforløb
Titel 1
Time & Space (1)
Titel 2
Time and Space (2)
Titel 3
Intertextuality - Connecting Texts
Titel 4
Intertextuality - Connecting Texts
Titel 5
Readers, Writers, Texts (2) - Chronicle of a Death
Titel 6
Time & Space (2) - The Great Gatsby
Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1
Time & Space (1)
Area of Exploration: Time and Space
Contextual perspective:
You take into account the background information of where and when the text was written, shapping your understanding og the meaning of the work in the ccontext of its historical time and place. You will also try to consider whether your understanding of the backdrop against which a work was written influences your interpretation in a meaningful way.
Literary work: The Thing Around Your Neck (2009) by Adichie (Collection of short stories)
BoW: "Crash" (2005) (Movie)
Bow: Nike (2012) Find Your Greatness (Advertisement Campaign)
Bow: Levi´s (2021) Buy Better Wear Longer (Advertisement Campaign)
Questions that we explore in class:
How important is cultural or historical context to the production and reception of a text?
To what extent do texts offer insight into another culture? To what extent do texts offer insights into individuals´ lives? And how can individual stories nuance our understanding of a culture, a community, a time? How can writers and readers interpret and change traditional literary and non-literary conventions to discuss significant issues?
Links to TOK: Interpretation of texts; To what extent is the knowledge we gain from the study of visual-based texts different from the knowledge we gain through the study of language-based texts? Is there a wrong and right way to interpret a text? To what extent can a reader understand a text that was constructed in a different culture and/or time?
Global Issues:
Field of inquiry - Politics, Power, and Justice.
Field of inquiry - Belief, Values and Education
Concepts dealt with: culture, identity and perspective
Written tasks (introduction work)
Paper 1 practice
IO pratice (1)
Indhold
Kernestof:
Yay! It´s our first English A (HL) lesson together today!
1a Lesson 1 Chimamanda Ngozie Adichie.docx
description
Lesson plan: Intro to Nigerian languages, Pidgin, and Adichie´s short story, "Cell One".
Homework: Answer the reflection questions on Adichie´s TED talk and be prepared to share your view points and ideas orally in class.
1bLanguages in Nigeria.pptx
description
Homework: Continue reading (30 min) the short story "Cell One".
Homework: Finish reading "Cell One" for today! Answer the 3 questions that you got from another group in our last lesson.
Homework: How can we talk about Adichie´s conceptualisation "the danger of the single story" i connection with "Cell One"?- Write a short response to this on Elevfeedback here on the lesson (before class).Bring the book.
Homework: Finish the 'second reading' of the first 5 pages in "A Private Experience". Write a short characterisation of Chika in which you describe her person and background based on both explicit and implicit elements in the narrative (so far).
5 A_Private_Experience.docx
description
Reading lesson (focus questions will be provided to support your reading)
Homework: “A Private Experience” must be finished for today + notes on the short story following the focus questions.
Read the full short story. Take notes while reading on the following aspects:
Underline/highlight words and sentences in the printed extract (p.49-50 in A Private Experience) that 'show' or 'suggest' (implicitly or explicitly) a development in Chika. Bring handout and notes to class.
Homework = same as yesterday (as lesson was cancelled due to Morning Assembly). Please bring the book!!!
In-text citation techniques (Lan&Lit IB1)
How to Use Direct Quotes in Your Literature Paper.docx
description
Homework: If you have not yet added your own example of "in-text citation" to the shared document, please do so before class! We will begin the lesson by looking into your work.In-text citation techniques (Lan&Lit IB1)
Homework: Look closely at the UN Women infographic. Make notes (directly on the paper if you want to) on the visual elements in the infographic. What is there? (Denotations) What is inferred or suggested?(connotations). What is the (desired) effect o
Written activity_UN Women_Infographic.docx LIF_GAP_for textual and visual texts.pdf
Homework: 15 minutes completing the analysis of the UN Infographic. We will compare and contrast your analyses in class.
We will start reading Adichie´s short story "Tomorrow is Too Far" in this lesson, and you will analyse the first few pages according to LIF.
Adichie 5 short stories.pdf
description
Homework: Please read the rest of "Tomorrow is Too Far". Take notes according to the document 'Analysing short stories - an overview'.
Analytical questions for Tomorrow is Too Far_IB1.docx
description
In today's lesson you'll continue the group work on "Tomorrow is Too Far". You will be assigned one (at least) of the questions to present in class in our next lesson :)
Group presentations on "Tomorrow is Too Far" :Q1 David and Jacqueline (Contributing: Carolina, Lucas, Lotte)
Bring the Adichie collection to class, please.
Activity for IO prep_IB12024.docx
description
Adichie's "The Arrangers of Marriage"
Adichie´s "The Arrangers of Marriage"
In today´s lesson you will continue reading Adichie´s "The Arrangers of Marriage" and work in tiny groups on some questions.
description
Finish "The Arrangers of Marriage" for today :)
Questions we'll work on in class today:
If you missed our last lessons before the break, please answer these questions:
In this lesson we will follow up on the question about "The Arrangers of Marriage" - please make sure to have full answers and quotes from the text to support them.
In this lesson we'll prepare for watching the film "Crash" which we will analyse as a non-literary text.
Class_work on Crash.docx
description
Crash manuscript.pdf
description
Crash class work (1).pptx Crash manuscript.pdf
Prepare for activities on slides 5+6 (read scenes and/or manuscript)
Start reading "The Thing Around Your Neck", the title-short story in Adichie's collection. Read for 20 minutes (at least). Try to answer the question: What is meant by 'thing' ?
Reflection questions to consider before class:
13_The Thing Around Your Neck.docx
description
Lesson1_Buy Better commercial analysis.docx
description
Lesson1_Buy Better commercial analysis (5).docx
description
Lesson2&3_New advertising campaign for Levis BoW.docx
description
Homework: (preparation for class) Read about the BBWL campaign and the thoughts behind. I have provided several links on page 1 in the attached document. Spend 10 minutes reading/researching. Then start doing a basic analysis of the picture below >>>
Skriftligt arbejde:
Titel
Afleveringsdato
English assignment I
22-08-2024
Paper 1 (IB exam paper)
03-10-2024
Paper 1 (IB exam practice)
01-11-2024
English Assignment III: Analytical Paper
17-01-2025
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Titel 2
Time and Space (2)
Time and Space (2) - Languages of War
Contextual Perspective:
You take into account the background information of where and when the text was written, shaping your understanding of the meaning of the work in the context of its historical time and place. You will also try to consider whether your understanding of the backdrop against which a work was written influences your interpretation in a meaningful way.
Concepts we explore: culture, creativity, communication, transformation
Languages of War
1.1. Introduction to The Great War
1.1.1. WW1 Propaganda: Pro-war vs. Anti-war rhetoric, propaganda in songs, poetry, early 20C ideology (gender roles, war, religion, nationalism)
1.2. BoW - British Propaganda Posters WW1
1.3. Sigfried Sassoon´s A Soldier´s Declaration
1.4. Rupert Brooke´s poem: “The Soldier”
1.4. Women´s Recruitment Song
2. Literary Work: Wilfred Owen´s _The War Poems_ (15 poems covered)
3. BoW: Lalage Snow´s Photographic project: "Portraits of Soldiers" (2012)
https://mymodernmet.com/lalage-snow-we-are-the-not-dead/?fbclid=IwAR0HhHY1C4w52B2p5VkFbs--75o635DeTIx3Z_kYNiNQDwlg2eFc9rXh0D8
Link to interviews with Soldiers:
https://abcnews.go.com/blogs/headlines/2011/12/we-are-the-not-dead-soldiers-on-afghan-mission
4. BoW: Banksy´s Street Art & The Walled Off Hotel
http://walledoffhotel.com/index.html
5. BoW: Nevinson, C R W. WW1 Paintings (1916-1920)
https://www.iwm.org.uk/collections/search?filters%5BmakerString%5D%5BNevinson%2C%20C%20R%20W%5D=on
6. IO practice (2)
Links to TOK: Validity of language; Do we need to experience the world first-hand to acquire an understanding that is valid or can language give us an understanding of the world which is just as valid? How important is language in shaping our perception of the world? (Note how Owen attempts to describe WW1 by appealing to the reader´s senses. In this way, he hopes that we will experience the scenes similarly to how he/the narrator did.)
Indhold
Kernestof:
We will start a new "grand topic" today: Languages of War. Before we start studying our next literary work, Wilfred Owen's The War Poems, you will engage in different activities to develop background knowledge about The Great War, the rhetorical lang
description
Homework: Read and listen to the recruitment song (see document). Answer the question: 1.The purpose of the song is obviously to encourage men to enlist, but which rhetorical tools are used to encourage the men to do this? Give examples, please. (rep
description
Homework: answer the following question about "The Soldier" (from Wednesday's class). Publish your answer in Elevfeedback before class :)
Lesson plan: Analyse 1 of the following WWI Recruitment Posters, pay attention to rhetorical elements (i.e. diction) and propaganda techniques. Upload your notes/outline/analysis to elevfeedback by the end of the lesson.
description
Homework: Make a short analysis of the Recruitment Poster below. In which ways is it different and/or similar to the WWI propaganda we have seen so far? How can we see that the time+context have changed when we compare to WWI posters?
description
Dear IB1 English A HL students. As I am attending a conference for language teachers in Odense, you must work independently in this lesson. Please upload your work to elevfeedback to avoid absence. Read the introduction pages in Wilfred Owen's collec
Bring the collection "The War Poems" to class today!
Wilfred Owen_Student Reflections.pptx
description
Homework: Finish writing answers to the questions for "The Parable of the Old Man and the Young" (Whom do Abram and Isaac represent? What is the effect of alluding to the Bible? What is the message and/or the moral lesson Owen wants to teach? What is
Today's lesson: Further analysis of "Parable of the Old Man and the Young". We'll also watch a selection of scenes from the WWI movie "All Quiet on the Western Front" (2022) and read the manuscript. Extract_All-Quiet-On-The-Western-Front-Read-The-Scr
Homework: same as for Tuesday
2b_Lesson The Parable of the Old Man and the Young.docx
description
Today's lesson: Modernism, Owen´s poem "Dulce et Decorum est", and preparing the IO practice.
Modernism IB1_Handout.docx
Practice the definitions until you know 12 of them by heart:
7b_Recruitment Poster_Daddy_.docx
description
Homework (see attached) 7_Lesson_The Next War poem.docx
Homework: Read the poem "The Letter" and the introduction to it in the attached document. The questions on the document are to be explored in class, so they are not part of the homework. 9_Lesson_The Letter.docx
description
L01 - Anthem for Doomed Youth.docx
description
L02 - The Doctor, Nevinson.docx
description
L02 - A few British WWI propaganda posters.docx
description
L01 - Anthem for Doomed Youth QFA.docx
description
L03 - Has Your Soul Sipped.docx
description
L03 - Has Your Soul Sipped, QFA.docx
description
HW for today's lesson: Answer the questions for analysis on "Has Your Soul Sipped?" Please copy your answers into ELEVFEEDBACK here in Lectio. :)
Please read Wilfred Owen's "Inspection" for today. :)
L05 - Inspection.docx
description
L06 - Presentation topics W4.docx
description
Men's engravable dog tag necklace
HW for today:
L09 - With an Identity Disc.docx
description
L10 - Conscious.docx
description
Analysing visuals and multimodal texts.pptx
description
BoW Nike - Find Your Greatness.pptx
description
LIF_GAP_for textual and visual texts_Student handout.pdf
description
L11 - Useful terms for visual and multimodal analysis.docx
description
paper-1-marking-criteria-2021.pdf
description
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Titel 3
Intertextuality - Connecting Texts
Intertextuality: Connecting Texts
You consider the work in light of other works - both from the same and/or different time and place. We start the course by watching a 1990´s adaptation of William Shakespeare's play: Baz Luhrman's Romeo + Juliet. This screening will serve as a starting point for our study of the plot, but also - and more importantly - for understanding how Shakespeare's text is in itsef an intertext for many other texts.
The primary goal of this course, however, is to study the original _Romeo & Juliet_ in light of the playwright and poet´s own texts (sonnet 18, 116, 130 and 147) as well as in light of the Italian poet Petrarch´s depiction of romantic love (concept: the petrarchan lover). In this course, you will also look into 16C cultural ideas and dictates on marriage, love, family and gender, to understand how these 16C notions work as intertexts in the play. Ultimately, you will study the language of Shakespeare with the aim of understanding the use of humour in his text.
Indhold
Kernestof:
L01 - The Prologue.pptx
description
L01 - R&J The Prologue, plus modern translation.docx
description
L01 - R&J The Prologue, iambic pentameter.docx
description
L02 - Intertextuality.pptx
description
HW for today: Read “Elizabethan theatre”
L02 HW - Elizabethan theatre, Romeo and Juliet.pdf
description
L03 - Film analysis questions.docx
description
HW for today:
L03 HW - Baz Luhrmann setting R&J.docx
description
L05 - Romeo + Juliet film analysis.pptx
description
L05 - Film analysis questions plus additional.docx
description
L06 - Reading and tasks for today's lesson.docx
description
L06 - Historical context, Elizabethan Era.pdf
description
L06 - Sonnet 130 with summary and analysis.docx
description
L07 - Act 1, Scene 1.pptx
description
Class notes on Romeo and Juliet
HW for today's lesson: Read Act 1, Scene 1 in Romeo and Juliet. Bring your book to class.
L08 - Act 1, Scene 1, cont..pptx
description
L09 - Act 1, Scene 5.pptx
description
Bring your R&J book to class :)
L10 - Act 1, Scene 5, cont..pptx
description
L11 - Act 2, Scene 2.pptx
description
- Bring your book- Finish your modern version of R&J's sonnet- Read Act 2, Scene 2
L11,12 - Act 2, Scene 2, jumbled.docx
description
L14 - Act 2, Scene 6.pptx
description
Bring your R&J textbook :)
L15 - Adding to the class notes.docx
description
L17 - The Lovers, photo series.pptx
description
L17 - Useful terms for visual and multimodal analysis.docx
description
L18 - Act 3, Scene 1.pptx
description
HW for today's lesson: Read the first half of R&J Act 3, Scene 1 (lines 1-107). Remember to bring your book to class.
L19 - Act 3, Scene 1, cont..pptx
description
L19 - R&J A3, S1, Literary devices and effects.docx
description
HW for today's lesson: Read the last half of R&J Act 3, Scene 1 (lines 108-196). Share puns in elevfeedback. Remember to bring your book to class.
L19 - Taylor Swift and Bruno Mars.pptx
description
L19 - Love Story, Taylor Swift, lyrics.docx
description
L19 - Just the Way You Are, Bruno Mars, lyrics.docx
description
L20 - Act 3, Scene 5.pptx
description
L20 - R&J A3,S5 pt. 1 - Margin Questions.docx
description
L21 - Act 3, Scene 5, cont..pptx
description
Read second half of R&J A3:S5
Paper 2 prep - Essay writing.pptx
description
L02 - The Flowers, Alice Walker - with line numbers.pdf
description
Structure - 5 paragraph essay on The Flowers, no intro no con.docx
description
Paper 2 prep - Essay writing, strong intros and conclusions.pptx
description
Paper 2 prep - Self-study lesson instructions, Fri May 2nd.docx
description
L22 - Act 4, Scene 3.pptx
description
L22 - R&J A4,S3, Modern scene matching.docx
description
David LaChappelle: Romeo & Juliet (H & M)
McDonald's - Romeo and Juliet
Nextel - Romeo and Juliet
L23 - Intertextual advertising.pptx
description
L24 - Act 5, Scene 3.pptx
description
Read R&J Act 5, Scene 3 (lines 1-150). Share two examples of death personified in ELEVFEEDBACK.
L25 - Act 5, Scene 3, cont..pptx
description
Read the second half of Act 5, Scene 3 (lines 151-310).
L26 - R&J intertextuality unit review.pptx
description
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Titel 4
Intertextuality - Connecting Texts
Intertextuality: Connecting Texts
Literary Work: William Shakespeare´s Romeo & Juliet
You consider the work in light of other works - both from the same and/or different time and place. We start the course by watching a 1990´s adaptation of William Shakespeare's play: Baz Luhrman's Romeo + Juliet. This screening will serve as a starting point for our study of the plot, but also - and more importantly - for understanding how Shakespeare's text is in itsef an intertext for many other texts.
The primary goal of this course, however, is to study the original _Romeo & Juliet_ in light of the playwright and poet´s own texts (sonnet 18, 116, 130 and 147) as well as in light of the Italian poet Petrarch´s depiction of romantic love (concept: the petrarchan lover). In this course, you will also look into 16C cultural ideas and dictates on marriage, love, family and gender, to understand how these 16C notions work as intertexts in the play. Ultimately, you will study the language of Shakespeare with the aim of understanding the use of humour in his text.
BoW: Nevinson´s paintings
BoW: Lalage Snowe´s "We are the not dead"
BoW:
Indhold
Kernestof:
L01 - The Prologue.pptx
description
L01 - R&J The Prologue, plus modern translation.docx
description
L01 - R&J The Prologue, iambic pentameter.docx
description
L02 - Intertextuality.pptx
description
HW for today: Read “Elizabethan theatre”
L02 HW - Elizabethan theatre, Romeo and Juliet.pdf
description
L03 - Film analysis questions.docx
description
HW for today:
L03 HW - Baz Luhrmann setting R&J.docx
description
L05 - Romeo + Juliet film analysis.pptx
description
L05 - Film analysis questions plus additional.docx
description
L06 - Reading and tasks for today's lesson.docx
description
L06 - Historical context, Elizabethan Era.pdf
description
L06 - Sonnet 130 with summary and analysis.docx
description
L07 - Act 1, Scene 1.pptx
description
Class notes on Romeo and Juliet
HW for today's lesson: Read Act 1, Scene 1 in Romeo and Juliet. Bring your book to class.
L08 - Act 1, Scene 1, cont..pptx
description
L09 - Act 1, Scene 5.pptx
description
Bring your R&J book to class :)
L10 - Act 1, Scene 5, cont..pptx
description
L11 - Act 2, Scene 2.pptx
description
- Bring your book- Finish your modern version of R&J's sonnet- Read Act 2, Scene 2
L11,12 - Act 2, Scene 2, jumbled.docx
description
L14 - Act 2, Scene 6.pptx
description
Bring your R&J textbook :)
L15 - Adding to the class notes.docx
description
L17 - The Lovers, photo series.pptx
description
L17 - Useful terms for visual and multimodal analysis.docx
description
L18 - Act 3, Scene 1.pptx
description
HW for today's lesson: Read the first half of R&J Act 3, Scene 1 (lines 1-107). Remember to bring your book to class.
L19 - Act 3, Scene 1, cont..pptx
description
L19 - R&J A3, S1, Literary devices and effects.docx
description
HW for today's lesson: Read the last half of R&J Act 3, Scene 1 (lines 108-196). Share puns in elevfeedback. Remember to bring your book to class.
L19 - Taylor Swift and Bruno Mars.pptx
description
L19 - Love Story, Taylor Swift, lyrics.docx
description
L19 - Just the Way You Are, Bruno Mars, lyrics.docx
description
L20 - Act 3, Scene 5.pptx
description
L20 - R&J A3,S5 pt. 1 - Margin Questions.docx
description
L21 - Act 3, Scene 5, cont..pptx
description
Read second half of R&J A3:S5
Paper 2 prep - Essay writing.pptx
description
L02 - The Flowers, Alice Walker - with line numbers.pdf
description
Structure - 5 paragraph essay on The Flowers, no intro no con.docx
description
Paper 2 prep - Essay writing, strong intros and conclusions.pptx
description
Paper 2 prep - Self-study lesson instructions, Fri May 2nd.docx
description
L22 - Act 4, Scene 3.pptx
description
L22 - R&J A4,S3, Modern scene matching.docx
description
David LaChappelle: Romeo & Juliet (H & M)
McDonald's - Romeo and Juliet
Nextel - Romeo and Juliet
L23 - Intertextual advertising.pptx
description
L24 - Act 5, Scene 3.pptx
description
Read R&J Act 5, Scene 3 (lines 1-150). Share two examples of death personified in ELEVFEEDBACK.
L25 - Act 5, Scene 3, cont..pptx
description
Read the second half of Act 5, Scene 3 (lines 151-310).
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Titel 5
Readers, Writers, Texts (2) - Chronicle of a Death
Readers, Writers, Texts (2) - Literary work in translation
You study the text solely as a work of art, entire of itself. You engage with the text personally as a reader and in trying to construct its meaning, you consider only its literary features or the conventions of its text type, without concerning yourself with the time or place in which it was written or how it might be different from other texts.
Literary work (in translation): Gabriel García Márquez´s _Chronicle of a Death Foretold.
Literary Genre: Magical Realism (novel)
Global Issues/Topics:
Toxic Masculinity & Collective Responsibility
Cultural Myths, Machismo & Masculinities
Fields of inquiry:
Culture, identity and community
Beliefs, values and education
Art, creativity and the imagination
BoW: GQ Magazine covers
BoW: #FighttheStigma #Unmute - Awareness of Toxic Masculinity Campaign (Philipphines)
Indhold
Kernestof:
In today´s lesson I will ask you to do a creative writing exercise to brush up your memory on Adichie, Owen and Shakespeare. So please take a close look at your notes from last year with a focus on their writing style and literary genres.I look forwa
Back To School in Three Voices.docx
description
Slides from today´s presentation:
Homework: Finish reading the two documents on Magical Realism.
(at least) Chapter 1 in Chronicle of a Death Foretold must be read for today´s lesson. And answer the following question:
Characterisation of several characters >>>4_Chronicle chapter 2 analysis.docx
description
Finish reading Chapter 2 in Chronicle of a Death Foretold - Pay close attention to the characterisation of Bayardo San Roman; How is his personality and physical appearance described? Can you find examples of 'fairy tale' elements or legend-like feat
We will begin the lesson by brushing up our techniques on how to approach the Paper 1 analysis/writing. So please take a look through your own notes and previous papers + feedback received to prepare for the task today!
description
Paper 1 on the appeal from The Elephant Sanctuary website:Marks scheme Paper 1 Elephant Sanctuary.pdf
description
Continue reading Chronicle of a Death Foretold. Finish your analysis (+ quotes) of Bayardo, the Vicario Family, and Bayardo´s family.
Re-read p. 34-40 with a focus on:
4_Chronicle chapter 2 analysis.docx
description
5_Chronicle Lesson_chpt 2.docx
description
Arguably, the following passage (see document), sums up the first five-six pages of chapter 3. In a few words,explain how it captures the essence of the first 5-6 pages of the chapter. Find a good quote about the Vicario Brothers and explain what it
In the passages that follow the ones about the knives (p. 60-62) we learn how both brothers seem rather reluctant to carrying out their duty of justice/honour. Pay attention to how they are recurrently accusing each other of “wasting time”. Find exam
Lesson plan: We´ll work on BoW "GQ Magazine Covers" through the lens of (Toxic) Masculinity.
Read chapter 4 in Chronicle of a Death Foretold
Kanye West_GQ Magazine.webp
description
Fill-in at least 8 rows in the table (handout on Kanye West GQ Magazine cover). Make an outline for the opening of a paper 1 following the GAP (the other handout from class).
We will work on Chapter 4 in Chronicle of a Death Foretold, so please being the book.
In today´s lesson we´ll close read pages 89-95 and try to understand how Toxic masculinity / machismo is internalised by Ángela.
9_Chronicle of a Death Foretold.docx
description
In the previous lesson, we looked into how we can read the description of “smells” and “diarrhea” (p. 78-80) in a symbolic way in connection with the Vicario Brothers and the theme of toxic masculinity.
In today´s class: work on the following questions and/or read the last chapter of the novel.
description
Q. What is it that makes Angela change her idea about loving Bayardo? Why is she “reborn” (p.92) And what is it that makes Angela “mistress of her fate for the first time” (p. 93)?
Finish reading Chronicle of a Death Foretold.Focus on the themes: collective responsibility & trauma, honour, machismo/toxic masculinity - and of course pay attention to how the narrative relies on magical realism to "wrap it all up". See the questio
description
11_Chronicle motif and meaning.docx
description
7 of you must record the pending IO in this module on Vocaroo and hand it in before 9:10. You know who you are :)
You will work independently on a Paper 1 (-ish) practice in class. To be handed in by the end of the lesson. Paper 1-ish.docx
Please bring headphones / airpods or similar to class!!
The Great Gatsby (1925)_IB2_.pptx
description
the-great-gatsby pdf.pdf
description
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Titel 6
Time & Space (2) - The Great Gatsby
Area of Exploration: Time and Space
Contextual perspective:
You take into account the background information of where and when the text was written. That is, the 1920s US. This background knowledge is arguably shaping your understanding og the meaning of the work in the context of its historical time and place. So, you will try to consider whether your understanding of the backdrop against which a work was written (in this case: the roaring twenties/ the jazz age) influences your interpretation in a meaningful way. However, it is also important that you think about how you might draw connections between the 'other' time/space and your/our present.
Literary work: F. Scott Fitzgerald´s novel _The Great Gatsby_ (1925)
Bow: Liza Donelly´s Political Cartoons
Bow: Lauren Greenfield, Generation Wealth
Questions that we explore in class:
How important is cultural or historical context to the production and reception of a text?
To what extent do texts offer insight into another culture or time? And how can individual stories nuance our understanding of a culture, a community, a time? How can writers and readers interpret and explore traditional literary and non-literary conventions to discuss significant issues?
Links to TOK: Interpretation of texts > To what extent can a reader understand a text that was constructed in a different culture and/or time? What makes it relatable (or not)?
Global Issues:
Moral values and corruption; class issues (old money vs new rich), romanticed love, gender dynamics, the American Dream, etc.
Field of inquiry - Politics, Power, and Justice.
Field of inquiry - Belief, Values and Education
Concepts dealt with: culture, identity and perspective
Written tasks
Paper 2 practice
mini-IO pratice (in class)
Indhold
Kernestof:
The Great Gatsby (1925)_IB2_.pptx
description
the-great-gatsby pdf.pdf
description
Chapter 2 extracts_for close reading.docx
description
As preparation for class, please do a meticulous close reading of p. 31-33 (The description of the apartment) in The Great Gatsby. Use the attached hand-out as a scaffold as you read.I have highlighted and underlined several instances of diction and
You will work in pairs to answer these questions and hand in by the end of the lesson. Or: those who are willing to partake in a reading circle can do that with me.
You must have read* (at least) up until p. 64 in The Great Gatsby
Lesson plan: I will take attendance, present the activity and then you can decide where to work with the materials.3.The Great Gatsby_Chapt 3_4 close reading_Wealth.docx
description
Some people think literature is just stories: a ‘nice’ read but separate from the ‘serious stuff like science, medicine, economics. That is not true though. Literature makes the language through which we understand our world - and even how we name it
Lesson plan:We'll catch up on "the Gatsby Curve" - what is it? What does it mean? How is it connected to the novel? Then you will look into a BoW: "Generation Wealth"
(TASK to be shared in class - and must be prepared individually)
5.The Great Gatsby chapter 4 extracts_reading focus.docx
description
Lesson plan:
Homework>>> finish close reading the given passages - write your comments directly in the document i.e. tracked comments 5.The Great Gatsby chapter 4 extracts_reading focus.docx
description
Afsnit
Overview Literary works English A.docx
description
Read the guide on 'Paper 2 prompts' and brainstorm and outline ideas for a paper on at least two of the prompts. Be prepared to share in class.
Skriftligt arbejde:
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English Assignment 3
10-11-2025
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