Holdet 3c ENA (2025/26) - Undervisningsbeskrivelse

Undervisningsbeskrivelse

Stamoplysninger til brug ved prøver til gymnasiale uddannelser
Termin(er) 2023/24 - 2025/26
Institution Rungsted Gymnasium
Fag og niveau Engelsk A
Lærer(e) Maria Ahmed
Hold 2023 ENA/c (1c ENA, 2c ENA, 3c ENA)

Oversigt over gennemførte undervisningsforløb
Titel 1 Dystopia
Titel 2 South Africa (EXAM)
Titel 3 Evil - The Inherent Dualism in Man
Titel 4 Climate Action – Challenges of Change
Titel 5 Going Global - Being Global
Titel 6 Election Year - identity, politics, and society
Titel 7 Black Voices
Titel 8 Horror (Exam)
Titel 9 Horror (Exam)
Titel 10 Women in the Attic (Exam)
Titel 11 Men and Masculinity (Exam)
Titel 12 Hemingway (Exam)
Titel 13 The Poetry Project

Beskrivelse af de enkelte undervisningsforløb (1 skema for hvert forløb)
Titel 1 Dystopia


This course explores the concept of dystopia and examines how literature and film portray societies characterised by oppression, surveillance, inequality, and the loss of individual freedom. A dystopian society represents the opposite of a utopia and often serves as a warning about contemporary social, political, and cultural developments.

Through the study of novels, literary extracts, and film, students will investigate how dystopian texts reflect fears and concerns about power, control, conformity, technology, and human nature. The course focuses on how authors and filmmakers use imagined futures to comment on real-world issues and challenge audiences to reflect critically on their own societies.

A central focus of the course is the relationship between the individual and the state. Students will analyse how totalitarian regimes maintain power, how propaganda and social control shape behaviour, and how individuals respond to oppression. The course also explores questions such as: What makes a society dystopian? Why are dystopian narratives so popular in contemporary culture? To what extent do dystopian texts reflect current political and social concerns?

Throughout the course, students will develop their analytical competences through close reading of literary texts and the analysis of film. Particular emphasis will be placed on genre characteristics, narrative techniques, symbolism, characterisation, and the ways in which dystopian worlds are constructed. Students will also strengthen their communicative competences through discussions, presentations, vocabulary work, and analytical writing.

By examining both classic and contemporary dystopian texts, the course encourages students to reflect on freedom, democracy, power, and the future of society while developing a deeper understanding of one of the most influential genres in modern literature and popular culture.

Content:

Dystopia and utopia
Totalitarianism and political control
Surveillance and propaganda
Individual freedom versus social conformity
Power, oppression, and resistance
Genre characteristics of dystopian fiction
Literary analysis
Film analysis
Vocabulary development and language proficiency

Materials:

Suzanne Collins: The Hunger Games (2008, excerpts)
Veronica Roth: Divergent (2011, Chapter 1)
George Orwell: Animal Farm (1945)
The Hunger Games (2012)

Keywords

Dystopia
Utopia
Totalitarian regime
Surveillance
Propaganda
Resistance
Social control
Individual freedom

Extent: Approximately 150 pp.

Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 18 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 2 South Africa (EXAM)

This course introduces students to South Africa’s historical, cultural, and political development, with particular emphasis on the legacy of Apartheid and the role of Nelson Mandela in the country’s transition from racial segregation to democracy. Through a variety of fictional and non-fictional texts, poetry, speeches, journalism, and film, students will explore how South Africa’s past continues to shape contemporary society and national identity.

A central focus of the course is the Apartheid system and its impact on individuals and society. Students will examine how racial discrimination, inequality, and resistance are represented in different genres and media. The course also investigates Mandela’s political leadership, his significance as a symbol of reconciliation and democracy, and the diverse reactions to his death in 2013.

Throughout the course, students will analyse how historical events are communicated and interpreted through literature, journalism, rhetoric, and film. Particular attention will be paid to questions such as: How is Mandela represented? To what extent has South Africa overcome the legacy of Apartheid?

Students will work with rhetorical analysis, including Toulmin’s model of argumentation, literary analysis, and poetry analysis. The course aims to strengthen students’ ability to analyse, interpret, discuss, and compare texts while developing their understanding of South African history, culture, and society.

Content

South African history
Apartheid and racial segregation
Nelson Mandela’s role and legacy
National identity and reconciliation
Rhetorical analysis
Toulmin’s model of argumentation
Literary analysis
Poetry analysis

Materials

Excerpts from Long Walk to Freedom (Nelson Mandela)
Maya Angelou: His Day is Done
André Brink: A Letter to Madiba (The New Yorker)
Marina Hyde: Follow Mandela’s Example, and Roar with Laughter at All This Rightwing Fawning (The Guardian)
Nelson Mandela: I Am Prepared to Die (1963)
Mandela: Long Walk to Freedom (2013)

Extent: Approximately 40 pp.


Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 13 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 3 Evil - The Inherent Dualism in Man

This course explores the concept of evil and examines whether human beings are inherently good, inherently evil, or possess the capacity for both. Through a range of fictional and non-fictional texts, psychological theories, documentaries, and film, students investigate how evil is understood, explained, and represented in literature, society, and human behaviour.

A central focus of the course is the question of where evil originates. Students will examine different perspectives on human nature, including psychological explanations of evil, the role of social structures and authority, and the tension between individual responsibility and external influence. The course also explores how ordinary people may become capable of harmful actions under certain circumstances and how literature and popular culture represent humanity’s darker impulses.

Throughout the course, students analyse literary and non-fiction texts that challenge conventional understandings of morality and human behaviour. Key questions include: Are people born evil, or does evil develop through experience and environment? What role do power, conformity, and social pressure play in the emergence of evil? How do literary texts portray the coexistence of good and evil within the individual?

The course introduces students to psychological theories, including Carl Gustav Jung’s ideas about the Shadow and the dual nature of the human psyche. Students will work with literary analysis, non-fiction analysis, and psychological approaches to texts. Particular emphasis is placed on vocabulary development, oral discussion, language production, and the integration of grammar into the analysis of authentic texts.

Through close reading, class discussions, presentations, and analytical writing, students will develop their ability to analyse, interpret, and discuss complex ethical and psychological issues while strengthening their communicative competences in English.

Content:

The concept of evil
Human nature and morality
Psychological explanations of evil
Carl Gustav Jung and the Shadow
Conformity, authority, and social influence
Literary representations of evil
Fiction and non-fiction analysis
Vocabulary development and language production
Grammar integrated into text analysis

Materials:

Carl Gustav Jung: The Origin of Evil
Newsweek article: The Roots of Evil
Article: On the Scale of Evil, Where Do Murderers Rate?
Stephen King: The Man Who Loved Flowers (1978)
The Man Who Loved Flowers (2010, short film)
Article: The Man with Ten Personalities
Article: Are We Born Evil? (According to Psychology)
Shirley Jackson: The Lottery (1948)
Philip Zimbardo: How Most Evil Comes from Hierarchy (video)
Article: Finding Hope in Knowing the Universal Capacity for Evil

Extent: app. 35
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 9 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 4 Climate Action – Challenges of Change

This course explores the causes, consequences, and societal implications of climate change. Through a combination of non-fiction texts, literary fiction, and film, students investigate how the climate crisis affects individuals, communities, and political systems, and how it is represented in contemporary culture and public debate.

A central focus of the course is the relationship between scientific knowledge, political action, and human behaviour. Students will examine different perspectives on the climate crisis, including environmental, social, economic, and ethical dimensions. The course also explores why climate change has become one of the defining global challenges of the twenty-first century and how individuals and societies respond to the growing threat.

Throughout the course, students analyse how climate change is communicated through journalism, essays, fiction, and popular media. Particular attention is paid to questions such as: Why is it difficult for societies to respond effectively to climate change? How do writers and filmmakers represent climate anxiety, denial, and responsibility? What role do individuals, governments, and corporations play in addressing the crisis?

Students will work with both fictional and non-fictional texts and apply relevant analytical methods, including literary analysis, rhetorical analysis, and argumentation analysis. The course also aims to strengthen students’ communicative competences through discussions, presentations, vocabulary work, and analytical writing. Language proficiency is developed through continuous work with authentic texts dealing with complex contemporary issues.

By combining literary and factual perspectives, the course encourages students to reflect critically on the climate crisis and its impact on humanity while developing a deeper understanding of global challenges in the English-speaking world.

Content:

Climate change and global warming
Environmental, political, and social consequences of climate change
Climate communication and public debate
Climate anxiety, denial, and responsibility
Individual versus collective action
Literary representations of environmental crises
Rhetorical analysis and argumentation analysis
Literary analysis
Vocabulary development and language proficiency

Materials:

NASA: The Effects of Climate Change
Naomi Klein: The Radicalizing Power of Climate Change (2019)
Helen Simpson: In-Flight Entertainment (2010)
Jonathan Franzen: What If We Stopped Pretending? (2019)
Movie: Don't Look Up (2021)

Extent: Approximately 50 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 6 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 5 Going Global - Being Global

This course on globalization explores how nations evolve and interact on the global stage. We will delve into the historical and contemporary dynamics that shape global interconnectedness and influence our world today and look at English as Lingua Franca.

Historical Context
Great Britain once expanded from a small island nation to a vast empire, leaving a lasting global impact. Post-World War II, Britain’s superpower status waned, with America rising to prominence, influencing global politics, culture, and economics. The Soviet Union once challenged America’s dominance, and today, China’s increasing influence adds complexity to global power dynamics.

The Forces of Globalization
Globalization is driven by capitalism, multinational companies, and interconnected infrastructures like air, sea, and land mobility, trade, and the Internet. This interconnectedness isn't new—historically, people have always moved across boundaries for better opportunities. Ancient trade caravans were early forms of global exchange, paralleling today’s globalization.

Modern Globalization
Today, globalization means that economies, cultures, and societies are interrelated and interdependent. It impacts everyone, even those who stay within their home countries. Nations adopt common laws and regulations to facilitate trade and economic benefits, often through treaties and intergovernmental organizations like the UN, NATO, and the EU.

Course Objectives
By the end of this course, you will:

- Understand the historical evolution of globalization.
- Analyze the impact of globalization on economies, cultures, and societies.
- Explore the roles of major global players and intergovernmental organizations.
- Evaluate texts that illustrate and comment on globalization from former colonies.

Learning Approach
This course will combine lectures, discussions, readings, and multimedia resources for an engaging learning experience. Active participation is encouraged to bring diverse perspectives to discussions.

During the course we will explore the multifaceted world of globalization, gaining insights into how our world is interconnected and interdependent.

Core material:
- Jomo Kenyatta: The Gentlemen of the Jungle (1938)
- Judith Thompson: Pink (1986)
- Kushwant Singh: Karma (1950)
- Tara June Winch: Cloud Busting (2006)
- Kazuo Ishiguro: A Family Supper (1982)
- Hanif Kureshi: Weddings and Beheadings (2006)


All text are from:
Finderup & Fog: Worlds of English, 1.udg., Systime.

Approximately 27 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 11 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 6 Election Year - identity, politics, and society

This course explores the relationship between American elections, political institutions, national identity, and contemporary social issues. Through the study of speeches, articles, political commentary, and other non-fiction texts, students will examine how election campaigns both reflect and shape American society.

A central focus of the course is the American electoral system and the democratic processes that determine political leadership in the United States. Students will investigate how elections are influenced by political parties, media coverage, campaign strategies, public opinion, and voter behaviour. The course also examines the strengths and challenges of the American political system and its significance for democracy.

The course further explores how questions of identity become central during election years. Students will analyse how issues related to race, ethnicity, gender, religion, and social class are represented in political discourse and how competing visions of American identity influence political debates. Particular attention will be paid to the ways politicians, journalists, and commentators use language and rhetoric to persuade, mobilise, and influence voters.

Contemporary social and political issues form an important part of the course. Students will examine topics such as immigration, economic inequality, healthcare, climate change, and social justice, considering how these issues shape electoral campaigns and public debate. Through these discussions, students will gain insight into the relationship between politics and society in modern America.

Throughout the course, students will work with rhetorical analysis, argumentation, and critical reading of non-fiction texts. The course aims to strengthen students’ communicative competences through discussions, presentations, vocabulary work, and analytical writing while developing their understanding of American political culture and contemporary society.

By examining both political institutions and current societal debates, students will develop a deeper understanding of the complexities of American democracy and the role elections play in shaping the nation's future.

Content

The American electoral system
Presidential elections and voter behaviour
American political institutions
Political parties and political ideologies
American identity and political discourse
Race, gender, religion, and politics
Contemporary social and political issues
Media and political communication
Rhetorical analysis
Argumentation analysis
Vocabulary development and language proficiency

Materials

Speeches, articles, opinion pieces, and political commentary related to the American election cycle
Contemporary texts on American identity, politics, and society
Supplementary multimedia resources, including news coverage, campaign material, and political debates

Keywords

Democracy
Elections
American identity
Political parties
Political discourse
Media
Voter behaviour
Social justice
Immigration
Democrats
Republicans
Political branches
Checks and balances

Extent: Approximately 30 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 20 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 7 Black Voices

This course explores the history, culture, and lived experiences of Black Americans from slavery to the present day. Through literary and non-literary texts, speeches, poetry, documentaries, film excerpts, and visual material, students will examine how African Americans have experienced and challenged slavery, segregation, racism, and inequality while shaping American culture, politics, and identity.

A central focus of the course is to move beyond legislation and political events and instead explore history through African American voices. By studying autobiographical narratives, speeches, poems, and contemporary texts, students gain insight into how Black Americans have understood and represented their own experiences across different historical periods. The course highlights both the systemic barriers faced by Black Americans and the resilience, activism, and cultural achievements that have emerged in response.

The course is organised around four main themes: Slavery, Separate but Equal, I Am a Man, and Post-Racist America?. Students will investigate how slavery shaped American society, how segregation continued racial inequality after emancipation, how the Civil Rights Movement challenged systemic discrimination, and how issues of race remain relevant in contemporary America.

Throughout the course, students will analyse a wide range of genres, including slave narratives, poetry, speeches, journalism, documentaries, and film. Particular attention will be paid to questions such as: How have Black Americans represented their own experiences? How have racism and discrimination evolved over time? What role did figures such as Harriet Tubman and Martin Luther King Jr. play in the struggle for equality? To what extent has America overcome its racial divisions?

Students will work with literary analysis, rhetorical analysis, historical contextualisation, and media analysis. The course also includes continuous work with language proficiency through vocabulary development, grammar, translation exercises, oral discussions, presentations, and analytical writing. Historical introductions to each theme provide students with the contextual knowledge necessary to understand the texts and perspectives studied.

By combining historical, literary, and contemporary perspectives, the course aims to develop students’ understanding of African American history and culture while encouraging critical reflection on race, identity, and social justice in the United States.

Content

Slavery and slave narratives
Abolitionism and resistance
Reconstruction and segregation
"Separate but Equal" and institutional racism
The Civil Rights Movement
Martin Luther King Jr. and the struggle for equality
African American poetry and literature
Race, identity, and representation
Contemporary issues and debates about racism
Black Lives Matter and police-community relations
Literary analysis
Rhetorical analysis
Media analysis
Vocabulary development and language proficiency
Grammar integrated into text work

Main Themes

Slavery
Separate but Equal
I Am a Man
Post-Racist America?

Materials

Excerpts from slave narratives
Harriet Tubman: Abolitionist
Langston Hughes: I, Too and Ballad of the Landlord (1925)
Martin Luther King Jr.: I Have a Dream (1963)
Historical timelines and documentary material
12 Years a Slave (selected material)
Movie: 12 Years a Slave (2013)
The Birth of a Nation (1915) and related analysis
The Hate U Give (trailer and supplementary material)
N.W.A: The World’s Most Dangerous Group (documentary excerpts)
Contemporary articles on race relations and policing in America

From: Thomsen & Møller: Black Voices, systime, 2022


Keywords

Slavery
Segregation
Civil Rights
Racism
Equality
African American Literature
Identity
Representation
Social Justice
Black Lives Matter
Police Relations
Resistance

Extent: Approximately 70 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 22 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 8 Horror (Exam)

This course explores what makes horror fiction so captivating and delves into its impact on readers and society.

Exploring the Genre
Horror fascinates and repels, prompting us to question both the genre and ourselves. Does it allow us to vent forbidden emotions, satisfy curiosity, prove courage, or confront repressed fears? Or does it simply trigger survival instincts, providing a biochemical thrill?

Course Content
This course presents texts designed to evoke feelings of unease, terror, and horror. It also provides an analytical framework to understand and discuss how these emotions are created. We explore horror through three key approaches:

Horror - A Mirror of the Human Psyche
Understanding psychological theories, particularly Freud's concepts of the Id, Ego, and Superego, helps explain our fascination with horror. The genre often explores repressed thoughts and desires, making us uneasy yet excited as we confront the hidden parts of our minds.

Horror - A Mirror of Society
Horror reflects the conflicts and norms of the society in which it is created. Themes like religion, class, family, gender, and science often appear, as the genre plays on culturally specific fears. The evolution of sub-genres and monsters over time highlights these societal changes.

Horror - A Mirror of Human Nature
Biological and evolutionary explanations for our responses to horror focus on instinctual survival mechanisms. Horror provokes adrenaline rushes, nausea, and screams, playing on our innate fears developed over millions of years. This biological response explains the universal appeal of the genre.

Course Objectives
By the end of this course, you will:

- Gain a deep understanding of horror's psychological, societal, and biological aspects.
- Analyze texts to explore how horror evokes strong emotional responses.
- Discuss the relevance and validity of different theoretical approaches to horror.

Learning Approach
We will use a combination of lectures, discussions, readings, and multimedia resources to engage with the material. Each approach will be supported by historical context and analytical exercises to deepen your understanding.

Texts:
Stephen King: Why We Crave Horror Movies (1982)
Stephen King: The Boogeyman (1973)
Carol J. Clover: Her Body, Himself: Gender in the Slasher Film (1987)
Bram Stoker: Dracula (1897)
Thomas Harris: The Silence of the Lambs (1988), excerpt from chapter 56
Movie: Jonathan Demme: Silence of the Lambs (1991)
Edgar Allan Poe: The Raven (1845)
H. P. Lovecraft: The Rats in the Walls (1924), excerpt
Movie: Tim Burten: Sleepy Hollow (1999)

App. 50 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 12 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 9 Horror (Exam)

Horror

This course explores what makes horror fiction so captivating and delves into its impact on readers and society.

Exploring the Genre
Horror fascinates and repels, prompting us to question both the genre and ourselves. Does it allow us to vent forbidden emotions, satisfy curiosity, prove courage, or confront repressed fears? Or does it simply trigger survival instincts, providing a biochemical thrill?

Course Content
This course presents texts designed to evoke feelings of unease, terror, and horror. It also provides an analytical framework to understand and discuss how these emotions are created. We explore horror through three key approaches:

Horror - A Mirror of the Human Psyche
Understanding psychological theories, particularly Freud's concepts of the Id, Ego, and Superego, helps explain our fascination with horror. The genre often explores repressed thoughts and desires, making us uneasy yet excited as we confront the hidden parts of our minds.

Horror - A Mirror of Society
Horror reflects the conflicts and norms of the society in which it is created. Themes like religion, class, family, gender, and science often appear, as the genre plays on culturally specific fears. The evolution of sub-genres and monsters over time highlights these societal changes.

Horror - A Mirror of Human Nature
Biological and evolutionary explanations for our responses to horror focus on instinctual survival mechanisms. Horror provokes adrenaline rushes, nausea, and screams, playing on our innate fears developed over millions of years. This biological response explains the universal appeal of the genre.

Course Objectives
By the end of this course, you will:

- Gain a deep understanding of horror's psychological, societal, and biological aspects.
- Analyze texts to explore how horror evokes strong emotional responses.
- Discuss the relevance and validity of different theoretical approaches to horror.

Learning Approach
We will use a combination of lectures, discussions, readings, and multimedia resources to engage with the material. Each approach will be supported by historical context and analytical exercises to deepen your understanding.

Texts:
Stephen King: Why We Crave Horror Movies (1982)
Stephen King: The Boogeyman (1973)
Carol J. Clover: Her Body, Himself: Gender in the Slasher Film (1987)
Bram Stoker: Dracula (1897)
Thomas Harris: The Silence of the Lambs (1988), excerpt from chapter 56
Movie: Jonathan Demme: Silence of the Lambs (1991)
Edgar Allan Poe: The Raven (1845)
H. P. Lovecraft: The Rats in the Walls (1924), excerpt
Movie: Tim Burten: Sleepy Hollow (1999)

50 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 10 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 10 Women in the Attic (Exam)

This course explores the development of feminism and changing perceptions of women from the nineteenth century to the present day. Through historical documents, speeches, fiction, non-fiction, documentaries, and popular culture, students will examine how women’s rights, opportunities, and social roles have evolved and how feminist movements have challenged traditional gender expectations.

A central focus of the course is the historical struggle for equality and the ways in which women have sought political, social, and economic rights. Students will investigate key moments in feminist history, including the fight for suffrage, second-wave feminism, and contemporary feminist debates. The course also explores how literature and media have represented women and how these representations both reflect and shape societal attitudes toward gender.

The course follows the development of feminism across different historical periods and examines how issues such as education, political participation, work, family life, sexuality, and representation have been debated. Particular attention will be paid to questions such as: How has the role of women changed over time? What challenges have women faced in different historical periods? How do contemporary discussions about gender compare with earlier feminist struggles? To what extent has gender equality been achieved?

Throughout the course, students will analyse a wide range of genres, including political speeches, short stories, novels, opinion pieces, documentaries, and music videos. By comparing historical and contemporary texts, students will gain insight into both continuity and change in attitudes towards women and gender roles.

Students will work with literary analysis, rhetorical analysis, media analysis, and historical contextualisation. The course also aims to strengthen communicative competences through discussions, presentations, vocabulary work, and analytical writing. Particular emphasis is placed on understanding how language, representation, and narrative contribute to the construction of gender and identity.

By combining historical, literary, and cultural perspectives, the course encourages students to develop a nuanced understanding of feminism and the continuing debates surrounding gender equality in the English-speaking world.

Content

The history of feminism
The first, second, and third waves of feminism
Women's suffrage and political rights
Gender roles and social expectations
Feminist literature and cultural criticism
Representation of women in media and popular culture
Gender, power, and identity
Contemporary feminist debates
Literary analysis
Rhetorical analysis
Media analysis
Historical contextualisation
Vocabulary development and language proficiency

Materials

Historical background on feminist theory and movements
Elizabeth Cady Stanton: The Declaration of Sentiments (1848)
Susan B. Anthony: On Women's Right to Vote (1873)
Kate Chopin: The Story of an Hour (1894)
Gloria Steinem: After Black Power, Women's Liberation (1969)
Margaret Atwood: The Handmaid’s Tale (1985)
Kelsey Lueptow: Feminism Now: What the Third Wave is Really About (2014)
Malala Yousafzai: Nobel Lecture (2014)
Music videos by Beyoncé and Ariana Grande
National Geographic article: Brave Female Scientists/Researchers
Documentary material on feminism and women's rights

Keywords

Feminism
Women's Rights
Suffrage
Gender Equality
Patriarchy
Representation
Identity
Empowerment
Gender Roles
Social Change

Extent: Approximately 325 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 26 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 11 Men and Masculinity (Exam)

We will work with masculine identity as it is expressed in three major literary periods: the renaissance, early modernism, postmodernism.

While working with Shakespeare we will focus on the genre of drama, Elizabethan language, and the renaissance as a historical periode as well as a world picture. We will take a look at Macbeth as the tragic hero and how his actions transform cosmos into chaos.  

Hereafter we will study Hemingway and his unique minimalistic way of writing and examine what it means, according to Hemingway, to be a man.  This topic draws parallels to previously read texts by Hemingway.

Then we will explore what it means to be a man today, through the analysis of the movie Fight Club by David Fincher based on the novel of the same title by Chuck Palahniuk We will look at the new role of men and the feminasation of society and the postmodern individual.


Keywords:
Cosmos versus chaos, The Great Chain of Being, Elizabethan world picture, hierarchy, tragedy, monologue, soliloquy, greed, ambition, duty, the tragic hero, the tragic flaw, emasculation, gender roles, masculine identity, violence, power, minimalism, postmodernism, the contemporary male.

Material:
Macbeth:
Fields of Vision: om Shakespeare, The historical and social context of Shakespeare, Elizabethan world view + the Shakespearean theater, The tragic hero, the tragic flaw, context and introduction to the play.
Along Literary Lines: act, drama, the renaissance, soliloquy, tragedy.
William Shakespeare: Macbeth
Act I, scene 1, scene 2, Act II, scene 1 (only Macbeth's soliloquy: "Is this a dagger which I see before me"), Act V, scene 1.
Film: BBC Shakespeare Animated Tales Macbeth part 1-3.  

The Short Happy Life of Francis Macomber:
Ernest Hemingway: The Short Happy Life of Francis Macomber

Fight Club:
Material on postmodernism.
Film: Fight Club based on the novel by Chuck Palahnuiks of the same name.
Handout on Freudian analysis.

App. 50 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 22 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer

Titel 12 Hemingway (Exam)

This course introduces students to the American author Ernest Hemingway and explores his contribution to twentieth-century literature. Through the study of selected short stories, students will examine Hemingway’s distinctive writing style, his recurring themes, and his influence on modern fiction.

A central focus of the course is Hemingway’s minimalist approach to writing, often referred to as the Iceberg Theory, where much of the meaning remains unstated beneath the surface of the text. Students will investigate how Hemingway creates tension, characterisation, and emotional depth through concise language, dialogue, and understatement. The course also explores how readers are invited to actively interpret what is left unsaid.

Throughout the course, students will analyse themes that frequently appear in Hemingway’s work, including masculinity, family relationships, violence, loss, initiation, and the complexities of human communication. Particular attention will be paid to questions such as: How does Hemingway create meaning through simplicity? How do his characters respond to conflict, trauma, and emotional challenges?

Students will work with close reading and literary analysis of short fiction while developing an understanding of modernist literary techniques. The course also introduces students to the concept of minimalism and places Hemingway within a broader literary and historical context.

As part of the course, students will independently select and analyse a Hemingway short story and present their findings in an oral presentation. This assignment allows students to apply analytical concepts and develop their communicative competences through academic discussion and presentation.

The course aims to strengthen students’ literary analytical skills, vocabulary development, oral proficiency, and understanding of one of the most influential authors in American literature.

Content:

Ernest Hemingway and Modernism
Hemingway’s life and literary significance
The Iceberg Theory and minimalism
Characterisation through dialogue and understatement
Masculinity and identity
Family relationships and conflict
Violence, loss, and initiation
Literary analysis of short fiction
Oral presentation skills
Vocabulary development and language proficiency

Materials

Ernest Hemingway: Indian Camp (1921)
Ernest Hemingway: The Killers (1927)
Ernest Hemingway: The Doctor and the Doctor’s Wife (1925)
Ernest Hemingway: Hills Like White Elephants (1927)
Ernest Hemingway: Big Two-hearted River (1925)
Ernest Hemingway: Soldier's Home (1925)
Article on literary minimalism
Background material on Hemingway and his authorship

Student Assignment:
Independent analysis and oral presentation of a self-selected Hemingway short story


Keywords

Minimalism
Iceberg Theory
Modernism
Masculinity
Conflict
Dialogue
Symbolism
Understatement
Literary Analysis

Extent: Approximately 30 pages


Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 12 moduler
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Titel 13 The Poetry Project

This course introduces students to a broad selection of British and American poetry and explores poetry as both a literary genre and a means of personal expression. Through the study of poems from different historical periods and literary traditions, students will develop an understanding of how poets use language, form, imagery, rhythm, and symbolism to communicate ideas, emotions, and experiences.

A central focus of the course is the analysis and interpretation of poetry. Students will work with relevant analytical methods and literary terminology to examine how meaning is created through poetic language and structure. The course also encourages students to consider how poetry reflects historical, cultural, and personal perspectives while exploring universal themes such as love, nature, identity, society, mortality, and human experience.

Throughout the course, students will analyse poems from a variety of literary periods, including the Renaissance, Romanticism, Victorian literature, Modernism, and contemporary poetry. Particular attention will be paid to questions such as: How does poetic language differ from everyday language? How do poets create meaning through imagery and symbolism? How can a poem be interpreted in multiple ways? What role does poetry play in expressing personal and collective experiences?

In addition to analysing poetry, students will engage in creative writing activities designed to strengthen their understanding of poetic techniques and encourage personal expression. By experimenting with different forms and styles, students will explore poetry as a creative art form and develop confidence in their own written expression.

The course also places emphasis on collaboration and communication. Students work in groups to research, analyse, and present selected poems, thereby developing their skills in cooperation, project management, oral communication, and visual presentation. Through presentations and class discussions, students will improve their oral proficiency and their ability to communicate literary interpretations in English.

By combining analytical, creative, and communicative approaches, the course aims to deepen students’ appreciation of poetry while strengthening their literary competence and language skills.

Content

British and American poetry
Poetic language and imagery
Form, structure, and genre characteristics
Symbolism and figurative language
Historical and literary contexts
Interpretation of poetry
Creative writing and self-expression
Oral presentation skills
Group collaboration and project work
Vocabulary development and language proficiency

Poets and Poems Studied

Robert Frost: Stopping by Woods on a Snowy Evening
John Donne: The Sun Rising
William Wordsworth: I Wandered Lonely as a Cloud
Alfred Tennyson: Summer Night
Emily Dickinson: Much Madness is Divinest Sense
William Shakespeare: Sonnet 130
Percy Bysshe Shelley: Ode to the West Wind

Keywords

Poetry
Imagery
Symbolism
Metaphor
Form and Structure
Romanticism
Renaissance Poetry
Victorian Poetry
Interpretation
Creativity
Oral Presentation

Working Methods

Poetry analysis and interpretation
Creative writing exercises
Group-based project work
Student presentations
Class discussions
Research and independent learning

Extent: Approximately 9 pp.
Indhold
Kernestof:
Omfang Estimeret: Ikke angivet
Dækker over: 6 moduler
Særlige fokuspunkter
Væsentligste arbejdsformer