Holdet 2q En (2025/26) - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2024/25 - 2025/26
Institution Gentofte HF
Fag og niveau Engelsk B
Lærer(e)
Hold 2024 En-q (1q En, 2q En)

Oversigt over gennemførte undervisningsforløb
Titel 1 True Crime
Titel 2 Fantasy
Titel 3 Writing for Change
Titel 4 Global Britain - Everyone is Here
Titel 5 Modern love - every day (inkl. værklæsning)
Titel 6 India
Titel 7 The US values and immigration

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 True Crime

True Crime is one of the most popular genres of non-fiction today. The number of books, films, and tv-series about real crimes and criminals, investigations, and punishment being published continues to rise! During this course, students will explore how the genre True Crime has developed since the 18th century. They learn about the formal requirements of the different subgenres, e.g. 'criminal centric' and 'victim centric' True Crime, as well as 'historical' and 'sociological' True Crime. They see that the focus of such stories has shifted over time, from a single-minded preoccupation with the crime and the criminal to a more nuanced prism: Many modern stories look at the causes that led to criminal activity in the first place, and at how crime(s) affected victims and society as a whole.

They also reflect on such questions as: What social purpose do true crime stories serve? What do they make people feel about their lives and the world they live in?

As they engage with a number of crime stories and casesthey gain an understanding of some of the key tools and methods for the analysis of non-fiction. They also learn to place texts in the historical and cultural context in which they were produced.


*Genres: news article, news report (tv), podcast, interview, historical background (academic websites), tv-ads, tv-series, memoire.

*Curriculum:
- The Bloody History of True Crime (2016) Article by Pamela Burger
- What Is True Crime? (2022) Article by Jessica Dukes
- 6 Reasons Why People Enjoy True Crime Stories, YouTube video
- "Evil Beyond Measure" (2023), investigative report from 60 Minutes Australia
- Serial Killers podcast, "The Unabomber's Crimes and Manifesto" from 9th September 2023.
- LYNX - The Power of a Fragrance (2024)
- Southwest Airlines - Wanna Get Away? (2018)
- Toyota Prius - Let's Go Places (2018)
- Ted Bundy's Final Interview (1989)
- Netflix' Mindhunter Trailer, season 1
- Mind Hunter: Inside the FBI's Elite Serial Crime Unit (1995), true crime by John E. Douglas
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 20 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 2 Fantasy

The first works of classical fantasy were published in the wake of WWII, but the genre did not become popular with the masses or arise to critical acclaim until the 1980s. Until then, science fiction had long been one of the most favoured literary genres with the general public, but gradual disillusionment with the world created by technological and scientific 'progress' opened up a space for Fantasy: Whereas sci-fi is preoccupied with technological and science, fantasy is generally characterised by a fascination with and nostalgia for the pre-industrial past. Fantasy borrows heavily from the genres of folk- and fairytale, and works within the genre tend to rely on inspiration from the Middle-Ages.

During this course, students read works of classical and contemporary fantasy, exploring how the genre has developed since its early beginnings until today. They learn about the two sub-genres, high and low fantasy, and about their typical genre traits. The students can identify genre traits to do with setting, characters, plot, symbolism, theme and message. They can also distinguish dark fantasy from more traditional forms. Students have focused primarily on setting analysis and characterisation. Students have completed a creative writing task where they invented their own fantasy world.

CURRICULUM:
- Lewis, C.S.: "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" (1950), excerpts from the novel
- Tolkien, J.R.R: "The Lord of the Rings: The Fellowship of the Ring" (1939), excerpts from the novel
- Martin, George R.R.: "A Song of Ice and Fire: A Game of Thrones" (1996), excerpts from the novel
- Benioff, David; Weiss, D.B.: "A Game of Thrones" (2011-2019), pilot episode
- Thorne, Jack: "His Dark Materials" (2019-2022), pilot episode of the HBO series
- Reed, David: "What Is Dark Fantasy?" (2021), blog post
- Moulding Minds: "What Is Fantasy?" (2016), video
- Grossman, Lev: "Feeding on Fantasy" (2002), article
- Falcon, Hermes; Covington, Kendall: "Young Readers Struggling with ‘Reality Overload’ Drive Surging Sales of Sci-Fi and Fantasy Books" (2023), article
- Funke, Cornelia: "Through Fantasy Children Face Their Fears" (2016), article

KEY TERMS:
nostalgia, the past in the present, fairy tale, high fantasy, low fantasy, dark fantasy, secondary world, parallel world, co-existing world, the child-like hero(ine), the wise sage, the appearance as a mirror to the inner world of characters the antagonist, good vs. evil, symbols, the quest, prophesy, escapism, self-transformation.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 13 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 3 Writing for Change

Cli-fi – Writing for Change is a course about climate change. It introduces students to an exciting new genre: climate writing. Climate writing explores what climate is, and what it might become, and it includes many different types of texts and visual artforms. Climate writers use the power of language strategically to make their audience understand and act upon the urgency of the climate crisis. They are creative climate activists, whose works prompt us to think beyond the dead-end of climate anxiety and help us envision alternative climate futures.

CURRICULUM:
- Lafrenz, Helle: "The Anthropocene" (2022), article in "Cli-Fi. Writing for Change".
- Be Smart: "Why People Don't Believe in Climate Science" (2016), video
- Lindsay, Paul: "Before the Flood" (2016), documentary film
- Conservation International, "Nature Is Speaking - Harrison Ford is The Ocean" (2015), video
- Lafrenz, Helle: "Climate Fiction" (2022), article in "Cli-Fi. Writing for Change".
- Nikel, Wendy: "The Heavenly Dreams of Mechanical Trees" (2020), short story
- Huang, Roy: "EVA" (2019), short film

KEY TERMS:
the Anthropocene Era, climate change, weather, climate sceptics, climate deniers, activism, global warming, causes and effects, collective action, legislation, grassroots activism, cli-fi, solar punk, eco-dystopia.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 26 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 4 Global Britain - Everyone is Here

Global Britain – Everyone is Here
This theme focuses on the development of Britain into its status today as a superdiverse and, to some extent, convivial society. Firstly, the theme looks briefly - as a backdrop - at Britain as a colonial power. Then follows an introduction to the Windrush Generation including background reading, a letter representing the immigrants from former colonies arriving in Britain in the 50s, and a film dealing with the recent Windrush Scandal. The next part centers on the concept “White Privilege”. The concept is introduced through background reading, two short stories and a short film. Finally, the terms “superdiversity” and “conviviality” are dealt with using background reading and an analysis of both a poem and a song/music video.

Sources:
Sten Pultz Moslund: Everyone Is Here. New Shapes of Diversity and Belonging in Britain, Systime 2021, p. 7-9, 68-69, 175-179 (background reading)
BBC1: Empire, Making Ourselves at Home, 2018 (episode 2)
E. L. Norry: A Letter Home, in:
TV movie BBC 1: Sitting in Limbo, 2020
Maggie Gee: The Artist, in: Sten Pultz Moslund: Everyone Is Here. New Shapes of Diversity and Belonging in Britain, Systime 2021, p. 90-106
Riz Ahmed: The Long Goodbye, 2020 (short film)
Kate Nivison: Just Below the Surface, 1993
Benjamin Zephaniah: The British (Serves 60 Million), from the poem collection “Wicked Worlds”, 2020
Riz Ahmed: Englistan, https://genius.com/Riz-ahmed-englistan-lyrics
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 27 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 5 Modern love - every day (inkl. værklæsning)

Modern Love (inkl. værklæsning)
This theme explores various aspects of modern love. Firstly, the novel (and film) “every day”,  – which we have read in its entirety – gives insights into an alternative love story where the main character changes body every day while trying to build a love based relationship. The novel points to aspects of modern love such as sexual orientation, homosexuality, gender roles, cyber love, intimacy, unconditional love and reciprocated love. We have been introduced to Hartmut Rosa’s theory on acceleration and alienation in late modern society, as well as to his concept of resonance, of which love can be seen as an example. We have used these concepts in order to understand the book at a more philosophical level as an example of what it can feel like to live and love in the world today. Working with the theme in relation to the book, we have also read the poem “First Love” and the personal essay “Swipe Right for Loneliness: On Gamification of Dating Apps” and have discussed ideas of dating, dating apps, queerness, falling in love, being in love and relationships more generally.

Sources:

David Levithan: every day, 2012. Værklæsning (371 sider svarende til ca. ½ ns hver)

Film: Every Day (Hver Dag), 2018.

David Levithan about the book https://www.youtube.com/watch?v=7CtwWJI3WEg

”Hartmut Rosa om fremmedgørelse og resonans”, i: Magnus Riisager (red.):  Psyk B, Frydenlund 2023, p. 471-478 (baggrund på dansk)

Unesco Talks: Exploring Resonance and Acceleration with Hartmut Rosa, 2025. (de første 11 min)  https://www.youtube.com/watch?v=HuXsoK7y1FQ

Andrea Gibson: ”First Love”, 2019, i: Joachim Sonne og Rolf Wiecker: Moderns Love. Love and dating in the 21st century, Praxis 2024. p. 81-87

Nancy Jo Sales: ”Swipe Right for Loneliness: On the Gamification of Dating Apps”, 2021, i: Joachim Sonne og Rolf Wiecker: Moderns Love. Love and dating in the 21st century, Praxis 2024. p.134-142

Joachim Sonne og Rolf Wiecker: Modern Love. Love and dating in the 21st century, Praxis 2024. p.6 ”dialogue i pairs”, p. 8 ”boardgame in groups – Modern Love”, p. 108-109 ”picture description” + ”fill out the gaps” (intro-tema-øvelser)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 21 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 6 India

This theme explores India both historically and today. Through “Delhi on Chai”, we are first introduced to urban life in India today.  We work on India’s history both before and after independence and partition and develop an understanding of the way the British see themselves in relation to the colonies through George Orwell: “Burmese Days” an advertisement and Rudyard Kipling: “The White Man’s Burden”.
Turning to India today, we are introduced to caste through short video-clips and we work on gender issues in the movie “Dangal”. We focus on the new urban middle class and its struggle for love and/or wealth. Finally, we see how the colonial past still plays a role in India when we look at the way language is used both as a postcolonial identity marker and as a Lingua Franca. We dwell on the concept of Lingua Franca in order to relate it to our own use of the English language as a means of communication as well.

Sources:
Delhi on Chai https://www.youtube.com/watch?v=Am_hnXPb9SQ
Pakistan India Wagah Border Ceremony https://www.youtube.com/watch?v=a8px-S2RC60
Background text: Indian independence and partition, i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 16-19
Paintings about the partition by Satish Gujral
Nehru: Tryst with destiny i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 26-28 (1947)
George Orwell: Burmese Days (1934)
Advertisment: Pears’ Soap, McClure’s Magazine, October 1899
Rudyard Kipling: The White Man’s Burden (1899)
Background text: Mimic men i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 109
Amir Khan: Dangal, 2016 (movie)
Background text: Demarcations i: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 228-229top
Tata nano advertisment: https://www.youtube.com/watch?v=Fj7kFvk-T7g
Dating/wedding site: www.shadi.com
+ https://www.matrimonialsindia.com/india-matrimony.htm
The StayUncle initiative: https://www.youtube.com/watch?v=37NvyfKyOu4
Moshin Hamid: How to get filthy rich in Rising Asia (2013)
Sujata Bhatt: Search for my tongue
Background text: postcolonial theory: the Empire writes back, baseret på: Katrine Brøndsted (red.): Narrating India, Alt i Ord, 2016, s. 322-323
“Why did English become the international language?” by Langfocus, 2018 https://www.youtube.com/watch?v=iqDFPU9YeQM&t=215s
English as lingua franca – case India (power point presentation)
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 25 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer